There's something you need to know: There is no Neil Frances. OK, sort of. Neil Frances is not a solo artist, it's the name of a duo comprised of Sydney born Jordan Feller and Southern California native Marc Gilfry. And to help you remember that Neil Frances is not a person, the duo has named its 2022 debut LP There Is No Neil Frances. Feller and Gilfry met in 2012 and formed the group in 2016, having both relocated to LA from London and New York, respectively, in pursuit of new projects.
Feller began his music career back home in Australia as a hip-hop obsessed, self-taught electronic music DJ, while Gilfry grew up in a musically-inclined household and played and sang in multiple bands. With Gilfry's inherent knack for hooks and melodies and Feller's encyclopedic sonic recall ability and vast knowledge of production, the pair hit it off and began to develop their brand of beat-driven pop infused with a more organic warmth than most modern music. Putting special emphasis on their enthralling live sets--always performed live with a multi-piece band and never relying on playback--the group quickly developed a reputation as a must-see stage artist. Soon their reputation as a diverse act with a wide range of talents began to build among listeners of all kinds.
Steadily building from the ground up since the beginning, the duo has been hard at work on the music for the new album since just before the pandemic took hold but have been heading toward this pinnacle for even longer. The 2018 debut EP, Took A While, with its blend of psychedelic rhythms, vibe-y, infectious grooves, and a raw, funky spirit put the act firmly on the map and propelled them to tour slots with established acts like Jungle, SG Lewis and Unknown Mortal Orchestra. A number of single releases, remixes, and featured guest spots on their tracks helped implement their fluidity and embracing of a changing modern pop landscape.
And now, There Is No Neil Frances is set to expand their reach with its sense of undeniable groove and sunny outlook grounded in realness. The songs on the LP cut to the heart of what makes Neil Frances who they are and, for the first time, are bound by a common, cohesive thread. The album loosely tells the story of an insect aspiring to find its place in a utopian dreamscape--a story perhaps best appreciated while in the moment at a NF gig, or in a hazy, red-tinted room with your favorite beverage at hand.
"It's Like A Dream" is the "set it off" track, a grade-A jam to blast at full volume and get the weekend started in the spirit of Kylie Monogue, Robyn, Amber, and Jessie Ware. "On A Dark Night" sets the tone for the rest of the record with its smoother-than-silk chorus. "I Can Feel The Pressure" sends us back to the 90s R&B-meets-indie world, while "We're Falling Up" channels Italo-Disco and flexes a sense of what the band calls "dance music with DHM": deep hidden meaning, borrowing a phrase from the great Nile Rodgers. Masters at wearing their influences on their sleeves without being overly referential or obvious, "Everyday With You" is a powerhouse anthem driven by a Bobby Caldwell sample that captures the communal spirit that came from the early days of lockdown when the pandemic forced us all to bubble up. Utilizing vintage drum machines such as the Roland 808 and Drumtraks, and effects processors like the Roland RE-501 Chorus Echo, as well as a myriad of synthesizers and keyboards, the songs experiment within a very defined realm: to be sure, you know a Neil Frances song when you hear it.
~~~~~~~~
On his new album In Plain Sight, Neal Francis offers up a body of work both strangely enchanted and painfully self-aware, unfolding in songs sparked from Greek myths and frenzied dreams and late-night drives in the depths of summer delirium. True to its charmed complexity, the singer/songwriter/pianist's second full-length came to life over the course of a tumultuous year spent living in a possibly haunted church in Chicago. The result: a portrait of profound upheaval and weary resilience, presented in a kaleidoscopic sound that's endlessly absorbing.
The follow-up to Francis's 2019 debut Changes--a New Orleans-R&B-leaning effort that landed on best-of-the-year lists from the likes of KCRW, KEXP, and The Current, and saw him hailed as "the reincarnation of Allen Toussaint" by BBC Radio 6--In Plain Sight was written and recorded almost entirely at the church, a now-defunct congregation called St. Peter's UCC. Despite not identifying as religious, Francis took a music-ministry job at the church in 2017 at the suggestion of a friend. After breaking up with his longtime girlfriend while on tour in fall 2019, he returned to his hometown and found himself with no place to stay, then headed to St. Peter's and asked to move into the parsonage. "I thought I'd only stay a few months but it turned into over a year, and I knew I had to do something to take advantage of this miraculous gift of a situation," he says.
