For the past few years, Ali Koehler has been best known as the drummer of the pop group Best Coast and the noisy girl punk trio Vivian Girls. After her departure from Best Coast, Koehler decided to step up from behind the kit to front a band of her own, embracing her melodic punk-spirited songwriting impulses with Upset. Joined by Patty Schemel (of Hole) on drums and Jennifer Prince on lead guitar and vocals, Upsetwill release its massively hooky debut record, She’s Gone, this fall.
With 12 songs in just under 30 minutes, it’s a pop-punk album that immediately sounds classic, full of unshakeable hooks and the sincerest of shouts. It is fitting that She’s Gone will see a release with Don Giovanni Records; the record could easily fit in the record collections of Ergs or Lemuria fans.
She’s Gone has moments of self-doubt and resonant angst (“I can’t remember feeling worse than this,” Koehler sings on “Oxfords and Wingtips”) but it has a sense of humor about it as well; “About Me” even starts with a giggle. It’s a sort of record that’s not afraid to have sincere open-book, downer moments, but doesn’t take itself too seriously.
"Utilizing some of the similar Vivian Girls' shoegaze but not eschewing Best Coast or Hole's approachable melodies, Upset is a power trio beyond even what we could dream up." --IMPOSE
For the past few years, Ali Koehler has been best known as the drummer of the pop group Best Coast and the noisy girl punk trio Vivian Girls. After her departure from Best Coast, Koehler decided to step up from behind the kit to front a band of her own, embracing her melodic punk-spirited songwriting impulses with Upset. Joined by Patty Schemel (of Hole) on drums and Jennifer Prince on lead guitar and vocals, Upsetwill release its massively hooky debut record, She’s Gone, this fall.
With 12 songs in just under 30 minutes, it’s a pop-punk album that immediately sounds classic, full of unshakeable hooks and the sincerest of shouts. It is fitting that She’s Gone will see a release with Don Giovanni Records; the record could easily fit in the record collections of Ergs or Lemuria fans.
She’s Gone has moments of self-doubt and resonant angst (“I can’t remember feeling worse than this,” Koehler sings on “Oxfords and Wingtips”) but it has a sense of humor about it as well; “About Me” even starts with a giggle. It’s a sort of record that’s not afraid to have sincere open-book, downer moments, but doesn’t take itself too seriously.
"Utilizing some of the similar Vivian Girls' shoegaze but not eschewing Best Coast or Hole's approachable melodies, Upset is a power trio beyond even what we could dream up." --IMPOSE
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