Wed November 30, 2022
you can hear the wind from beneath the floorboards Curated by Katherine Hamilton and Shaelyn Hanes
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Root Division presents you can hear the wind from beneath the floorboards, curated by Katherine Hamilton and Shaelyn Hanes.
The effects of haunting are not limited to what goes bump in the night. From Toni Morrison's Beloved to Shirley Jackson's The Haunting of Hill House, many Gothic and Gothic-inspired novels use the figure of the ghost to signal a shift in one's state of mind, in which rational logic--from linear time to the experience of individualized selfhood--is warped. These narratives illustrate how ghosts and hauntings are a generative metaphor for challenging what is objectively known and encouraging mindful navigation of one's reality.
The artists in you can hear the wind from beneath the floorboards disrupt normalcy with the ghostly presences they conjure through body, archive, the historical record, and inheritance.
Trina Robinson and Hannah Waiters challenge notions of linear social progress by creating alternative structures through which one embodies ancestry and history. Nicole Shaffer, wei, and Thorne question normative logic, celebrate interstitial spaces, and (re)consider the boundaries of bodies and the spaces they inhabit. Namita Paul, Mary Graham, and collaborators Gordon Fung and Ernest Strauhal embrace the unknowable, obscuring that
which is often taken for granted. Tiago De Cruz Ellner, Ebti, and Heesoo Kwon gather spirits across time and space to convene with their kin and reimagine selfhood.
Through their practices, these artists create access to an alternative territory where it is possible to commune across time, space, and material reality. They encourage other ways of experiencing our world that connect the current moment to the past through rhizomatic, maze-like networks and demonstrate how the present is filled with specters of "what if" and "what is." By encouraging a heightened awareness of the multitude of beings dwelling in the shadows among us, the artists in you can hear the wind from beneath the floorboards hold space for a cacophony of presence, knowledge, experience, and story.
Image Credit: Mary Graham, Kin, 2022
show less
The effects of haunting are not limited to what goes bump in the night. From Toni Morrison's Beloved to Shirley Jackson's The Haunting of Hill House, many Gothic and Gothic-inspired novels use the figure of the ghost to signal a shift in one's state of mind, in which rational logic--from linear time to the experience of individualized selfhood--is warped. These narratives illustrate how ghosts and hauntings are a generative metaphor for challenging what is objectively known and encouraging mindful navigation of one's reality.
The artists in you can hear the wind from beneath the floorboards disrupt normalcy with the ghostly presences they conjure through body, archive, the historical record, and inheritance.
Trina Robinson and Hannah Waiters challenge notions of linear social progress by creating alternative structures through which one embodies ancestry and history. Nicole Shaffer, wei, and Thorne question normative logic, celebrate interstitial spaces, and (re)consider the boundaries of bodies and the spaces they inhabit. Namita Paul, Mary Graham, and collaborators Gordon Fung and Ernest Strauhal embrace the unknowable, obscuring that
which is often taken for granted. Tiago De Cruz Ellner, Ebti, and Heesoo Kwon gather spirits across time and space to convene with their kin and reimagine selfhood.
Through their practices, these artists create access to an alternative territory where it is possible to commune across time, space, and material reality. They encourage other ways of experiencing our world that connect the current moment to the past through rhizomatic, maze-like networks and demonstrate how the present is filled with specters of "what if" and "what is." By encouraging a heightened awareness of the multitude of beings dwelling in the shadows among us, the artists in you can hear the wind from beneath the floorboards hold space for a cacophony of presence, knowledge, experience, and story.
Image Credit: Mary Graham, Kin, 2022
Root Division presents you can hear the wind from beneath the floorboards, curated by Katherine Hamilton and Shaelyn Hanes.
The effects of haunting are not limited to what goes bump in the night. From Toni Morrison's Beloved to Shirley Jackson's The Haunting of Hill House, many Gothic and Gothic-inspired novels use the figure of the ghost to signal a shift in one's state of mind, in which rational logic--from linear time to the experience of individualized selfhood--is warped. These narratives illustrate how ghosts and hauntings are a generative metaphor for challenging what is objectively known and encouraging mindful navigation of one's reality.
The artists in you can hear the wind from beneath the floorboards disrupt normalcy with the ghostly presences they conjure through body, archive, the historical record, and inheritance.
Trina Robinson and Hannah Waiters challenge notions of linear social progress by creating alternative structures through which one embodies ancestry and history. Nicole Shaffer, wei, and Thorne question normative logic, celebrate interstitial spaces, and (re)consider the boundaries of bodies and the spaces they inhabit. Namita Paul, Mary Graham, and collaborators Gordon Fung and Ernest Strauhal embrace the unknowable, obscuring that
which is often taken for granted. Tiago De Cruz Ellner, Ebti, and Heesoo Kwon gather spirits across time and space to convene with their kin and reimagine selfhood.
Through their practices, these artists create access to an alternative territory where it is possible to commune across time, space, and material reality. They encourage other ways of experiencing our world that connect the current moment to the past through rhizomatic, maze-like networks and demonstrate how the present is filled with specters of "what if" and "what is." By encouraging a heightened awareness of the multitude of beings dwelling in the shadows among us, the artists in you can hear the wind from beneath the floorboards hold space for a cacophony of presence, knowledge, experience, and story.
Image Credit: Mary Graham, Kin, 2022
read more
The effects of haunting are not limited to what goes bump in the night. From Toni Morrison's Beloved to Shirley Jackson's The Haunting of Hill House, many Gothic and Gothic-inspired novels use the figure of the ghost to signal a shift in one's state of mind, in which rational logic--from linear time to the experience of individualized selfhood--is warped. These narratives illustrate how ghosts and hauntings are a generative metaphor for challenging what is objectively known and encouraging mindful navigation of one's reality.
The artists in you can hear the wind from beneath the floorboards disrupt normalcy with the ghostly presences they conjure through body, archive, the historical record, and inheritance.
Trina Robinson and Hannah Waiters challenge notions of linear social progress by creating alternative structures through which one embodies ancestry and history. Nicole Shaffer, wei, and Thorne question normative logic, celebrate interstitial spaces, and (re)consider the boundaries of bodies and the spaces they inhabit. Namita Paul, Mary Graham, and collaborators Gordon Fung and Ernest Strauhal embrace the unknowable, obscuring that
which is often taken for granted. Tiago De Cruz Ellner, Ebti, and Heesoo Kwon gather spirits across time and space to convene with their kin and reimagine selfhood.
Through their practices, these artists create access to an alternative territory where it is possible to commune across time, space, and material reality. They encourage other ways of experiencing our world that connect the current moment to the past through rhizomatic, maze-like networks and demonstrate how the present is filled with specters of "what if" and "what is." By encouraging a heightened awareness of the multitude of beings dwelling in the shadows among us, the artists in you can hear the wind from beneath the floorboards hold space for a cacophony of presence, knowledge, experience, and story.
Image Credit: Mary Graham, Kin, 2022
show less
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1131 Mission Street, San Francisco, CA 94110
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