Ron Pope

When
Event has passed (Sat Feb 17, 2018 - Sat Feb 17, 2018)
Where
The Fillmore
Time
08:00 PM
Cost
$22.50
Tags
Music
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Description

Fifteen years and seven studio albums into a career hovering at the edges of the music business, fighting for a seat at the table, Ron Pope is now in the midst of flipping that table over. It took a decade to become an overnight success. Hundreds of millions of streams, millions of singles sold, concerts packed out into the street all over the world; all of a sudden Ron Pope is part of the discussion. “At the very least, now I don’t really have to give a shit what anyone in the business expects from me. That’s pretty liberating. It’s like ‘Everyone’s making music that sounds like such and such this year’ and I can say ‘Cool. I don’t give a fuck; my fans just want me to do something good and they’ll stick with me as long as what I record is real and honest and full of songs that are worth listening to. So I’m just gonna keep doing what I do.’ That’s the freedom that holding onto my independence for so long and finding real success has bought me” Pope says from the East Nashville office of Brooklyn Basement Records, the label he runs alongside his wife and manager, Blair Clark.For his newest album “Work,” Pope once again co-produced with Grammy Award winner Ted Young (The Rolling Stones, Grace Potter, Sonic Youth). The duo decided to record in Nashville at Welcome to 1979, an analog-centric studio. For Pope, this album marked his first recorded to tape. “It forced us to make choices. Digital recording allows you to do a limitless amount of takes. In the past, we could do five or ten takes of everything and pick and choose, but on this record, if we wanted to record another take of something, we often had to erase what was already there. Those decisions influenced us to play like we meant it on every take. Our friend Charles Ray, who’s my favorite trumpet player, came in to help on the record and what you hear on ‘Dancing Days’ is his first take, no editing, no fixing, no reconsidering. That’s just what he played and we all just yelled ‘Next’ and moved on! The spontaneity and looseness flavored this album in a way that feels really exciting and new to me.”

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Location

location
  1. The Fillmore 1805 Geary Blvd, San Francisco, CA