The discography of Welsh alternative rock band the Joy Formidable consists of three studio albums, one live album, three extended plays and 15 singles. Their debut extended play, A Balloon Called Moaning, was released in December 2008, followed by their debut studio album, The Big Roar, in January 2011, which reached No. 31 on the UK Albums Chart, and produced the singles "Whirring" and "A Heavy Abacus", which reached No. 7 and No. 25 on the US Alternative Songs Chart, respectively. Their second studio album, Wolf's Law, was released in January 2013 and reached No. 41 and No. 51 on the UK Albums Chart and the US Billboard 200, respectively. Their third studio album, Hitch was released in March 2016. Their fourth studio album, AAARTH, was released on 28 September 2018.
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Growing up in North Wales, I'd spend those summer days lying on the ground in the hay field at the front of the house, looking up to the sky, imagining familiar shapes in the clouds. Only thing was, the grass in the deep days of summer was often too high to even see any sky at all, you'd just disappear into the perfect hiding place. I think writing these songs became a different type of hiding place for me. Making this album has felt like trying to get a glimpse of the sky. This week, the wind blew the grass clear and we finally set eyes on that beautiful, formidable sky again. While the world today often feels more alluring & uglier than it was when we began this musical journey, I'm nevertheless reminded at how powerful music can be, how it heals, hurts, and how it wakes you up. I can't wait to share this madness with the rest of you someday soon. - Lots of love, RB (Ritzy Bryan)
THE JOY FORMIDABLE
AAARTH makes a statement unlike its predecessors. Drawing inspiration from a worldwide climate of political and social uncertainty the band transplanted themselves in Utah's vivid natural landscape immersed in a collage of colors and light, the ever fluid and expansive Southwestern sky mirroring our rapidly-changing world. The deep burnt-orange rocks and canyons became touchstones as the band formed the sonic landscapes of AAARTH. From soaring choruses to percussive pulsating guitars, The Joy Formidable paint an 11 song musical tapestry deftly balancing a sound as grounded as their ancient surroundings and as elusive and mind-bending as a gloaming desert sky.
AAARTH first came to life on the road penning lyrics and recording selected parts in hotel rooms around the world. They self-produced and mixed most of the album in their mobile recording studio. This critically adored trio is comprised of Ritzy Bryan (lead vocals, guitars), Rhydian Dafydd (bass, backing vocals) and Matt Thomas (drums, percussion). Formed in North Wales 10 years ago, each album they've released has been a joyful adventure and reflection of their fearless creative discovery and self evolution. The Joy Formidable has always refused to be fenced in or fit in. That restless and boundless artistic journey continues on their fourth album, an arresting and unapologetic tour de force that finds a band at its apex with no sign of getting comfortable.
Certainly, the road to AAARTH hasn't always been easy. Staying together as a band for 10 years requires immense tenacity and passion, both of which The Joy Formidable have never lost. That same tenacity echoes in their new unrelenting affecting musical treatise. The songs, melodies, and arrangements on AAARTH soar seamlessly from the personal to the epic sometimes in loneliness, vulnerability, disillusionment, joy,and redemption, but all the while refusing to deny the persistence of our own and other's imperfectly beautiful humanity. Fernando Chamerelli's evocative album art frames this vibrant, diverse, and playful melodic and lyrical collage.
While the sounds build the mood at the heart of this album are haunting songs that don't let go, "Cicada (Land On Your Back)" draws on the shamanistic influence of Utah, infusing the melody with a lingering psychedelic impression. "We wanted some kind of rebirth, the way you do in a tribal drug ceremony," Rhydian says. "We wanted to lose ourselves and start again." These themes of feeling lost and letting go only to reconnect with yourself thread through the songs. In "All and All" these themes are echoed, as the guitars hypnotically build into a crashing tide of reckless abandon, hope, yearning, and desperation.
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~~~~~~~~
Growing up in North Wales, I'd spend those summer days lying on the ground in the hay field at the front of the house, looking up to the sky, imagining familiar shapes in the clouds. Only thing was, the grass in the deep days of summer was often too high to even see any sky at all, you'd just disappear into the perfect hiding place. I think writing these songs became a different type of hiding place for me. Making this album has felt like trying to get a glimpse of the sky. This week, the wind blew the grass clear and we finally set eyes on that beautiful, formidable sky again. While the world today often feels more alluring & uglier than it was when we began this musical journey, I'm nevertheless reminded at how powerful music can be, how it heals, hurts, and how it wakes you up. I can't wait to share this madness with the rest of you someday soon. - Lots of love, RB (Ritzy Bryan)
THE JOY FORMIDABLE
AAARTH makes a statement unlike its predecessors. Drawing inspiration from a worldwide climate of political and social uncertainty the band transplanted themselves in Utah's vivid natural landscape immersed in a collage of colors and light, the ever fluid and expansive Southwestern sky mirroring our rapidly-changing world. The deep burnt-orange rocks and canyons became touchstones as the band formed the sonic landscapes of AAARTH. From soaring choruses to percussive pulsating guitars, The Joy Formidable paint an 11 song musical tapestry deftly balancing a sound as grounded as their ancient surroundings and as elusive and mind-bending as a gloaming desert sky.
