7:30pm
Ric Louchard Trio
Ric Louchard - piano
John Worley - trumpet, flugelhorn
Dan Magay - flute, saxes
•
8:30pm
Noertker's Moxie
performs Tricycle, part 1: Amor Fati
Annelise Zamula - alto sax, flute
Brett Carson - piano
Bill Noertker - contrabass
Jordan Glenn - drums
•
Ric Louchard's music combines improvisation, written out music, surprisingly personal stories and a little audience participation. He aims to create deeply expressive music and experiences.
https://www.riclouchard.com
•
John Worley has played in many of the San Francisco Bay Area's creative music ensembles, as well as on over 70 recordings and videos. Being adept at a multitude of styles, John has played with and backed up national and international artists in North America, Europe, and Central America such as Mel Torme, Ella Fitzgerald, Don Byron, Wayne Shorter with the Monterey Jazz Festival Chamber Orchestra, the Carla Bley and Steve Swallow Big Band, Wayne Wallace, Jon Jang, the Asian American Orchestra, Dave Pell Octet, Pete and Sheila Escovedo, Malo, and Lila Downs.
http://www.johnworley.com
•
Dan Magay moved back to the Bay Area from New York in 2005 and has been performing with a wide array of groups spanning vast ranges of styles and sounds, including the Fil Lorenz Jazz Orchestra, the Contemporary Jazz Orchestra, Funky Buela, The Avatar Ensemble, the Marcus Shelby Jazz Orchestra, the Ernie Smalls Jazz Orchestra, Chester Smith, Donald Bailey, as well as groups of his own such as the Wind Up Trio. Presently Dan is studying classical Indian music with Satish Gadagkar.
•
Noertker's Moxie will be performing part two of Bill Noertker's Tricycle,a musical travel diary recounting his recent journeys in the UK and Mexico. Part 1: Amor Fati recounts the London leg of his journey and explores the re-invigoration of a friendship that has spanned four decades, Nietzsche’s concepts of eternal recurrence and amor fati, and Noertker's repeated encounters with the work of Leonora Carrington.
•
Bassist/composer Bill Noertker has been active in the Bay Area jazz and avant-garde scene since the late 1980s. Since 2001, he has lead his own ensemble, Noertker's Moxie, as a forum for compositions inspired by visual artists such as Paul Klee, Wassily Kandinsky, Franz Marc, Salvador Dalí, and Joan Miró, architect Antoni Gaudí, poet Rainer Maria Rilke, sculptor David Beck, and others. Noertker has composed over 175 pieces of music for this group and has released eleven CDs, including three volumes of his extended suite Sketches of Catalonia, three volumes of his extended Blue Rider Suite, and three volumes of his druidh series.
He has also composed music for three films that showcase the intimately-scaled sculptures of David Beck, composed the score for a Nikos Koumoundouros film that screened at the Festival de Cannes 2010, and most recently scored the Olympia Stone film “Curious Worlds: the Art and Imagination of David Beck.”
http://www.noertker.com
•
Annelise Zamula started on flute at age 11 and picked up sax at 14 after falling in love with jazz. She studied classical flute with the late Wallace Mann of the National Symphony while in her teens. After moving to Boston to attend Berklee College of Music, she studied flute with Matt Marvuglio.
Annelise has performed with numerous groups in the Bay Area, including the Riffrats, Moodswing Orchestra, Montclair Women’s Big Band, Connie Champagne and Her Tiny Bubbles, Carwash, The Strayhorns, Golden Gate Park Band, and more.
In 1996 she joined the Billy Tipton Memorial Saxophone Quartet (BTMSQ) and toured the U.S. and Europe with the group, as well as recording a CD, Sunshine Bundtcake, which was released in March 2000. She has played live radio shows with BTMSQ and the After the End of the World Coretet, both in Europe and at the Bay Area’s own KPFA, KUSF, KALX, and KPOO. With BTMSQ, Ms. Zamula performed with the Indigo Girls on their West Coast tour of 1997, including a performance at the Lilith Fair in Vancouver; at the Bumbershoot Festival in Seattle, and with the Pat Graney Dance Company.
She co-founded the After the End of the World Coretet and composed some of the songs released on the group’s two CDs, Quaternity and 13. Annelise currently performs with Big Lou's Dance Party, Noertker's Moxie, and the Berkeley Saxophone Quartet.
•
Brett Carson explores the dynamic intersection of media and the exploration of myth through his compositions, at once volatile and highly structured. Using architectural elements borrowed from composers such as Braxton, Cage, and Messiaen, and deriving inspiration from such fields as mysticism and science, his work aims toward the deconstruction and reassembling of an altered musical and linguistic reality.