-- https://www.nealfrancis.com/bio
show less
Feller began his music career back home in Australia as a hip-hop obsessed, self-taught electronic music DJ, while Gilfry grew up in a musically-inclined household and played and sang in multiple bands. With Gilfry's inherent knack for hooks and melodies and Feller's encyclopedic sonic recall ability and vast knowledge of production, the pair hit it off and began to develop their brand of beat-driven pop infused with a more organic warmth than most modern music. Putting special emphasis on their enthralling live sets--always performed live with a multi-piece band and never relying on playback--the group quickly developed a reputation as a must-see stage artist. Soon their reputation as a diverse act with a wide range of talents began to build among listeners of all kinds.
Steadily building from the ground up since the beginning, the duo has been hard at work on the music for the new album since just before the pandemic took hold but have been heading toward this pinnacle for even longer. The 2018 debut EP, Took A While, with its blend of psychedelic rhythms, vibe-y, infectious grooves, and a raw, funky spirit put the act firmly on the map and propelled them to tour slots with established acts like Jungle, SG Lewis and Unknown Mortal Orchestra. A number of single releases, remixes, and featured guest spots on their tracks helped implement their fluidity and embracing of a changing modern pop landscape.
And now, There Is No Neil Frances is set to expand their reach with its sense of undeniable groove and sunny outlook grounded in realness. The songs on the LP cut to the heart of what makes Neil Frances who they are and, for the first time, are bound by a common, cohesive thread. The album loosely tells the story of an insect aspiring to find its place in a utopian dreamscape--a story perhaps best appreciated while in the moment at a NF gig, or in a hazy, red-tinted room with your favorite beverage at hand.
"It's Like A Dream" is the "set it off" track, a grade-A jam to blast at full volume and get the weekend started in the spirit of Kylie Monogue, Robyn, Amber, and Jessie Ware. "On A Dark Night" sets the tone for the rest of the record with its smoother-than-silk chorus. "I Can Feel The Pressure" sends us back to the 90s R&B-meets-indie world, while "We're Falling Up" channels Italo-Disco and flexes a sense of what the band calls "dance music with DHM": deep hidden meaning, borrowing a phrase from the great Nile Rodgers. Masters at wearing their influences on their sleeves without being overly referential or obvious, "Everyday With You" is a powerhouse anthem driven by a Bobby Caldwell sample that captures the communal spirit that came from the early days of lockdown when the pandemic forced us all to bubble up. Utilizing vintage drum machines such as the Roland 808 and Drumtraks, and effects processors like the Roland RE-501 Chorus Echo, as well as a myriad of synthesizers and keyboards, the songs experiment within a very defined realm: to be sure, you know a Neil Frances song when you hear it.
~~~~~~~~
On his new album In Plain Sight, Neal Francis offers up a body of work both strangely enchanted and painfully self-aware, unfolding in songs sparked from Greek myths and frenzied dreams and late-night drives in the depths of summer delirium. True to its charmed complexity, the singer/songwriter/pianist's second full-length came to life over the course of a tumultuous year spent living in a possibly haunted church in Chicago. The result: a portrait of profound upheaval and weary resilience, presented in a kaleidoscopic sound that's endlessly absorbing.
The follow-up to Francis's 2019 debut Changes--a New Orleans-R&B-leaning effort that landed on best-of-the-year lists from the likes of KCRW, KEXP, and The Current, and saw him hailed as "the reincarnation of Allen Toussaint" by BBC Radio 6--In Plain Sight was written and recorded almost entirely at the church, a now-defunct congregation called St. Peter's UCC. Despite not identifying as religious, Francis took a music-ministry job at the church in 2017 at the suggestion of a friend. After breaking up with his longtime girlfriend while on tour in fall 2019, he returned to his hometown and found himself with no place to stay, then headed to St. Peter's and asked to move into the parsonage. "I thought I'd only stay a few months but it turned into over a year, and I knew I had to do something to take advantage of this miraculous gift of a situation," he says.