AAARTH first came to life on the road penning lyrics and recording selected parts in hotel rooms around the world. They self-produced and mixed most of the album in their mobile recording studio. This critically adored trio is comprised of Ritzy Bryan (lead vocals, guitars), Rhydian Dafydd (bass, backing vocals) and Matt Thomas (drums, percussion). Formed in North Wales 10 years ago, each album they've released has been a joyful adventure and reflection of their fearless creative discovery and self evolution. The Joy Formidable has always refused to be fenced in or fit in. That restless and boundless artistic journey continues on their fourth album, an arresting and unapologetic tour de force that finds a band at its apex with no sign of getting comfortable.
Certainly, the road to AAARTH hasn't always been easy. Staying together as a band for 10 years requires immense tenacity and passion, both of which The Joy Formidable have never lost. That same tenacity echoes in their new unrelenting affecting musical treatise. The songs, melodies, and arrangements on AAARTH soar seamlessly from the personal to the epic sometimes in loneliness, vulnerability, disillusionment, joy,and redemption, but all the while refusing to deny the persistence of our own and other's imperfectly beautiful humanity. Fernando Chamerelli's evocative album art frames this vibrant, diverse, and playful melodic and lyrical collage.
While the sounds build the mood at the heart of this album are haunting songs that don't let go, "Cicada (Land On Your Back)" draws on the shamanistic influence of Utah, infusing the melody with a lingering psychedelic impression. "We wanted some kind of rebirth, the way you do in a tribal drug ceremony," Rhydian says. "We wanted to lose ourselves and start again." These themes of feeling lost and letting go only to reconnect with yourself thread through the songs. In "All and All" these themes are echoed, as the guitars hypnotically build into a crashing tide of reckless abandon, hope, yearning, and desperation.
The discography of Welsh alternative rock band the Joy Formidable consists of three studio albums, one live album, three extended plays and 15 singles. Their debut extended play, A Balloon Called Moaning, was released in December 2008, followed by their debut studio album, The Big Roar, in January 2011, which reached No. 31 on the UK Albums Chart, and produced the singles "Whirring" and "A Heavy Abacus", which reached No. 7 and No. 25 on the US Alternative Songs Chart, respectively. Their second studio album, Wolf's Law, was released in January 2013 and reached No. 41 and No. 51 on the UK Albums Chart and the US Billboard 200, respectively. Their third studio album, Hitch was released in March 2016. Their fourth studio album, AAARTH, was released on 28 September 2018.
~~~~~~~~
Growing up in North Wales, I'd spend those summer days lying on the ground in the hay field at the front of the house, looking up to the sky, imagining familiar shapes in the clouds. Only thing was, the grass in the deep days of summer was often too high to even see any sky at all, you'd just disappear into the perfect hiding place. I think writing these songs became a different type of hiding place for me. Making this album has felt like trying to get a glimpse of the sky. This week, the wind blew the grass clear and we finally set eyes on that beautiful, formidable sky again. While the world today often feels more alluring & uglier than it was when we began this musical journey, I'm nevertheless reminded at how powerful music can be, how it heals, hurts, and how it wakes you up. I can't wait to share this madness with the rest of you someday soon. - Lots of love, RB (Ritzy Bryan)
THE JOY FORMIDABLE
AAARTH makes a statement unlike its predecessors. Drawing inspiration from a worldwide climate of political and social uncertainty the band transplanted themselves in Utah's vivid natural landscape immersed in a collage of colors and light, the ever fluid and expansive Southwestern sky mirroring our rapidly-changing world. The deep burnt-orange rocks and canyons became touchstones as the band formed the sonic landscapes of AAARTH. From soaring choruses to percussive pulsating guitars, The Joy Formidable paint an 11 song musical tapestry deftly balancing a sound as grounded as their ancient surroundings and as elusive and mind-bending as a gloaming desert sky.