A native of Georgia, Brett became active in Atlanta's experimental music scene while working in more conventional contexts, particularly as a jazz pianist. He became a part of the Bay Area new and improvised music scene in 2012, and has performed and/or recorded with a number of musicians including Bill Baird, Brian Baumbusch, Nicolas Collins, George Lewis, Roscoe Mitchell, Rent Romus, and William Winant. Recent projects include the jazz/improvisation group Quattuor Elephantis and a mytho-dramatic song cycle "Mysterious Descent". His theater works include the 2017 premiere of his one act play, "Mary's Dilemma, or That Sinking Feeling," and the upcoming premiere of a new multimedia opera in August of 2018. He holds an MA in Composition from Mills College, where he studied with Roscoe Mitchell, Zeena Parkins, Fred Frith, Les Stuck, Joan Jeanrenaud, and Robert Schwartz.
http://www.brettcarson.weebly.com
•
Jordan Glenn spent his formative years in Oregon drawing cartoons, taking dance classes from his aunt, and putting on plays with his sisters. As he got older he began making movies with his friends and studying lots of jazz, classical, and rock music. In 2003 Glenn received a degree in Jazz Studies from the University of Oregon. In 2006 he relocated to the Bay Area and since has worked closely with Fred Frith, William Winant, Zeena Parkins, Roscoe Mitchell, Ben Goldberg, Todd Sickafoose, John Schott, Dominique Leone, Aaron Novik, Darren Johnston, Aram Shelton, Cory Wright, Lisa Mezzacappa, Karl Evangelista, Michael Coleman and the bands Jack O' The Clock, Arts & Sciences, 20 Minute Loop, Beep!, tUnE-yArDs, and the Oakland Active Orchestra. He also leads and conducts the project Mindless Thing, a collaboration with poet/free-jazzer/sage Jim Ryan, as well as the long standing trio Wiener Kids and the ten piece expansion, The Wiener Kids Family Band.
http://jordanglennmusic.com/
show less
Ric Louchard Trio
Ric Louchard - piano
John Worley - trumpet, flugelhorn
Dan Magay - flute, saxes
•
8:30pm
Noertker's Moxie
performs Tricycle, part 1: Amor Fati
Annelise Zamula - alto sax, flute
Brett Carson - piano
Bill Noertker - contrabass
Jordan Glenn - drums
•
Ric Louchard's music combines improvisation, written out music, surprisingly personal stories and a little audience participation. He aims to create deeply expressive music and experiences.
https://www.riclouchard.com
•
John Worley has played in many of the San Francisco Bay Area's creative music ensembles, as well as on over 70 recordings and videos. Being adept at a multitude of styles, John has played with and backed up national and international artists in North America, Europe, and Central America such as Mel Torme, Ella Fitzgerald, Don Byron, Wayne Shorter with the Monterey Jazz Festival Chamber Orchestra, the Carla Bley and Steve Swallow Big Band, Wayne Wallace, Jon Jang, the Asian American Orchestra, Dave Pell Octet, Pete and Sheila Escovedo, Malo, and Lila Downs.
http://www.johnworley.com
•
Dan Magay moved back to the Bay Area from New York in 2005 and has been performing with a wide array of groups spanning vast ranges of styles and sounds, including the Fil Lorenz Jazz Orchestra, the Contemporary Jazz Orchestra, Funky Buela, The Avatar Ensemble, the Marcus Shelby Jazz Orchestra, the Ernie Smalls Jazz Orchestra, Chester Smith, Donald Bailey, as well as groups of his own such as the Wind Up Trio. Presently Dan is studying classical Indian music with Satish Gadagkar.
•
Noertker's Moxie will be performing part two of Bill Noertker's Tricycle,a musical travel diary recounting his recent journeys in the UK and Mexico. Part 1: Amor Fati recounts the London leg of his journey and explores the re-invigoration of a friendship that has spanned four decades, Nietzsche’s concepts of eternal recurrence and amor fati, and Noertker's repeated encounters with the work of Leonora Carrington.
•
Bassist/composer Bill Noertker has been active in the Bay Area jazz and avant-garde scene since the late 1980s. Since 2001, he has lead his own ensemble, Noertker's Moxie, as a forum for compositions inspired by visual artists such as Paul Klee, Wassily Kandinsky, Franz Marc, Salvador Dalí, and Joan Miró, architect Antoni Gaudí, poet Rainer Maria Rilke, sculptor David Beck, and others. Noertker has composed over 175 pieces of music for this group and has released eleven CDs, including three volumes of his extended suite Sketches of Catalonia, three volumes of his extended Blue Rider Suite, and three volumes of his druidh series.
