Painter and printmaker Timothy Berry’s most recent work continues a lifelong
investigation of mankind’s contentious, yet appreciative relationship to nature.
Utilizing motifs from natural landscapes, he generates implied narratives of
a paradise lost and flirts with patterned abstraction. His work results from a
generative approach to printmaking that involves aspects of digital and analog
techniques. His collaborative printmaking workshop, Teaberry Press, has worked
with over 250 artists to create new projects since 1974. Berry is Associate Professor
at SFAI.
Image:
Timothy Berry
Scare the Crow, 2013
Oil, asphaltum, acrylic pigment, and toner on paper
40 x 30 inches
Courtesy of the artist
show less
investigation of mankind’s contentious, yet appreciative relationship to nature.
Utilizing motifs from natural landscapes, he generates implied narratives of
a paradise lost and flirts with patterned abstraction. His work results from a
generative approach to printmaking that involves aspects of digital and analog
techniques. His collaborative printmaking workshop, Teaberry Press, has worked
with over 250 artists to create new projects since 1974. Berry is Associate Professor
at SFAI.
Image:
Timothy Berry
Scare the Crow, 2013
Oil, asphaltum, acrylic pigment, and toner on paper
40 x 30 inches
Courtesy of the artist
Painter and printmaker Timothy Berry’s most recent work continues a lifelong
investigation of mankind’s contentious, yet appreciative relationship to nature.
Utilizing motifs from natural landscapes, he generates implied narratives of
a paradise lost and flirts with patterned abstraction. His work results from a
generative approach to printmaking that involves aspects of digital and analog
techniques. His collaborative printmaking workshop, Teaberry Press, has worked
with over 250 artists to create new projects since 1974. Berry is Associate Professor
at SFAI.
Image:
Timothy Berry
Scare the Crow, 2013
Oil, asphaltum, acrylic pigment, and toner on paper
40 x 30 inches
Courtesy of the artist
read more
investigation of mankind’s contentious, yet appreciative relationship to nature.
Utilizing motifs from natural landscapes, he generates implied narratives of
a paradise lost and flirts with patterned abstraction. His work results from a
generative approach to printmaking that involves aspects of digital and analog
techniques. His collaborative printmaking workshop, Teaberry Press, has worked
with over 250 artists to create new projects since 1974. Berry is Associate Professor
at SFAI.
Image:
Timothy Berry
Scare the Crow, 2013
Oil, asphaltum, acrylic pigment, and toner on paper
40 x 30 inches
Courtesy of the artist
show less
Date/Times:
800 Chestnut Street, San Francisco, CA 94133
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