Tyler Childers with Shakey Graves
With a few words, Tyler Childers can build worlds.
A plain-spoken poet for the dreams and struggles of a working class, his music takes listeners to real places - backroad church pews, sticky-hot swimming holes and freshly-plowed farm fields, to name a few. Childers' melodies feel lived-in, like joining a circle of familiar faces in a well-worn basement or on a shaded porch, the gathering place for folks of all kinds to share truths or swap tall tales after a long day.
Since he emerged from the hills of Appalachia, Childers has stormed the world with his uncompromising voice and a candid collection of songs. He skyrocketed from playing inside sweat-soaked clubs to becoming one of today's most sought-after artists. With his longtime band, The Food Stamps, Childers headlines historic festival stages and delivers high-flying sold-out shows inside arenas, amphitheaters and concert halls across the globe.
And many who time-and-again drop a needle on his music embrace Childers like an author to a new chapter in America's long, revered songbook of country and folk music - a testament to how far a well-told story can travel.
No matter if he's delivering a fiddle tune with a hard-spoken truth or leading his band in an open-armed country-soul sermon, new Childers music arrives with layers of time-tested storytelling. And on his anticipated new album, Rustin' In The Rain, the circle of tales in Childers' catalog grows a little bigger with a fresh collection of big-hearted, wry-humored love songs and dirt-covered country romps.
The 2x Grammy Award-nominated singer, songwriter and musician returned to the studio with The Food Stamps - James Barker (pedal steel), Craig Burletic (bass), CJ Cain (guitar), Rodney Elkins (drums), Chase Lewis (keyboards) and Jesse Wells (guitar, fiddle) - to record Rustin'. In a testament to the well-oiled grooves of the group, it's the second consecutive release to be cut and co-produced by Childers alongside the Food Stamps, once again recording at Barker's home studio, Dragline, in Huntington, West Virginia.
With Rustin' In The Rain, the 32-year-old Kentucky native pulled together songs with a playful concept: What would he pitch to Elvis Presley? Graceland-era Presley, to be exact. Listeners hear the result on songs like lead single "In You Love" - a timeless, piano-tinged I'll-wait-for-your-love ballad released alongside a heart-wrenching music video of two men falling for each other in 1950s rural Appalachia - and "Phone Calls & Emails," a story of modern missed connections set to the backdrop of a crooning, classic country tune.
On "Luke 2:8-10," Childers enlists background vocals from a one-of-a-kind trio: Margo Price, Erin Rae and S.G. Goodman, three standout singer-songwriters. The expanded band delivers a rustling three-minute song about a panicked shepherd witnessing the descent of an angel from the heavens. Collaborations on Rustin' continue on "Percheron Mules," a rollicking tune that includes vocals from Ronnie McCoury, Jason Carter and Alan Bartram -members of ace bluegrass band the Travelin' McCourys (McCoury also adds mandolin pickin' to the song).
And for one of two cover songs on Rustin', Childers dug into country music's balladeering catalog to unearth "Help Me Make It Through The Night." He lends his mountainous vocal to the intimate, restless 1970 song, written by Kris Kristofferson and made famous by Sammi Smith's Grammy Award-winning rendition (Presley also covered the song during a 1971 session at RCA Studio B in Nashville). To close the album, Childers covers "Space & Time," a song penned by Goodman - a fellow Kentuckian - that chronicles the need to share moments with those you hold most dear. Goodman and Rae rejoin Childers for backing vocals on the album-closing number.
Still, no new song may whip Childers' show-going audience into a frenzy like "Rustin' In The Rain," the barnstormin' opening track anchored by dueling country licks and Childers' band-leading howl - a nod to the tight-knit creatively he and the Food Stamps earned during late nights on stage and long trips on the road.
With Rustin' In The Rain, Childers pens the next chapter in an unrivaled and unreplicable story of real-life success that continues to reach new circles. And the best part? This tale's just getting started.
