Full Circle is a personal program that explores the points of intersection found between works by living composers that have stretched the boundaries of what is possible on the guitar with works that were groundbreaking in the past. Bookending the program with works by Ronald Pearl, Zane highlights ties to the lute works of John Dowland, dives into the contemplative and colorful works of Albeniz, reflects on Judah Adashi's meditative work my heart comes undone for electric guitar and loop pedal, and highlights the relationships between J. S. Bach's Prelude, Fugue and Allegro BWV 998 with Ingram Marshall's Soe-pa for amplified classical guitar with loop and delay.
Judah Adashi my heart comes undone
Ingram Marshall So-epa
J. S. Bach Prelude, Fugue, and Allegro BWV 998
Isaac Albéniz Mallorca, Op. 202
Ronald Pearl My Name is Red
Ronald Pearl & John Dowland Four at III
Joaquin Rodrigo En los Trigales
Full Circle is a personal program that explores the points of intersection found between works by living composers that have stretched the boundaries of what is possible on the guitar with works that were groundbreaking in the past. Bookending the program with works by Ronald Pearl, Zane highlights ties to the lute works of John Dowland, dives into the contemplative and colorful works of Albeniz, reflects on Judah Adashi's meditative work my heart comes undone for electric guitar and loop pedal, and highlights the relationships between J. S. Bach's Prelude, Fugue and Allegro BWV 998 with Ingram Marshall's Soe-pa for amplified classical guitar with loop and delay.
Judah Adashi my heart comes undone
Ingram Marshall So-epa
J. S. Bach Prelude, Fugue, and Allegro BWV 998
Isaac Albéniz Mallorca, Op. 202
Ronald Pearl My Name is Red
Ronald Pearl & John Dowland Four at III
Joaquin Rodrigo En los Trigales
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