AAARTH first came to life on the road penning lyrics and recording selected parts in hotel rooms around the world. They self-produced and mixed most of the album in their mobile recording studio. This critically adored trio is comprised of Ritzy Bryan (lead vocals, guitars), Rhydian Dafydd (bass, backing vocals) and Matt Thomas (drums, percussion). Formed in North Wales 10 years ago, each album they've released has been a joyful adventure and reflection of their fearless creative discovery and self evolution. The Joy Formidable has always refused to be fenced in or fit in. That restless and boundless artistic journey continues on their fourth album, an arresting and unapologetic tour de force that finds a band at its apex with no sign of getting comfortable.
Certainly, the road to AAARTH hasn't always been easy. Staying together as a band for 10 years requires immense tenacity and passion, both of which The Joy Formidable have never lost. That same tenacity echoes in their new unrelenting affecting musical treatise. The songs, melodies, and arrangements on AAARTH soar seamlessly from the personal to the epic sometimes in loneliness, vulnerability, disillusionment, joy,and redemption, but all the while refusing to deny the persistence of our own and other's imperfectly beautiful humanity. Fernando Chamerelli's evocative album art frames this vibrant, diverse, and playful melodic and lyrical collage.
While the sounds build the mood at the heart of this album are haunting songs that don't let go, "Cicada (Land On Your Back)" draws on the shamanistic influence of Utah, infusing the melody with a lingering psychedelic impression. "We wanted some kind of rebirth, the way you do in a tribal drug ceremony," Rhydian says. "We wanted to lose ourselves and start again." These themes of feeling lost and letting go only to reconnect with yourself thread through the songs. In "All and All" these themes are echoed, as the guitars hypnotically build into a crashing tide of reckless abandon, hope, yearning, and desperation.
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~~~~~~~~
Growing up in North Wales, I'd spend those summer days lying on the ground in the hay field at the front of the house, looking up to the sky, imagining familiar shapes in the clouds. Only thing was, the grass in the deep days of summer was often too high to even see any sky at all, you'd just disappear into the perfect hiding place. I think writing these songs became a different type of hiding place for me. Making this album has felt like trying to get a glimpse of the sky. This week, the wind blew the grass clear and we finally set eyes on that beautiful, formidable sky again. While the world today often feels more alluring & uglier than it was when we began this musical journey, I'm nevertheless reminded at how powerful music can be, how it heals, hurts, and how it wakes you up. I can't wait to share this madness with the rest of you someday soon. - Lots of love, RB (Ritzy Bryan)
THE JOY FORMIDABLE
AAARTH makes a statement unlike its predecessors. Drawing inspiration from a worldwide climate of political and social uncertainty the band transplanted themselves in Utah's vivid natural landscape immersed in a collage of colors and light, the ever fluid and expansive Southwestern sky mirroring our rapidly-changing world. The deep burnt-orange rocks and canyons became touchstones as the band formed the sonic landscapes of AAARTH. From soaring choruses to percussive pulsating guitars, The Joy Formidable paint an 11 song musical tapestry deftly balancing a sound as grounded as their ancient surroundings and as elusive and mind-bending as a gloaming desert sky.
AAARTH first came to life on the road penning lyrics and recording selected parts in hotel rooms around the world. They self-produced and mixed most of the album in their mobile recording studio. This critically adored trio is comprised of Ritzy Bryan (lead vocals, guitars), Rhydian Dafydd (bass, backing vocals) and Matt Thomas (drums, percussion). Formed in North Wales 10 years ago, each album they've released has been a joyful adventure and reflection of their fearless creative discovery and self evolution. The Joy Formidable has always refused to be fenced in or fit in. That restless and boundless artistic journey continues on their fourth album, an arresting and unapologetic tour de force that finds a band at its apex with no sign of getting comfortable.
Certainly, the road to AAARTH hasn't always been easy. Staying together as a band for 10 years requires immense tenacity and passion, both of which The Joy Formidable have never lost. That same tenacity echoes in their new unrelenting affecting musical treatise. The songs, melodies, and arrangements on AAARTH soar seamlessly from the personal to the epic sometimes in loneliness, vulnerability, disillusionment, joy,and redemption, but all the while refusing to deny the persistence of our own and other's imperfectly beautiful humanity. Fernando Chamerelli's evocative album art frames this vibrant, diverse, and playful melodic and lyrical collage.
While the sounds build the mood at the heart of this album are haunting songs that don't let go, "Cicada (Land On Your Back)" draws on the shamanistic influence of Utah, infusing the melody with a lingering psychedelic impression. "We wanted some kind of rebirth, the way you do in a tribal drug ceremony," Rhydian says. "We wanted to lose ourselves and start again." These themes of feeling lost and letting go only to reconnect with yourself thread through the songs. In "All and All" these themes are echoed, as the guitars hypnotically build into a crashing tide of reckless abandon, hope, yearning, and desperation.
show less
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