~~~~~~~~
Can I Take My Hounds to Heaven? isn't really a gospel album. "I feel it's more of a spiritual record," Tyler Childers says. "Growing up in church I was scared to death of going to hell. But a lot of it shaped me for the better, too. Getting through that and finding the truth and beauty, the things that you should think about, and expelling all the damaging parts, has been something I've thought about my whole life."
The three-record album explores this theme through a collection of eight songs (each recorded in three different ways for twenty-four tracks total) that are both joyful and profound.
The original songs on Can I Take My Hounds to Heaven?, his fifth studio album, are among his best. The title track uses rural sensibility to imagine an inclusive heaven and is inspired not only by Childers' thoughts on how he'd want his own dogs with him but also a passage in The Mahabharata, an ancient Indian epic that has been central to Childers' spiritual life since he was a young man. "Purgatory", about a man who fears for his soul asking a girlfriend to pray for him, is a familiar one to Childers' fans, but he and the band say this is the version they always wanted to record. "We finally found our way of playing it," Childers says. "Way of the Triune God" is a testament to the power of sobriety and an intricate display of picking and singing that will lead listeners to sway in place and want to praise the music itself with its Holiness-infused piano, head-nodding tempo, and irresistible riff. "The Heart You've Been Tendin'" meditates on Childers' experiences with psychedelics and how in the end all we have is the love we've cultivated.
Led by percussion, it's Childers at his calmest yet most passionate vocals, backed by the band at the height of its game as the players luxuriate in the easy-as-Sunday-morning tempo that builds to an epic scale by song's end. There are also the traditional tunes "Two Coats" and "Jubilee", both such fixtures in the religious and old-time canon that Childers felt they had to be included and reimagined here, as well as the classic gospel tune "Old Country Church", that opens the album. On the surface the song is a slice of nostalgia, looking back to simpler days when everything was better because everyone went to church together. In the context of this album it can also be taken as a lament for times when people of faith leaned more on love than judgement. It's the first song Childers ever learned to play on guitar, when he was five years old. All of these are tied together by the aforementioned "Angel Band".
show less
With a few words, Tyler Childers can build worlds.
A plain-spoken poet for the dreams and struggles of a working class, his music takes listeners to real places - backroad church pews, sticky-hot swimming holes and freshly-plowed farm fields, to name a few. Childers' melodies feel lived-in, like joining a circle of familiar faces in a well-worn basement or on a shaded porch, the gathering place for folks of all kinds to share truths or swap tall tales after a long day.
Since he emerged from the hills of Appalachia, Childers has stormed the world with his uncompromising voice and a candid collection of songs. He skyrocketed from playing inside sweat-soaked clubs to becoming one of today's most sought-after artists. With his longtime band, The Food Stamps, Childers headlines historic festival stages and delivers high-flying sold-out shows inside arenas, amphitheaters and concert halls across the globe.
And many who time-and-again drop a needle on his music embrace Childers like an author to a new chapter in America's long, revered songbook of country and folk music - a testament to how far a well-told story can travel.
No matter if he's delivering a fiddle tune with a hard-spoken truth or leading his band in an open-armed country-soul sermon, new Childers music arrives with layers of time-tested storytelling. And on his anticipated new album, Rustin' In The Rain, the circle of tales in Childers' catalog grows a little bigger with a fresh collection of big-hearted, wry-humored love songs and dirt-covered country romps.
The 2x Grammy Award-nominated singer, songwriter and musician returned to the studio with The Food Stamps - James Barker (pedal steel), Craig Burletic (bass), CJ Cain (guitar), Rodney Elkins (drums), Chase Lewis (keyboards) and Jesse Wells (guitar, fiddle) - to record Rustin'. In a testament to the well-oiled grooves of the group, it's the second consecutive release to be cut and co-produced by Childers alongside the Food Stamps, once again recording at Barker's home studio, Dragline, in Huntington, West Virginia.