-- https://www.nealfrancis.com/bio
There's something you need to know: There is no Neil Frances. OK, sort of. Neil Frances is not a solo artist, it's the name of a duo comprised of Sydney born Jordan Feller and Southern California native Marc Gilfry. And to help you remember that Neil Frances is not a person, the duo has named its 2022 debut LP There Is No Neil Frances. Feller and Gilfry met in 2012 and formed the group in 2016, having both relocated to LA from London and New York, respectively, in pursuit of new projects.
Feller began his music career back home in Australia as a hip-hop obsessed, self-taught electronic music DJ, while Gilfry grew up in a musically-inclined household and played and sang in multiple bands. With Gilfry's inherent knack for hooks and melodies and Feller's encyclopedic sonic recall ability and vast knowledge of production, the pair hit it off and began to develop their brand of beat-driven pop infused with a more organic warmth than most modern music. Putting special emphasis on their enthralling live sets--always performed live with a multi-piece band and never relying on playback--the group quickly developed a reputation as a must-see stage artist. Soon their reputation as a diverse act with a wide range of talents began to build among listeners of all kinds.
Steadily building from the ground up since the beginning, the duo has been hard at work on the music for the new album since just before the pandemic took hold but have been heading toward this pinnacle for even longer. The 2018 debut EP, Took A While, with its blend of psychedelic rhythms, vibe-y, infectious grooves, and a raw, funky spirit put the act firmly on the map and propelled them to tour slots with established acts like Jungle, SG Lewis and Unknown Mortal Orchestra. A number of single releases, remixes, and featured guest spots on their tracks helped implement their fluidity and embracing of a changing modern pop landscape.
And now, There Is No Neil Frances is set to expand their reach with its sense of undeniable groove and sunny outlook grounded in realness. The songs on the LP cut to the heart of what makes Neil Frances who they are and, for the first time, are bound by a common, cohesive thread. The album loosely tells the story of an insect aspiring to find its place in a utopian dreamscape--a story perhaps best appreciated while in the moment at a NF gig, or in a hazy, red-tinted room with your favorite beverage at hand.
"It's Like A Dream" is the "set it off" track, a grade-A jam to blast at full volume and get the weekend started in the spirit of Kylie Monogue, Robyn, Amber, and Jessie Ware. "On A Dark Night" sets the tone for the rest of the record with its smoother-than-silk chorus. "I Can Feel The Pressure" sends us back to the 90s R&B-meets-indie world, while "We're Falling Up" channels Italo-Disco and flexes a sense of what the band calls "dance music with DHM": deep hidden meaning, borrowing a phrase from the great Nile Rodgers. Masters at wearing their influences on their sleeves without being overly referential or obvious, "Everyday With You" is a powerhouse anthem driven by a Bobby Caldwell sample that captures the communal spirit that came from the early days of lockdown when the pandemic forced us all to bubble up. Utilizing vintage drum machines such as the Roland 808 and Drumtraks, and effects processors like the Roland RE-501 Chorus Echo, as well as a myriad of synthesizers and keyboards, the songs experiment within a very defined realm: to be sure, you know a Neil Frances song when you hear it.
~~~~~~~~
On his new album In Plain Sight, Neal Francis offers up a body of work both strangely enchanted and painfully self-aware, unfolding in songs sparked from Greek myths and frenzied dreams and late-night drives in the depths of summer delirium. True to its charmed complexity, the singer/songwriter/pianist's second full-length came to life over the course of a tumultuous year spent living in a possibly haunted church in Chicago. The result: a portrait of profound upheaval and weary resilience, presented in a kaleidoscopic sound that's endlessly absorbing.
The follow-up to Francis's 2019 debut Changes--a New Orleans-R&B-leaning effort that landed on best-of-the-year lists from the likes of KCRW, KEXP, and The Current, and saw him hailed as "the reincarnation of Allen Toussaint" by BBC Radio 6--In Plain Sight was written and recorded almost entirely at the church, a now-defunct congregation called St. Peter's UCC. Despite not identifying as religious, Francis took a music-ministry job at the church in 2017 at the suggestion of a friend. After breaking up with his longtime girlfriend while on tour in fall 2019, he returned to his hometown and found himself with no place to stay, then headed to St. Peter's and asked to move into the parsonage. "I thought I'd only stay a few months but it turned into over a year, and I knew I had to do something to take advantage of this miraculous gift of a situation," he says.
