PROGRAM:
AMY BEACH: Three Browning Songs, Op. 44; The Year's at the Spring; Ah, Love, but a day!; I send my heart up to thee!
WAGNER: Wesendonck Lieder; Der Engel; Stehe Still!; Im Treibhaus; Schmerzen; Träume
MELISSA DUNPHY: Come, My Tan Faced Children (Text by Walt Whitman)
MARGARET BONDS: Birth (Text by Langston Hughes)
FLORENCE PRICE: The Crescent Moon
MARIA THOMPSON CORLEY: The Beauty in My Blackness; I'm Not an Angry Black Woman
PETER ASHBOURNE: Fi Mi Love Have Lion Heart: No. 3--Banyan Tree; No. 4--Fi Mi Love Have Lion Heart; No. 5--Nobody's Business
ABOUT THIS PERFORMANCE
With an "electrifying sense of fearlessness" (San Francisco Chronicle), Raehann Bryce-Davis has made the opera and concert world sit up and take notice of her abundant energy and magnetic style. A gifted singing actress, she has a distinctive point of view in recital programs that bring together voices and stories old and new that resonate with love and courage, resilience and humanity.
show less
AMY BEACH: Three Browning Songs, Op. 44; The Year's at the Spring; Ah, Love, but a day!; I send my heart up to thee!
WAGNER: Wesendonck Lieder; Der Engel; Stehe Still!; Im Treibhaus; Schmerzen; Träume
MELISSA DUNPHY: Come, My Tan Faced Children (Text by Walt Whitman)
MARGARET BONDS: Birth (Text by Langston Hughes)
FLORENCE PRICE: The Crescent Moon
MARIA THOMPSON CORLEY: The Beauty in My Blackness; I'm Not an Angry Black Woman
PETER ASHBOURNE: Fi Mi Love Have Lion Heart: No. 3--Banyan Tree; No. 4--Fi Mi Love Have Lion Heart; No. 5--Nobody's Business
ABOUT THIS PERFORMANCE
With an "electrifying sense of fearlessness" (San Francisco Chronicle), Raehann Bryce-Davis has made the opera and concert world sit up and take notice of her abundant energy and magnetic style. A gifted singing actress, she has a distinctive point of view in recital programs that bring together voices and stories old and new that resonate with love and courage, resilience and humanity.
PROGRAM:
AMY BEACH: Three Browning Songs, Op. 44; The Year's at the Spring; Ah, Love, but a day!; I send my heart up to thee!
WAGNER: Wesendonck Lieder; Der Engel; Stehe Still!; Im Treibhaus; Schmerzen; Träume
MELISSA DUNPHY: Come, My Tan Faced Children (Text by Walt Whitman)
MARGARET BONDS: Birth (Text by Langston Hughes)
FLORENCE PRICE: The Crescent Moon
MARIA THOMPSON CORLEY: The Beauty in My Blackness; I'm Not an Angry Black Woman
PETER ASHBOURNE: Fi Mi Love Have Lion Heart: No. 3--Banyan Tree; No. 4--Fi Mi Love Have Lion Heart; No. 5--Nobody's Business
ABOUT THIS PERFORMANCE
With an "electrifying sense of fearlessness" (San Francisco Chronicle), Raehann Bryce-Davis has made the opera and concert world sit up and take notice of her abundant energy and magnetic style. A gifted singing actress, she has a distinctive point of view in recital programs that bring together voices and stories old and new that resonate with love and courage, resilience and humanity.
read more
AMY BEACH: Three Browning Songs, Op. 44; The Year's at the Spring; Ah, Love, but a day!; I send my heart up to thee!
WAGNER: Wesendonck Lieder; Der Engel; Stehe Still!; Im Treibhaus; Schmerzen; Träume
MELISSA DUNPHY: Come, My Tan Faced Children (Text by Walt Whitman)
MARGARET BONDS: Birth (Text by Langston Hughes)
FLORENCE PRICE: The Crescent Moon
MARIA THOMPSON CORLEY: The Beauty in My Blackness; I'm Not an Angry Black Woman
PETER ASHBOURNE: Fi Mi Love Have Lion Heart: No. 3--Banyan Tree; No. 4--Fi Mi Love Have Lion Heart; No. 5--Nobody's Business
ABOUT THIS PERFORMANCE
With an "electrifying sense of fearlessness" (San Francisco Chronicle), Raehann Bryce-Davis has made the opera and concert world sit up and take notice of her abundant energy and magnetic style. A gifted singing actress, she has a distinctive point of view in recital programs that bring together voices and stories old and new that resonate with love and courage, resilience and humanity.
show less
Date/Times:
Herbst Theatre
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401 Van Ness Avenue, San Francisco, CA 94102
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