With Rustin' In The Rain, the 32-year-old Kentucky native pulled together songs with a playful concept: What would he pitch to Elvis Presley? Graceland-era Presley, to be exact. Listeners hear the result on songs like lead single "In You Love" - a timeless, piano-tinged I'll-wait-for-your-love ballad released alongside a heart-wrenching music video of two men falling for each other in 1950s rural Appalachia - and "Phone Calls & Emails," a story of modern missed connections set to the backdrop of a crooning, classic country tune.
On "Luke 2:8-10," Childers enlists background vocals from a one-of-a-kind trio: Margo Price, Erin Rae and S.G. Goodman, three standout singer-songwriters. The expanded band delivers a rustling three-minute song about a panicked shepherd witnessing the descent of an angel from the heavens. Collaborations on Rustin' continue on "Percheron Mules," a rollicking tune that includes vocals from Ronnie McCoury, Jason Carter and Alan Bartram -members of ace bluegrass band the Travelin' McCourys (McCoury also adds mandolin pickin' to the song).
And for one of two cover songs on Rustin', Childers dug into country music's balladeering catalog to unearth "Help Me Make It Through The Night." He lends his mountainous vocal to the intimate, restless 1970 song, written by Kris Kristofferson and made famous by Sammi Smith's Grammy Award-winning rendition (Presley also covered the song during a 1971 session at RCA Studio B in Nashville). To close the album, Childers covers "Space & Time," a song penned by Goodman - a fellow Kentuckian - that chronicles the need to share moments with those you hold most dear. Goodman and Rae rejoin Childers for backing vocals on the album-closing number.
Still, no new song may whip Childers' show-going audience into a frenzy like "Rustin' In The Rain," the barnstormin' opening track anchored by dueling country licks and Childers' band-leading howl - a nod to the tight-knit creatively he and the Food Stamps earned during late nights on stage and long trips on the road.
With Rustin' In The Rain, Childers pens the next chapter in an unrivaled and unreplicable story of real-life success that continues to reach new circles. And the best part? This tale's just getting started.
~~~~~~~~
Can I Take My Hounds to Heaven? isn't really a gospel album. "I feel it's more of a spiritual record," Tyler Childers says. "Growing up in church I was scared to death of going to hell. But a lot of it shaped me for the better, too. Getting through that and finding the truth and beauty, the things that you should think about, and expelling all the damaging parts, has been something I've thought about my whole life."
The three-record album explores this theme through a collection of eight songs (each recorded in three different ways for twenty-four tracks total) that are both joyful and profound.
The original songs on Can I Take My Hounds to Heaven?, his fifth studio album, are among his best. The title track uses rural sensibility to imagine an inclusive heaven and is inspired not only by Childers' thoughts on how he'd want his own dogs with him but also a passage in The Mahabharata, an ancient Indian epic that has been central to Childers' spiritual life since he was a young man. "Purgatory", about a man who fears for his soul asking a girlfriend to pray for him, is a familiar one to Childers' fans, but he and the band say this is the version they always wanted to record. "We finally found our way of playing it," Childers says. "Way of the Triune God" is a testament to the power of sobriety and an intricate display of picking and singing that will lead listeners to sway in place and want to praise the music itself with its Holiness-infused piano, head-nodding tempo, and irresistible riff. "The Heart You've Been Tendin'" meditates on Childers' experiences with psychedelics and how in the end all we have is the love we've cultivated.
Led by percussion, it's Childers at his calmest yet most passionate vocals, backed by the band at the height of its game as the players luxuriate in the easy-as-Sunday-morning tempo that builds to an epic scale by song's end. There are also the traditional tunes "Two Coats" and "Jubilee", both such fixtures in the religious and old-time canon that Childers felt they had to be included and reimagined here, as well as the classic gospel tune "Old Country Church", that opens the album. On the surface the song is a slice of nostalgia, looking back to simpler days when everything was better because everyone went to church together. In the context of this album it can also be taken as a lament for times when people of faith leaned more on love than judgement. It's the first song Childers ever learned to play on guitar, when he was five years old. All of these are tied together by the aforementioned "Angel Band".
