Using baroque, early jazz, and contemporary classical music as a springboard, Choro Bastardo explores the different streams of music that share elements with the Choro tradition, recreating the atmosphere of cabarets and vaudeville in Rio de Janeiro. Choro is a genre of traditional Brazilian instrumental music born during the early 20th century. Choro Bastardo combines the traditional Choro style with each of the band members’ different musical and cultural backgrounds to create a sonority that is different from the original, yet loyal to the playful spirit of that music. Mixing Jelly Roll Morton and Pixinguinha, Darius Milhaud and Ernesto Nazareth, John Cage and Jacob do Bandolim, Choro Bastardo represents a groundbreaking transformation in the realm of contemporary improvisation associated with neo-folklorist practices.
Featuring:
Henrique Eisenmann – piano
Ben Andrews – violin, mandolin
Ilya Portnov – harmonica
Adam Bahrami – pandeiro
Special guest:
Rebecca Kleinmann - flute
Using baroque, early jazz, and contemporary classical music as a springboard, Choro Bastardo explores the different streams of music that share elements with the Choro tradition, recreating the atmosphere of cabarets and vaudeville in Rio de Janeiro. Choro is a genre of traditional Brazilian instrumental music born during the early 20th century. Choro Bastardo combines the traditional Choro style with each of the band members’ different musical and cultural backgrounds to create a sonority that is different from the original, yet loyal to the playful spirit of that music. Mixing Jelly Roll Morton and Pixinguinha, Darius Milhaud and Ernesto Nazareth, John Cage and Jacob do Bandolim, Choro Bastardo represents a groundbreaking transformation in the realm of contemporary improvisation associated with neo-folklorist practices.
Featuring:
Henrique Eisenmann – piano
Ben Andrews – violin, mandolin
Ilya Portnov – harmonica
Adam Bahrami – pandeiro
Special guest:
Rebecca Kleinmann - flute
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