Mozart was a composer who loved to test boundaries, and in his Symphony No. 38 you hear him pushing the orchestra of the day to the limit, expanding the horizons of the symphony. It's a veritable smorgasbord of invention, a riot of creativity.
MOZART Concerto for Fortepiano No. 24 in C minor, K. 491
MOZART "Ch'io mi scordi di te? ... Non temer, amato bene", K. 505
MOZART "Bella mia fiamma, addio", K. 528
MOZART Symphony No. 38 in D major, K. 504 "Prague"
Richard Egarr, conductor and fortepiano
Elizabeth Watts, soprano
Philharmonia Baroque Orchestra
Mozart was a composer who loved to test boundaries, and in his Symphony No. 38 you hear him pushing the orchestra of the day to the limit, expanding the horizons of the symphony. It's a veritable smorgasbord of invention, a riot of creativity.
MOZART Concerto for Fortepiano No. 24 in C minor, K. 491
MOZART "Ch'io mi scordi di te? ... Non temer, amato bene", K. 505
MOZART "Bella mia fiamma, addio", K. 528
MOZART Symphony No. 38 in D major, K. 504 "Prague"
Richard Egarr, conductor and fortepiano
Elizabeth Watts, soprano
Philharmonia Baroque Orchestra
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