Tyler Childers with Shakey Graves
With a few words, Tyler Childers can build worlds.
A plain-spoken poet for the dreams and struggles of a working class, his music takes listeners to real places - backroad church pews, sticky-hot swimming holes and freshly-plowed farm fields, to name a few. Childers' melodies feel lived-in, like joining a circle of familiar faces in a well-worn basement or on a shaded porch, the gathering place for folks of all kinds to share truths or swap tall tales after a long day.
Since he emerged from the hills of Appalachia, Childers has stormed the world with his uncompromising voice and a candid collection of songs. He skyrocketed from playing inside sweat-soaked clubs to becoming one of today's most sought-after artists. With his longtime band, The Food Stamps, Childers headlines historic festival stages and delivers high-flying sold-out shows inside arenas, amphitheaters and concert halls across the globe.
And many who time-and-again drop a needle on his music embrace Childers like an author to a new chapter in America's long, revered songbook of country and folk music - a testament to how far a well-told story can travel.
No matter if he's delivering a fiddle tune with a hard-spoken truth or leading his band in an open-armed country-soul sermon, new Childers music arrives with layers of time-tested storytelling. And on his anticipated new album, Rustin' In The Rain, the circle of tales in Childers' catalog grows a little bigger with a fresh collection of big-hearted, wry-humored love songs and dirt-covered country romps.
The 2x Grammy Award-nominated singer, songwriter and musician returned to the studio with The Food Stamps - James Barker (pedal steel), Craig Burletic (bass), CJ Cain (guitar), Rodney Elkins (drums), Chase Lewis (keyboards) and Jesse Wells (guitar, fiddle) - to record Rustin'. In a testament to the well-oiled grooves of the group, it's the second consecutive release to be cut and co-produced by Childers alongside the Food Stamps, once again recording at Barker's home studio, Dragline, in Huntington, West Virginia.
With Rustin' In The Rain, the 32-year-old Kentucky native pulled together songs with a playful concept: What would he pitch to Elvis Presley? Graceland-era Presley, to be exact. Listeners hear the result on songs like lead single "In You Love" - a timeless, piano-tinged I'll-wait-for-your-love ballad released alongside a heart-wrenching music video of two men falling for each other in 1950s rural Appalachia - and "Phone Calls & Emails," a story of modern missed connections set to the backdrop of a crooning, classic country tune.
On "Luke 2:8-10," Childers enlists background vocals from a one-of-a-kind trio: Margo Price, Erin Rae and S.G. Goodman, three standout singer-songwriters. The expanded band delivers a rustling three-minute song about a panicked shepherd witnessing the descent of an angel from the heavens. Collaborations on Rustin' continue on "Percheron Mules," a rollicking tune that includes vocals from Ronnie McCoury, Jason Carter and Alan Bartram -members of ace bluegrass band the Travelin' McCourys (McCoury also adds mandolin pickin' to the song).
And for one of two cover songs on Rustin', Childers dug into country music's balladeering catalog to unearth "Help Me Make It Through The Night." He lends his mountainous vocal to the intimate, restless 1970 song, written by Kris Kristofferson and made famous by Sammi Smith's Grammy Award-winning rendition (Presley also covered the song during a 1971 session at RCA Studio B in Nashville). To close the album, Childers covers "Space & Time," a song penned by Goodman - a fellow Kentuckian - that chronicles the need to share moments with those you hold most dear. Goodman and Rae rejoin Childers for backing vocals on the album-closing number.
Still, no new song may whip Childers' show-going audience into a frenzy like "Rustin' In The Rain," the barnstormin' opening track anchored by dueling country licks and Childers' band-leading howl - a nod to the tight-knit creatively he and the Food Stamps earned during late nights on stage and long trips on the road.
With Rustin' In The Rain, Childers pens the next chapter in an unrivaled and unreplicable story of real-life success that continues to reach new circles. And the best part? This tale's just getting started.
