" Imagine a pop singer with the cockeyed vision, definitive style, and sheer boho swagger to make an album that draws a musical line from Marvin Gaye's "Trouble Man" to Gershwin's "I Can't Get Started," veers left into Traffic's "The Low Spark of High-Heeled Boys," descends into the dark underbelly of the Mills Brothers' "Up A Lazy River," and comes to a heart-wrecking conclusion with Bernstein and Sondheim's "One Hand, One Heart." "
- Joan Anderman, Boston Globe
" Imagine a pop singer with the cockeyed vision, definitive style, and sheer boho swagger to make an album that draws a musical line from Marvin Gaye's "Trouble Man" to Gershwin's "I Can't Get Started," veers left into Traffic's "The Low Spark of High-Heeled Boys," descends into the dark underbelly of the Mills Brothers' "Up A Lazy River," and comes to a heart-wrecking conclusion with Bernstein and Sondheim's "One Hand, One Heart." "
- Joan Anderman, Boston Globe
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