Hailed as "one of indie pop's brightest stars" (Teen Vogue), Chloe Moriondo begins her next chapter with the wistful, pulsing single "Shoreline," and more to come in 2025. An artist whose diary-like honesty has earned her a global fanbase of millions, the Michigan-native's 2022 album SUCKERPUNCH was heralded by the sticky-sweet anthem "Fruity," and marked a bold leap forward from the understated indie-pop and jittery pop-punk of her 2021 offering, Blood Bunny. Moriondo has racked up critical praise from The New York Times, Billboard, NYLON, V Magazine, Consequence, UPROXX, PAPER, Alternative Press and more, with performances on Jimmy Kimmel Live! and The Late Late Show with James Corden.
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On her sophomore album Blood Bunny, singer/songwriter Chloe Moriondo puts her fantastically warped inner life on full and glorious display. With both intense specificity and idiosyncratic humor, the 18-year-old artist opens up on everything from hopeless crushes to gory revenge fantasies to the many elaborate thoughts that endlessly run through her brain (whether or not to shave her head, the boredom of the suburbs and the longing to escape, her undying love for Paramore and Girlpool, the freakishly large wingspan of manta rays). In that unchecked sharing of her obsessions and frustrations and deepest anxieties, Moriondo arrives at a body of work that's bitingly honest yet tenderhearted, a lovingly delivered offering to the fellow weirdos of the world.
Her debut release for Fueled By Ramen/Public Consumption Recording Co., Blood Bunny brings Moriondo's outpouring to a gorgeously composed collage of bedroom-pop and skate-punk and indie-rock. In shaping that mercurial sound, Moriondo worked with producers/co-writers like David Pramik (Oliver Tree, Selena Gomez), Keith Varon (Machine Gun Kelly, Zara Larsson), and Jake Aron (Snail Mail, Yumi Zouma), mostly collaborating remotely in the throes of quarantine. But despite its departure from the lo-fi aesthetic of 2018's Rabbit Hearted.--a self-produced, entirely D.I.Y. effort centered on her understated vocal work and graceful ukulele strumming--Blood Bunny undeniably heightens the raw intimacy of her songwriting.
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On her sophomore album Blood Bunny, singer/songwriter Chloe Moriondo puts her fantastically warped inner life on full and glorious display. With both intense specificity and idiosyncratic humor, the 18-year-old artist opens up on everything from hopeless crushes to gory revenge fantasies to the many elaborate thoughts that endlessly run through her brain (whether or not to shave her head, the boredom of the suburbs and the longing to escape, her undying love for Paramore and Girlpool, the freakishly large wingspan of manta rays). In that unchecked sharing of her obsessions and frustrations and deepest anxieties, Moriondo arrives at a body of work that's bitingly honest yet tenderhearted, a lovingly delivered offering to the fellow weirdos of the world.
Her debut release for Fueled By Ramen/Public Consumption Recording Co., Blood Bunny brings Moriondo's outpouring to a gorgeously composed collage of bedroom-pop and skate-punk and indie-rock. In shaping that mercurial sound, Moriondo worked with producers/co-writers like David Pramik (Oliver Tree, Selena Gomez), Keith Varon (Machine Gun Kelly, Zara Larsson), and Jake Aron (Snail Mail, Yumi Zouma), mostly collaborating remotely in the throes of quarantine. But despite its departure from the lo-fi aesthetic of 2018's Rabbit Hearted.--a self-produced, entirely D.I.Y. effort centered on her understated vocal work and graceful ukulele strumming--Blood Bunny undeniably heightens the raw intimacy of her songwriting.
Hailed as "one of indie pop's brightest stars" (Teen Vogue), Chloe Moriondo begins her next chapter with the wistful, pulsing single "Shoreline," and more to come in 2025. An artist whose diary-like honesty has earned her a global fanbase of millions, the Michigan-native's 2022 album SUCKERPUNCH was heralded by the sticky-sweet anthem "Fruity," and marked a bold leap forward from the understated indie-pop and jittery pop-punk of her 2021 offering, Blood Bunny. Moriondo has racked up critical praise from The New York Times, Billboard, NYLON, V Magazine, Consequence, UPROXX, PAPER, Alternative Press and more, with performances on Jimmy Kimmel Live! and The Late Late Show with James Corden.
~~~
On her sophomore album Blood Bunny, singer/songwriter Chloe Moriondo puts her fantastically warped inner life on full and glorious display. With both intense specificity and idiosyncratic humor, the 18-year-old artist opens up on everything from hopeless crushes to gory revenge fantasies to the many elaborate thoughts that endlessly run through her brain (whether or not to shave her head, the boredom of the suburbs and the longing to escape, her undying love for Paramore and Girlpool, the freakishly large wingspan of manta rays). In that unchecked sharing of her obsessions and frustrations and deepest anxieties, Moriondo arrives at a body of work that's bitingly honest yet tenderhearted, a lovingly delivered offering to the fellow weirdos of the world.
Her debut release for Fueled By Ramen/Public Consumption Recording Co., Blood Bunny brings Moriondo's outpouring to a gorgeously composed collage of bedroom-pop and skate-punk and indie-rock. In shaping that mercurial sound, Moriondo worked with producers/co-writers like David Pramik (Oliver Tree, Selena Gomez), Keith Varon (Machine Gun Kelly, Zara Larsson), and Jake Aron (Snail Mail, Yumi Zouma), mostly collaborating remotely in the throes of quarantine. But despite its departure from the lo-fi aesthetic of 2018's Rabbit Hearted.--a self-produced, entirely D.I.Y. effort centered on her understated vocal work and graceful ukulele strumming--Blood Bunny undeniably heightens the raw intimacy of her songwriting.
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On her sophomore album Blood Bunny, singer/songwriter Chloe Moriondo puts her fantastically warped inner life on full and glorious display. With both intense specificity and idiosyncratic humor, the 18-year-old artist opens up on everything from hopeless crushes to gory revenge fantasies to the many elaborate thoughts that endlessly run through her brain (whether or not to shave her head, the boredom of the suburbs and the longing to escape, her undying love for Paramore and Girlpool, the freakishly large wingspan of manta rays). In that unchecked sharing of her obsessions and frustrations and deepest anxieties, Moriondo arrives at a body of work that's bitingly honest yet tenderhearted, a lovingly delivered offering to the fellow weirdos of the world.
Her debut release for Fueled By Ramen/Public Consumption Recording Co., Blood Bunny brings Moriondo's outpouring to a gorgeously composed collage of bedroom-pop and skate-punk and indie-rock. In shaping that mercurial sound, Moriondo worked with producers/co-writers like David Pramik (Oliver Tree, Selena Gomez), Keith Varon (Machine Gun Kelly, Zara Larsson), and Jake Aron (Snail Mail, Yumi Zouma), mostly collaborating remotely in the throes of quarantine. But despite its departure from the lo-fi aesthetic of 2018's Rabbit Hearted.--a self-produced, entirely D.I.Y. effort centered on her understated vocal work and graceful ukulele strumming--Blood Bunny undeniably heightens the raw intimacy of her songwriting.
show less
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