~~~~~~~~
Can I Take My Hounds to Heaven? isn't really a gospel album. "I feel it's more of a spiritual record," Tyler Childers says. "Growing up in church I was scared to death of going to hell. But a lot of it shaped me for the better, too. Getting through that and finding the truth and beauty, the things that you should think about, and expelling all the damaging parts, has been something I've thought about my whole life."
The three-record album explores this theme through a collection of eight songs (each recorded in three different ways for twenty-four tracks total) that are both joyful and profound.
The original songs on Can I Take My Hounds to Heaven?, his fifth studio album, are among his best. The title track uses rural sensibility to imagine an inclusive heaven and is inspired not only by Childers' thoughts on how he'd want his own dogs with him but also a passage in The Mahabharata, an ancient Indian epic that has been central to Childers' spiritual life since he was a young man. "Purgatory", about a man who fears for his soul asking a girlfriend to pray for him, is a familiar one to Childers' fans, but he and the band say this is the version they always wanted to record. "We finally found our way of playing it," Childers says. "Way of the Triune God" is a testament to the power of sobriety and an intricate display of picking and singing that will lead listeners to sway in place and want to praise the music itself with its Holiness-infused piano, head-nodding tempo, and irresistible riff. "The Heart You've Been Tendin'" meditates on Childers' experiences with psychedelics and how in the end all we have is the love we've cultivated.
Led by percussion, it's Childers at his calmest yet most passionate vocals, backed by the band at the height of its game as the players luxuriate in the easy-as-Sunday-morning tempo that builds to an epic scale by song's end. There are also the traditional tunes "Two Coats" and "Jubilee", both such fixtures in the religious and old-time canon that Childers felt they had to be included and reimagined here, as well as the classic gospel tune "Old Country Church", that opens the album. On the surface the song is a slice of nostalgia, looking back to simpler days when everything was better because everyone went to church together. In the context of this album it can also be taken as a lament for times when people of faith leaned more on love than judgement. It's the first song Childers ever learned to play on guitar, when he was five years old. All of these are tied together by the aforementioned "Angel Band".
read more
With a few words, Tyler Childers can build worlds.
A plain-spoken poet for the dreams and struggles of a working class, his music takes listeners to real places - backroad church pews, sticky-hot swimming holes and freshly-plowed farm fields, to name a few. Childers' melodies feel lived-in, like joining a circle of familiar faces in a well-worn basement or on a shaded porch, the gathering place for folks of all kinds to share truths or swap tall tales after a long day.
Since he emerged from the hills of Appalachia, Childers has stormed the world with his uncompromising voice and a candid collection of songs. He skyrocketed from playing inside sweat-soaked clubs to becoming one of today's most sought-after artists. With his longtime band, The Food Stamps, Childers headlines historic festival stages and delivers high-flying sold-out shows inside arenas, amphitheaters and concert halls across the globe.
And many who time-and-again drop a needle on his music embrace Childers like an author to a new chapter in America's long, revered songbook of country and folk music - a testament to how far a well-told story can travel.
No matter if he's delivering a fiddle tune with a hard-spoken truth or leading his band in an open-armed country-soul sermon, new Childers music arrives with layers of time-tested storytelling. And on his anticipated new album, Rustin' In The Rain, the circle of tales in Childers' catalog grows a little bigger with a fresh collection of big-hearted, wry-humored love songs and dirt-covered country romps.
The 2x Grammy Award-nominated singer, songwriter and musician returned to the studio with The Food Stamps - James Barker (pedal steel), Craig Burletic (bass), CJ Cain (guitar), Rodney Elkins (drums), Chase Lewis (keyboards) and Jesse Wells (guitar, fiddle) - to record Rustin'. In a testament to the well-oiled grooves of the group, it's the second consecutive release to be cut and co-produced by Childers alongside the Food Stamps, once again recording at Barker's home studio, Dragline, in Huntington, West Virginia.