-- https://www.nealfrancis.com/bio
read more
Feller began his music career back home in Australia as a hip-hop obsessed, self-taught electronic music DJ, while Gilfry grew up in a musically-inclined household and played and sang in multiple bands. With Gilfry's inherent knack for hooks and melodies and Feller's encyclopedic sonic recall ability and vast knowledge of production, the pair hit it off and began to develop their brand of beat-driven pop infused with a more organic warmth than most modern music. Putting special emphasis on their enthralling live sets--always performed live with a multi-piece band and never relying on playback--the group quickly developed a reputation as a must-see stage artist. Soon their reputation as a diverse act with a wide range of talents began to build among listeners of all kinds.
Steadily building from the ground up since the beginning, the duo has been hard at work on the music for the new album since just before the pandemic took hold but have been heading toward this pinnacle for even longer. The 2018 debut EP, Took A While, with its blend of psychedelic rhythms, vibe-y, infectious grooves, and a raw, funky spirit put the act firmly on the map and propelled them to tour slots with established acts like Jungle, SG Lewis and Unknown Mortal Orchestra. A number of single releases, remixes, and featured guest spots on their tracks helped implement their fluidity and embracing of a changing modern pop landscape.
And now, There Is No Neil Frances is set to expand their reach with its sense of undeniable groove and sunny outlook grounded in realness. The songs on the LP cut to the heart of what makes Neil Frances who they are and, for the first time, are bound by a common, cohesive thread. The album loosely tells the story of an insect aspiring to find its place in a utopian dreamscape--a story perhaps best appreciated while in the moment at a NF gig, or in a hazy, red-tinted room with your favorite beverage at hand.
"It's Like A Dream" is the "set it off" track, a grade-A jam to blast at full volume and get the weekend started in the spirit of Kylie Monogue, Robyn, Amber, and Jessie Ware. "On A Dark Night" sets the tone for the rest of the record with its smoother-than-silk chorus. "I Can Feel The Pressure" sends us back to the 90s R&B-meets-indie world, while "We're Falling Up" channels Italo-Disco and flexes a sense of what the band calls "dance music with DHM": deep hidden meaning, borrowing a phrase from the great Nile Rodgers. Masters at wearing their influences on their sleeves without being overly referential or obvious, "Everyday With You" is a powerhouse anthem driven by a Bobby Caldwell sample that captures the communal spirit that came from the early days of lockdown when the pandemic forced us all to bubble up. Utilizing vintage drum machines such as the Roland 808 and Drumtraks, and effects processors like the Roland RE-501 Chorus Echo, as well as a myriad of synthesizers and keyboards, the songs experiment within a very defined realm: to be sure, you know a Neil Frances song when you hear it.
~~~~~~~~
On his new album In Plain Sight, Neal Francis offers up a body of work both strangely enchanted and painfully self-aware, unfolding in songs sparked from Greek myths and frenzied dreams and late-night drives in the depths of summer delirium. True to its charmed complexity, the singer/songwriter/pianist's second full-length came to life over the course of a tumultuous year spent living in a possibly haunted church in Chicago. The result: a portrait of profound upheaval and weary resilience, presented in a kaleidoscopic sound that's endlessly absorbing.
The follow-up to Francis's 2019 debut Changes--a New Orleans-R&B-leaning effort that landed on best-of-the-year lists from the likes of KCRW, KEXP, and The Current, and saw him hailed as "the reincarnation of Allen Toussaint" by BBC Radio 6--In Plain Sight was written and recorded almost entirely at the church, a now-defunct congregation called St. Peter's UCC. Despite not identifying as religious, Francis took a music-ministry job at the church in 2017 at the suggestion of a friend. After breaking up with his longtime girlfriend while on tour in fall 2019, he returned to his hometown and found himself with no place to stay, then headed to St. Peter's and asked to move into the parsonage. "I thought I'd only stay a few months but it turned into over a year, and I knew I had to do something to take advantage of this miraculous gift of a situation," he says.
-- https://www.nealfrancis.com/bio
show less
Date/Times:
The Independent
85 Upcoming Events
628 Divisadero Street, San Francisco, CA 94117
The Best Events
Every Week in Your Inbox
From Our Sponsors
UPCOMING EVENTS
Great suggestion! We'll be in touch.
Event reviewed successfully.