A band famous for their unfussy, monolithic anthems, Sweeping Promises elegantly ravaged us again with another future classic. They return as a fist of velvet rose petals roaring inside a compact wrecking ball. Gone is the Boston brutalist ambience of their subterranean concrete laboratory and the revelatory single mic recording technique. In its place, a retired and resplendent nude painting studio in Lawrence, Kansas, bathed in light with high ceilings and hardwood floors. Guided once again by their surrounding architecture, a reverb-rich space remains the defining element at the heart of their highly stylized sound. A watery ghost from the golden age of art-punk now wields sharper knives and more microphones...
...Sweeping Promises are Lira Mondal and Caufield Schnug. A chance meeting in Arkansas led to a decade of playing in an eclectic assortment of projects together. Their relentless practice made perfect. Bass playing Lira is an emotive bolt of thunderous energy with the iconic blast of a girl group rolled into one robust throat. Caufield is an intentional guitar player and drummer. No note or hit is extraneous. Together they are meticulous sound engineers, using space as a key ingredient to their distinct sound. Controlling every aspect of their craft, from the first note they write together, all the way through to the final mastering process, each record is an unspoiled fingerprint unique to their dynamic chemistry.
- Tracy Wilson (Courtesy Desk)
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Caufield Schnug and Lira Mondal began making music in a small town in Arkansas. Over the subsequent decade, having relocated to Boston, MA in 2012, the duo became serial band-starters on the East Coast underground. Their many DIY projects and releases established their thrifty and disciplined songwriting practice, known by few.
Sweeping Promises, their latest project, was born in a disused and reverberant concrete laboratory in Cambridge, MA. Tracked with a self-devised "single-mic technique" and mixed in mono, the band completed their debut Hunger for a Way Out just in time to enter quarantine. With only a single basement show under their belt, the band received an unexpectedly wide reception, firstly in online punk circles, and eventually stretching beyond. The band owes their circulation to the expert coordination of Sam Richardson, label head of Virginia's Feel It Records.
Sam describes the release: "Angular guitars and sharp synth notes float atop a raw rhythm section, while Lira Mondal's effervescent vocals truly define Sweeping Promises' sound. There's something simple yet otherworldly about these tracks - you have the DIY prowess of Kleenex/LiLiPUT and Girls at Our Best!, a brooding new wave-y minimal synth sound woven in, and an undeniable pop-leaning appeal captured in vibrant monaural glory." http://sweepingpromises.bandcamp.com/
A band famous for their unfussy, monolithic anthems, Sweeping Promises elegantly ravaged us again with another future classic. They return as a fist of velvet rose petals roaring inside a compact wrecking ball. Gone is the Boston brutalist ambience of their subterranean concrete laboratory and the revelatory single mic recording technique. In its place, a retired and resplendent nude painting studio in Lawrence, Kansas, bathed in light with high ceilings and hardwood floors. Guided once again by their surrounding architecture, a reverb-rich space remains the defining element at the heart of their highly stylized sound. A watery ghost from the golden age of art-punk now wields sharper knives and more microphones...
...Sweeping Promises are Lira Mondal and Caufield Schnug. A chance meeting in Arkansas led to a decade of playing in an eclectic assortment of projects together. Their relentless practice made perfect. Bass playing Lira is an emotive bolt of thunderous energy with the iconic blast of a girl group rolled into one robust throat. Caufield is an intentional guitar player and drummer. No note or hit is extraneous. Together they are meticulous sound engineers, using space as a key ingredient to their distinct sound. Controlling every aspect of their craft, from the first note they write together, all the way through to the final mastering process, each record is an unspoiled fingerprint unique to their dynamic chemistry.
- Tracy Wilson (Courtesy Desk)
~~~~~~~~
Caufield Schnug and Lira Mondal began making music in a small town in Arkansas. Over the subsequent decade, having relocated to Boston, MA in 2012, the duo became serial band-starters on the East Coast underground. Their many DIY projects and releases established their thrifty and disciplined songwriting practice, known by few.
Sweeping Promises, their latest project, was born in a disused and reverberant concrete laboratory in Cambridge, MA. Tracked with a self-devised "single-mic technique" and mixed in mono, the band completed their debut Hunger for a Way Out just in time to enter quarantine. With only a single basement show under their belt, the band received an unexpectedly wide reception, firstly in online punk circles, and eventually stretching beyond. The band owes their circulation to the expert coordination of Sam Richardson, label head of Virginia's Feel It Records.
Sam describes the release: "Angular guitars and sharp synth notes float atop a raw rhythm section, while Lira Mondal's effervescent vocals truly define Sweeping Promises' sound. There's something simple yet otherworldly about these tracks - you have the DIY prowess of Kleenex/LiLiPUT and Girls at Our Best!, a brooding new wave-y minimal synth sound woven in, and an undeniable pop-leaning appeal captured in vibrant monaural glory." http://sweepingpromises.bandcamp.com/
A band famous for their unfussy, monolithic anthems, Sweeping Promises elegantly ravaged us again with another future classic. They return as a fist o...