With Rustin' In The Rain, the 32-year-old Kentucky native pulled together songs with a playful concept: What would he pitch to Elvis Presley? Graceland-era Presley, to be exact. Listeners hear the result on songs like lead single "In You Love" - a timeless, piano-tinged I'll-wait-for-your-love ballad released alongside a heart-wrenching music video of two men falling for each other in 1950s rural Appalachia - and "Phone Calls & Emails," a story of modern missed connections set to the backdrop of a crooning, classic country tune.
On "Luke 2:8-10," Childers enlists background vocals from a one-of-a-kind trio: Margo Price, Erin Rae and S.G. Goodman, three standout singer-songwriters. The expanded band delivers a rustling three-minute song about a panicked shepherd witnessing the descent of an angel from the heavens. Collaborations on Rustin' continue on "Percheron Mules," a rollicking tune that includes vocals from Ronnie McCoury, Jason Carter and Alan Bartram -members of ace bluegrass band the Travelin' McCourys (McCoury also adds mandolin pickin' to the song).
And for one of two cover songs on Rustin', Childers dug into country music's balladeering catalog to unearth "Help Me Make It Through The Night." He lends his mountainous vocal to the intimate, restless 1970 song, written by Kris Kristofferson and made famous by Sammi Smith's Grammy Award-winning rendition (Presley also covered the song during a 1971 session at RCA Studio B in Nashville). To close the album, Childers covers "Space & Time," a song penned by Goodman - a fellow Kentuckian - that chronicles the need to share moments with those you hold most dear. Goodman and Rae rejoin Childers for backing vocals on the album-closing number.
Still, no new song may whip Childers' show-going audience into a frenzy like "Rustin' In The Rain," the barnstormin' opening track anchored by dueling country licks and Childers' band-leading howl - a nod to the tight-knit creatively he and the Food Stamps earned during late nights on stage and long trips on the road.
With Rustin' In The Rain, Childers pens the next chapter in an unrivaled and unreplicable story of real-life success that continues to reach new circles. And the best part? This tale's just getting started.
~~~~~~~~
Can I Take My Hounds to Heaven? isn't really a gospel album. "I feel it's more of a spiritual record," Tyler Childers says. "Growing up in church I was scared to death of going to hell. But a lot of it shaped me for the better, too. Getting through that and finding the truth and beauty, the things that you should think about, and expelling all the damaging parts, has been something I've thought about my whole life."
The three-record album explores this theme through a collection of eight songs (each recorded in three different ways for twenty-four tracks total) that are both joyful and profound.
The original songs on Can I Take My Hounds to Heaven?, his fifth studio album, are among his best. The title track uses rural sensibility to imagine an inclusive heaven and is inspired not only by Childers' thoughts on how he'd want his own dogs with him but also a passage in The Mahabharata, an ancient Indian epic that has been central to Childers' spiritual life since he was a young man. "Purgatory", about a man who fears for his soul asking a girlfriend to pray for him, is a familiar one to Childers' fans, but he and the band say this is the version they always wanted to record. "We finally found our way of playing it," Childers says. "Way of the Triune God" is a testament to the power of sobriety and an intricate display of picking and singing that will lead listeners to sway in place and want to praise the music itself with its Holiness-infused piano, head-nodding tempo, and irresistible riff. "The Heart You've Been Tendin'" meditates on Childers' experiences with psychedelics and how in the end all we have is the love we've cultivated.
Led by percussion, it's Childers at his calmest yet most passionate vocals, backed by the band at the height of its game as the players luxuriate in the easy-as-Sunday-morning tempo that builds to an epic scale by song's end. There are also the traditional tunes "Two Coats" and "Jubilee", both such fixtures in the religious and old-time canon that Childers felt they had to be included and reimagined here, as well as the classic gospel tune "Old Country Church", that opens the album. On the surface the song is a slice of nostalgia, looking back to simpler days when everything was better because everyone went to church together. In the context of this album it can also be taken as a lament for times when people of faith leaned more on love than judgement. It's the first song Childers ever learned to play on guitar, when he was five years old. All of these are tied together by the aforementioned "Angel Band".
show less
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