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Sat September 14, 2019

Sougata Roy Chowdhury on Sarode

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Considered to be among the most talented sarode players of his generation, his abilities on the instrument showcase his deep respect for the tradition combined with world class tallim (training) and dedicated riyaz (practice). Sougata’s sensibility to express the deepest nuances of music moves audiences around the world to truly feel the essence of the Ragas and his sincere emotional expression.
 
Sougata Roy Chowdhury
Considered to be among the most talented sarod players of his generation, Sougata Roy Chowdhury was born in a Bengali artistic family and grew up in Shantiniketan. His father, Prof. Sarbari Roy Chowdhury, is an eminent sculptor and also a great music connoisseur, with one of the most precious collections of Indian classical music in India today. Sougata’s mother, Smt. Ajanta Roy Chowdhury, is an Indian classical vocalist of the Agra Gharana since her young age.
Sougata started to learn sarod at the age of 10 with Ustad Dyanesh Khan, son of the great Sarod maestro Ustad Ali Akbar Khan. His Guru (teacher) taught him the technique of sarod, discipline in music, and compositions in different Ragas, for about 9 years, until his guru’s untimely sudden death at age 45.
After that, Sougata continued his learning with Dhyanesh Khan’s elder brother, Ustad Aashish Khan, for some time. Over the past 17 years, Sougata has been studying with Pandit Santosh Banerjee, a well-respected sitar and surbahar player living in Kolkata, who is one of the main disciples of Ustad Md.Dabir Khan, the last descendent of the Miyan Tansen family. Pandit Santosh Banerjee has given him rigorous training in various Ragas and in the refined aesthetics of Indian classical music, all of which has allowed Sougata to develop into the mature musician he is today.
Sougata has always been a devotee of the sarod Maestro Ustad Ali Akbar Khan and admired him as a ‘God of knowledge’, because of the way the late Ustad opened the spiritual way of his musical practice.

Link to event on our website: https://sivanandasf.org/course/8249
Considered to be among the most talented sarode players of his generation, his abilities on the instrument showcase his deep respect for the tradition combined with world class tallim (training) and dedicated riyaz (practice). Sougata’s sensibility to express the deepest nuances of music moves audiences around the world to truly feel the essence of the Ragas and his sincere emotional expression.
 
Sougata Roy Chowdhury
Considered to be among the most talented sarod players of his generation, Sougata Roy Chowdhury was born in a Bengali artistic family and grew up in Shantiniketan. His father, Prof. Sarbari Roy Chowdhury, is an eminent sculptor and also a great music connoisseur, with one of the most precious collections of Indian classical music in India today. Sougata’s mother, Smt. Ajanta Roy Chowdhury, is an Indian classical vocalist of the Agra Gharana since her young age.
Sougata started to learn sarod at the age of 10 with Ustad Dyanesh Khan, son of the great Sarod maestro Ustad Ali Akbar Khan. His Guru (teacher) taught him the technique of sarod, discipline in music, and compositions in different Ragas, for about 9 years, until his guru’s untimely sudden death at age 45.
After that, Sougata continued his learning with Dhyanesh Khan’s elder brother, Ustad Aashish Khan, for some time. Over the past 17 years, Sougata has been studying with Pandit Santosh Banerjee, a well-respected sitar and surbahar player living in Kolkata, who is one of the main disciples of Ustad Md.Dabir Khan, the last descendent of the Miyan Tansen family. Pandit Santosh Banerjee has given him rigorous training in various Ragas and in the refined aesthetics of Indian classical music, all of which has allowed Sougata to develop into the mature musician he is today.
Sougata has always been a devotee of the sarod Maestro Ustad Ali Akbar Khan and admired him as a ‘God of knowledge’, because of the way the late Ustad opened the spiritual way of his musical practice.

Link to event on our website: https://sivanandasf.org/course/8249
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