Earlier this year The Antlers released their first album in seven years titled Green to Gold, a bucolic record which Pitchfork described as "a post-rock orchestra playing around a campfire... the sound of hard-won peace of mind, rendered in the lightest brushstrokes."
Perhaps what distinguishes Green to Gold from the rest of The Antlers' canon is its, well, sunniness. Conceived and written almost entirely in the morning hours, Green to Gold marked the band's first new music in nearly seven years, and easily their most luminous to date. "I think this is the first album I've made that has no eeriness in it," Silberman asserts. "I set out to make Sunday morning music."
"The Antlers magnify private sorrows to overwhelming scale, creating grand anthems." - The New York Times
"The band occupies a space in the lower atmosphere: floating and free, but recalling what the ground feels like, too." - The New Yorker
"Silberman shows that his voice is as versatile as any instrument in the band." - The Washington Post
Earlier this year The Antlers released their first album in seven years titled Green to Gold, a bucolic record which Pitchfork described as "a post-rock orchestra playing around a campfire... the sound of hard-won peace of mind, rendered in the lightest brushstrokes."
Perhaps what distinguishes Green to Gold from the rest of The Antlers' canon is its, well, sunniness. Conceived and written almost entirely in the morning hours, Green to Gold marked the band's first new music in nearly seven years, and easily their most luminous to date. "I think this is the first album I've made that has no eeriness in it," Silberman asserts. "I set out to make Sunday morning music."
"The Antlers magnify private sorrows to overwhelming scale, creating grand anthems." - The New York Times
"The band occupies a space in the lower atmosphere: floating and free, but recalling what the ground feels like, too." - The New Yorker
"Silberman shows that his voice is as versatile as any instrument in the band." - The Washington Post
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