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at Garfield Square (10am - 2pm)
March Gladness is a community recreation event bringing together children, youth, families, and community members to celebrate what is good in the neighborhood, and bring needed resources to the community. There will be several teams competing in soccer and flag football matches.
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at Downtown San Francisco (11:30am - 5pm)
The streets of San Francisco will turn green on March 15th for the oldest and largest St. Patrick's Day Parade west of the Mississippi. Join thousands of Irish dancers, pipers, Wolfhounds, city officials and community organizations as they reel and march down Market Street.
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at Fat City (9pm)
It is Ed Banger in France, Simian Mobile Disco in Britain and it's Boys Noize in Germany. Boys Noize is Germany's crack back into the electro scene with Oi Oi Oi, an album that relies heavily on fuzz bass drones, but finds moments of synth-pop delicacy. Boys Noize aka Alex Ridha (Berlin) has created a noisy (of course), pummeling and instantly likeable electro-house style...
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at The Independent (9pm)
While it has been argued that Brazilian music in general is marked by a fusion of influences only fitting for a country with such diversity of ethnicities, cultures, and races, Sambada offers a new take on Brazil's worldly music. They brings the frenetic carnival vibe of Rio's sambas. There is an edge to their music, and a funk energy.
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at Mighty (10pm - 4am)
The question is often asked, just how sane is The Mad Professor? Judging by the contents of his character and by the results of his recordings, and the variety of the artistes who has passed through Ariwa studios then he is certainly one of the sanest producers around. Neil Fraser began his musical career on the technical side of things as a service engineer for mixing desks and amplifiers...
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at Bottom of the Hill (10pm)
Alex Scally (guitar/keyboards) and Victoria Legrand (vocals/keyboards), the latter of whom is the niece of French composer Michel Legrand, create the dreamy lo-fi sounds of Beach House. The Baltimore duo formed in 2005 with Legrand's Nico-like vocal hush and Scally's delicate instrumentation...
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