CLOSING RECEPTION & ARTIST TALK:
Artist Talk with Kadet Kuhne
Sunday, September 6th 3-6pm, Talk begins at 4pm
Exhibiting artists: Neil Bickford, Isaac Budmen, Tom Burtonwood, Joseph DeLappe, Megan Ender, Holly Holmes, Shane Hope, Fred Kahl, Kadet Kuhne, Helena Lukasova, Ana Marva Fernandez, Ronald Rael, Mathieu Schmitt, Charles Stevens, Virginia San Fratello, Andrew Werby, and more.
The Compound Gallery is pleased to announce the forthcoming exhibition “SUPERSTRATA: 3D Printed Art.” 3D Printed focuses on innovative approaches to creating visual art using additive manufacturing. Artists across the country will use of 3D modeling as a form of artistic expression and 3D printers as an artistic medium.
Much focus has been placed on industrial applications such as rapid prototyping and manufacturing, but artistic approaches are expeditiously increasing. 3D printing, also known as additive manufacturing, is a method in which successive layers of material are placed by an industrial robot (3d printer) to create a three dimensional object. Various materials such as resin, steel, wax, food, and precious metals can be used in select printers, but plastics are currently the most dominant material used.
SUPERSTRATA will showcase 3D printed art by local and internationally acclaimed artists with work printed from various plastics, wood, salt, tea, sandstone, and concrete.
3D printed art requires design concept, 3D modeling, and printing–elements that are not always done by the artist who created the design. Historically, many artists did not always autonomously create their own work. Classical artists such as Leonardo da Vinci, Rubens had skilled apprentices and assistants, and many contemporary artists like Warhol, Shepard Fairey, Takashi Murakami, Jeff Koons, and countless others rely heavily on staff to produce work, many of which have been criticized for having assistants.
3D print computer files work much like as an artist’s etching plate. It is a means of manifesting an artist’s concept into reality. SUPERSTRATA will explore the notion of artistic copyright, use of hired printers, and design rights in relation to 3D printing and the Visual Arts.
CLOSING RECEPTION & ARTIST TALK:
Artist Talk with Kadet Kuhne
Sunday, September 6th 3-6pm, Talk begins at 4pm
Exhibiting artists: Neil Bickford, Isaac Budmen, Tom Burtonwood, Joseph DeLappe, Megan Ender, Holly Holmes, Shane Hope, Fred Kahl, Kadet Kuhne, Helena Lukasova, Ana Marva Fernandez, Ronald Rael, Mathieu Schmitt, Charles Stevens, Virginia San Fratello, Andrew Werby, and more.
The Compound Gallery is pleased to announce the forthcoming exhibition “SUPERSTRATA: 3D Printed Art.” 3D Printed focuses on innovative approaches to creating visual art using additive manufacturing. Artists across the country will use of 3D modeling as a form of artistic expression and 3D printers as an artistic medium.
Much focus has been placed on industrial applications such as rapid prototyping and manufacturing, but artistic approaches are expeditiously increasing. 3D printing, also known as additive manufacturing, is a method in which successive layers of material are placed by an industrial robot (3d printer) to create a three dimensional object. Various materials such as resin, steel, wax, food, and precious metals can be used in select printers, but plastics are currently the most dominant material used.
SUPERSTRATA will showcase 3D printed art by local and internationally acclaimed artists with work printed from various plastics, wood, salt, tea, sandstone, and concrete.
3D printed art requires design concept, 3D modeling, and printing–elements that are not always done by the artist who created the design. Historically, many artists did not always autonomously create their own work. Classical artists such as Leonardo da Vinci, Rubens had skilled apprentices and assistants, and many contemporary artists like Warhol, Shepard Fairey, Takashi Murakami, Jeff Koons, and countless others rely heavily on staff to produce work, many of which have been criticized for having assistants.
3D print computer files work much like as an artist’s etching plate. It is a means of manifesting an artist’s concept into reality. SUPERSTRATA will explore the notion of artistic copyright, use of hired printers, and design rights in relation to 3D printing and the Visual Arts.
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