On the occasion of Headlands Center for the Arts' 40th anniversary in 2022, Headlands joins 500 Capp Street for a project created by Ann Hamilton sited in both locations that highlights the deep connection between the two spaces and their shared stories of material and discovery.
At Headlands, artists David Ireland, Mark Thompson, and a team of collaborators transformed and opened the cluster of former military buildings to artists in 1986, creating an architectural condition that amplified and extended the vocabularies Ireland developed in his ongoing living project on Capp Street. Within this framework, Hamilton responded to these conditions in her 1989-1991 renovation of Headlands' Mess Hall, transforming the space into a comfortable and inviting gathering place where meals are shared, collaborations are inspired, and creative revelations arise. Also in 1989, Hamilton in residence at Capp Street Project with an installation entitled Privations and Excesses.
Now, Hamilton returns to both sites for here o there o then o now, reaching across time and place to form an engagement, reflection, and response. During a research residency at 500 Capp Street in November 2022, Hamilton selected objects from Ireland's practice, exploring the typology of their forms and materiality, and scanned each to create luminous images that will be on display along with a newspaper print that will be available as a free, take home memento.
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At Headlands, artists David Ireland, Mark Thompson, and a team of collaborators transformed and opened the cluster of former military buildings to artists in 1986, creating an architectural condition that amplified and extended the vocabularies Ireland developed in his ongoing living project on Capp Street. Within this framework, Hamilton responded to these conditions in her 1989-1991 renovation of Headlands' Mess Hall, transforming the space into a comfortable and inviting gathering place where meals are shared, collaborations are inspired, and creative revelations arise. Also in 1989, Hamilton in residence at Capp Street Project with an installation entitled Privations and Excesses.
Now, Hamilton returns to both sites for here o there o then o now, reaching across time and place to form an engagement, reflection, and response. During a research residency at 500 Capp Street in November 2022, Hamilton selected objects from Ireland's practice, exploring the typology of their forms and materiality, and scanned each to create luminous images that will be on display along with a newspaper print that will be available as a free, take home memento.
On the occasion of Headlands Center for the Arts' 40th anniversary in 2022, Headlands joins 500 Capp Street for a project created by Ann Hamilton sited in both locations that highlights the deep connection between the two spaces and their shared stories of material and discovery.
At Headlands, artists David Ireland, Mark Thompson, and a team of collaborators transformed and opened the cluster of former military buildings to artists in 1986, creating an architectural condition that amplified and extended the vocabularies Ireland developed in his ongoing living project on Capp Street. Within this framework, Hamilton responded to these conditions in her 1989-1991 renovation of Headlands' Mess Hall, transforming the space into a comfortable and inviting gathering place where meals are shared, collaborations are inspired, and creative revelations arise. Also in 1989, Hamilton in residence at Capp Street Project with an installation entitled Privations and Excesses.
Now, Hamilton returns to both sites for here o there o then o now, reaching across time and place to form an engagement, reflection, and response. During a research residency at 500 Capp Street in November 2022, Hamilton selected objects from Ireland's practice, exploring the typology of their forms and materiality, and scanned each to create luminous images that will be on display along with a newspaper print that will be available as a free, take home memento.
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At Headlands, artists David Ireland, Mark Thompson, and a team of collaborators transformed and opened the cluster of former military buildings to artists in 1986, creating an architectural condition that amplified and extended the vocabularies Ireland developed in his ongoing living project on Capp Street. Within this framework, Hamilton responded to these conditions in her 1989-1991 renovation of Headlands' Mess Hall, transforming the space into a comfortable and inviting gathering place where meals are shared, collaborations are inspired, and creative revelations arise. Also in 1989, Hamilton in residence at Capp Street Project with an installation entitled Privations and Excesses.
Now, Hamilton returns to both sites for here o there o then o now, reaching across time and place to form an engagement, reflection, and response. During a research residency at 500 Capp Street in November 2022, Hamilton selected objects from Ireland's practice, exploring the typology of their forms and materiality, and scanned each to create luminous images that will be on display along with a newspaper print that will be available as a free, take home memento.
show less
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500 Capp Street, San Francisco, CA 94109
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