BACH
(arr. Busoni)
Chorale Prelude, "Ich ruf' zu dir, Herr Jesu Christ," BWV 639; Chorale Prelude, "Nun komm' der Heiden Heiland," BWV 659
BEETHOVEN
Piano Sonata Op. 27, No. 1
Piano Sonata Op. 27, No. 2 (Moonlight)
LISZT
Schlaflos, Frage und Antwort, S. 203
Unstern: sinistre, disastro, S. 208
WAGNER
(arr. Liszt)
Venezia, S. 201
MUSSORGSKY
Pictures at an Exhibition
Paul Lewis' inspired work at the piano has been lauded for its keen emotional sensitivity and profound interpretive finesse. A protégé of Alfred Brendel, Lewis shares his mentor's affinity for Austro-German repertoire, revealing the melancholy beauty of Schubert, and the emotional ambiguity of Beethoven with a "fine balance of Olympian poise and emotional engagement" (Chicago Tribune).
show less
(arr. Busoni)
Chorale Prelude, "Ich ruf' zu dir, Herr Jesu Christ," BWV 639; Chorale Prelude, "Nun komm' der Heiden Heiland," BWV 659
BEETHOVEN
Piano Sonata Op. 27, No. 1
Piano Sonata Op. 27, No. 2 (Moonlight)
LISZT
Schlaflos, Frage und Antwort, S. 203
Unstern: sinistre, disastro, S. 208
WAGNER
(arr. Liszt)
Venezia, S. 201
MUSSORGSKY
Pictures at an Exhibition
Paul Lewis' inspired work at the piano has been lauded for its keen emotional sensitivity and profound interpretive finesse. A protégé of Alfred Brendel, Lewis shares his mentor's affinity for Austro-German repertoire, revealing the melancholy beauty of Schubert, and the emotional ambiguity of Beethoven with a "fine balance of Olympian poise and emotional engagement" (Chicago Tribune).
BACH
(arr. Busoni)
Chorale Prelude, "Ich ruf' zu dir, Herr Jesu Christ," BWV 639; Chorale Prelude, "Nun komm' der Heiden Heiland," BWV 659
BEETHOVEN
Piano Sonata Op. 27, No. 1
Piano Sonata Op. 27, No. 2 (Moonlight)
LISZT
Schlaflos, Frage und Antwort, S. 203
Unstern: sinistre, disastro, S. 208
WAGNER
(arr. Liszt)
Venezia, S. 201
MUSSORGSKY
Pictures at an Exhibition
Paul Lewis' inspired work at the piano has been lauded for its keen emotional sensitivity and profound interpretive finesse. A protégé of Alfred Brendel, Lewis shares his mentor's affinity for Austro-German repertoire, revealing the melancholy beauty of Schubert, and the emotional ambiguity of Beethoven with a "fine balance of Olympian poise and emotional engagement" (Chicago Tribune).
read more
(arr. Busoni)
Chorale Prelude, "Ich ruf' zu dir, Herr Jesu Christ," BWV 639; Chorale Prelude, "Nun komm' der Heiden Heiland," BWV 659
BEETHOVEN
Piano Sonata Op. 27, No. 1
Piano Sonata Op. 27, No. 2 (Moonlight)
LISZT
Schlaflos, Frage und Antwort, S. 203
Unstern: sinistre, disastro, S. 208
WAGNER
(arr. Liszt)
Venezia, S. 201
MUSSORGSKY
Pictures at an Exhibition
Paul Lewis' inspired work at the piano has been lauded for its keen emotional sensitivity and profound interpretive finesse. A protégé of Alfred Brendel, Lewis shares his mentor's affinity for Austro-German repertoire, revealing the melancholy beauty of Schubert, and the emotional ambiguity of Beethoven with a "fine balance of Olympian poise and emotional engagement" (Chicago Tribune).
show less
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