SCHEDULE
Free:
4:00pm-5:15pm How Music is Made: Open dress rehearsal of 'The Cage' Variations by Ted Hearne followed by a composer talk hosted by Eric Dudley
Ticketed:
6:30 Doors open
7:30pm Concert with intermission
9:00pm Reception
Our in the LABORATORY concerts explore large-ensemble contemporary works that push the boundaries of the concert experience. On January 18, together we'll explore several points of connectivity along experimentalist paths, laid down by composers all seeking to fuse a variety of music forms and personal experiences into multi-faceted sonic narratives. An epigrammatic song by Charles Ives serves as a jumping-off point for California-based composer Ted Hearne's 'The Cage' Variations-a panoply of musical influence and memory that incorporates the work of numerous others in addition to his own. Works by Ingram Marshall, Molly Joyce, and Mark-Anthony Turnage further the exploration of connectivity where you will hear the direct interaction of live performers with pre-recorded sound materials from places across the globe. Bay-area native Timo Andres' Some Connecticut Gospel draws another line back to Ives, rounding out the program with a different take on the notion of memory and that which has been left behind us.
In accordance with SFCMP's mission of encouraging and mentoring the next generation of new music performers, San Francisco Conservatory of Music students join the program as part of SFCMP's education and professional development series.
CONCERT PROGRAM
Mark-Anthony Turnage, Slide Stride
Ted Hearne, Cages 1 & 4 from 'The Cage' Variations
Molly Joyce, Blue Swell
Ted Hearne, Cages 5, 9, 10 from 'The Cage' Variations
Ted Hearne/Charles Ives, "The Cage" (Cage 12)
Timo Andres, Some Connecticut Gospel
Ingram Marshall, Peaceable Kingdom
Ted Hearne, By-By Huey
show less
Free:
4:00pm-5:15pm How Music is Made: Open dress rehearsal of 'The Cage' Variations by Ted Hearne followed by a composer talk hosted by Eric Dudley
Ticketed:
6:30 Doors open
7:30pm Concert with intermission
9:00pm Reception
Our in the LABORATORY concerts explore large-ensemble contemporary works that push the boundaries of the concert experience. On January 18, together we'll explore several points of connectivity along experimentalist paths, laid down by composers all seeking to fuse a variety of music forms and personal experiences into multi-faceted sonic narratives. An epigrammatic song by Charles Ives serves as a jumping-off point for California-based composer Ted Hearne's 'The Cage' Variations-a panoply of musical influence and memory that incorporates the work of numerous others in addition to his own. Works by Ingram Marshall, Molly Joyce, and Mark-Anthony Turnage further the exploration of connectivity where you will hear the direct interaction of live performers with pre-recorded sound materials from places across the globe. Bay-area native Timo Andres' Some Connecticut Gospel draws another line back to Ives, rounding out the program with a different take on the notion of memory and that which has been left behind us.
In accordance with SFCMP's mission of encouraging and mentoring the next generation of new music performers, San Francisco Conservatory of Music students join the program as part of SFCMP's education and professional development series.
CONCERT PROGRAM
Mark-Anthony Turnage, Slide Stride
Ted Hearne, Cages 1 & 4 from 'The Cage' Variations
Molly Joyce, Blue Swell
Ted Hearne, Cages 5, 9, 10 from 'The Cage' Variations
Ted Hearne/Charles Ives, "The Cage" (Cage 12)
Timo Andres, Some Connecticut Gospel
Ingram Marshall, Peaceable Kingdom
Ted Hearne, By-By Huey
SCHEDULE
Free:
4:00pm-5:15pm How Music is Made: Open dress rehearsal of 'The Cage' Variations by Ted Hearne followed by a composer talk hosted by Eric Dudley
Ticketed:
6:30 Doors open
7:30pm Concert with intermission
9:00pm Reception
Our in the LABORATORY concerts explore large-ensemble contemporary works that push the boundaries of the concert experience. On January 18, together we'll explore several points of connectivity along experimentalist paths, laid down by composers all seeking to fuse a variety of music forms and personal experiences into multi-faceted sonic narratives. An epigrammatic song by Charles Ives serves as a jumping-off point for California-based composer Ted Hearne's 'The Cage' Variations-a panoply of musical influence and memory that incorporates the work of numerous others in addition to his own. Works by Ingram Marshall, Molly Joyce, and Mark-Anthony Turnage further the exploration of connectivity where you will hear the direct interaction of live performers with pre-recorded sound materials from places across the globe. Bay-area native Timo Andres' Some Connecticut Gospel draws another line back to Ives, rounding out the program with a different take on the notion of memory and that which has been left behind us.
In accordance with SFCMP's mission of encouraging and mentoring the next generation of new music performers, San Francisco Conservatory of Music students join the program as part of SFCMP's education and professional development series.
CONCERT PROGRAM
Mark-Anthony Turnage, Slide Stride
Ted Hearne, Cages 1 & 4 from 'The Cage' Variations
Molly Joyce, Blue Swell
Ted Hearne, Cages 5, 9, 10 from 'The Cage' Variations
Ted Hearne/Charles Ives, "The Cage" (Cage 12)
Timo Andres, Some Connecticut Gospel
Ingram Marshall, Peaceable Kingdom
Ted Hearne, By-By Huey
read more
Free:
4:00pm-5:15pm How Music is Made: Open dress rehearsal of 'The Cage' Variations by Ted Hearne followed by a composer talk hosted by Eric Dudley
Ticketed:
6:30 Doors open
7:30pm Concert with intermission
9:00pm Reception
Our in the LABORATORY concerts explore large-ensemble contemporary works that push the boundaries of the concert experience. On January 18, together we'll explore several points of connectivity along experimentalist paths, laid down by composers all seeking to fuse a variety of music forms and personal experiences into multi-faceted sonic narratives. An epigrammatic song by Charles Ives serves as a jumping-off point for California-based composer Ted Hearne's 'The Cage' Variations-a panoply of musical influence and memory that incorporates the work of numerous others in addition to his own. Works by Ingram Marshall, Molly Joyce, and Mark-Anthony Turnage further the exploration of connectivity where you will hear the direct interaction of live performers with pre-recorded sound materials from places across the globe. Bay-area native Timo Andres' Some Connecticut Gospel draws another line back to Ives, rounding out the program with a different take on the notion of memory and that which has been left behind us.
In accordance with SFCMP's mission of encouraging and mentoring the next generation of new music performers, San Francisco Conservatory of Music students join the program as part of SFCMP's education and professional development series.
CONCERT PROGRAM
Mark-Anthony Turnage, Slide Stride
Ted Hearne, Cages 1 & 4 from 'The Cage' Variations
Molly Joyce, Blue Swell
Ted Hearne, Cages 5, 9, 10 from 'The Cage' Variations
Ted Hearne/Charles Ives, "The Cage" (Cage 12)
Timo Andres, Some Connecticut Gospel
Ingram Marshall, Peaceable Kingdom
Ted Hearne, By-By Huey
show less
Date/Times:
San Francisco Conservatory of Music - Caroline H. Hume Concert Hall
1 Upcoming Events
50 Oak Street, San Francisco, CA 94102
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