He has also composed music for three films that showcase the intimately-scaled sculptures of David Beck, composed the score for a Nikos Koumoundouros film that screened at the Festival de Cannes 2010, and most recently scored the Olympia Stone film “Curious Worlds: the Art and Imagination of David Beck.”
http://www.noertker.com
•
Annelise Zamula started on flute at age 11 and picked up sax at 14 after falling in love with jazz. She studied classical flute with the late Wallace Mann of the National Symphony while in her teens. After moving to Boston to attend Berklee College of Music, she studied flute with Matt Marvuglio.
Annelise has performed with numerous groups in the Bay Area, including the Riffrats, Moodswing Orchestra, Montclair Women’s Big Band, Connie Champagne and Her Tiny Bubbles, Carwash, The Strayhorns, Golden Gate Park Band, and more.
In 1996 she joined the Billy Tipton Memorial Saxophone Quartet (BTMSQ) and toured the U.S. and Europe with the group, as well as recording a CD, Sunshine Bundtcake, which was released in March 2000. She has played live radio shows with BTMSQ and the After the End of the World Coretet, both in Europe and at the Bay Area’s own KPFA, KUSF, KALX, and KPOO. With BTMSQ, Ms. Zamula performed with the Indigo Girls on their West Coast tour of 1997, including a performance at the Lilith Fair in Vancouver; at the Bumbershoot Festival in Seattle, and with the Pat Graney Dance Company.
She co-founded the After the End of the World Coretet and composed some of the songs released on the group’s two CDs, Quaternity and 13. Annelise currently performs with Big Lou's Dance Party, Noertker's Moxie, and the Berkeley Saxophone Quartet.
•
Brett Carson explores the dynamic intersection of media and the exploration of myth through his compositions, at once volatile and highly structured. Using architectural elements borrowed from composers such as Braxton, Cage, and Messiaen, and deriving inspiration from such fields as mysticism and science, his work aims toward the deconstruction and reassembling of an altered musical and linguistic reality.
A native of Georgia, Brett became active in Atlanta's experimental music scene while working in more conventional contexts, particularly as a jazz pianist. He became a part of the Bay Area new and improvised music scene in 2012, and has performed and/or recorded with a number of musicians including Bill Baird, Brian Baumbusch, Nicolas Collins, George Lewis, Roscoe Mitchell, Rent Romus, and William Winant. Recent projects include the jazz/improvisation group Quattuor Elephantis and a mytho-dramatic song cycle "Mysterious Descent". His theater works include the 2017 premiere of his one act play, "Mary's Dilemma, or That Sinking Feeling," and the upcoming premiere of a new multimedia opera in August of 2018. He holds an MA in Composition from Mills College, where he studied with Roscoe Mitchell, Zeena Parkins, Fred Frith, Les Stuck, Joan Jeanrenaud, and Robert Schwartz.
http://www.brettcarson.weebly.com
•
Jordan Glenn spent his formative years in Oregon drawing cartoons, taking dance classes from his aunt, and putting on plays with his sisters. As he got older he began making movies with his friends and studying lots of jazz, classical, and rock music. In 2003 Glenn received a degree in Jazz Studies from the University of Oregon. In 2006 he relocated to the Bay Area and since has worked closely with Fred Frith, William Winant, Zeena Parkins, Roscoe Mitchell, Ben Goldberg, Todd Sickafoose, John Schott, Dominique Leone, Aaron Novik, Darren Johnston, Aram Shelton, Cory Wright, Lisa Mezzacappa, Karl Evangelista, Michael Coleman and the bands Jack O' The Clock, Arts & Sciences, 20 Minute Loop, Beep!, tUnE-yArDs, and the Oakland Active Orchestra. He also leads and conducts the project Mindless Thing, a collaboration with poet/free-jazzer/sage Jim Ryan, as well as the long standing trio Wiener Kids and the ten piece expansion, The Wiener Kids Family Band.
http://jordanglennmusic.com/
7:30pm
Ric Louchard Trio
Ric Louchard - piano
John Worley - trumpet, flugelhorn
Dan Magay - flute, saxes
•
8:30pm
Noertker's Moxie
performs Tricycle, part 1: Amor Fati
Annelise Zamula - alto sax, flute
Brett Carson - piano
Bill Noertker - contrabass
Jordan Glenn - drums
•
Ric Louchard's music combines improvisation, written out music, surprisingly personal stories and a little audience participation. He aims to create deeply expressive music and experiences.
https://www.riclouchard.com
•
John Worley has played in many of the San Francisco Bay Area's creative music ensembles, as well as on over 70 recordings and videos. Being adept at a multitude of styles, John has played with and backed up national and international artists in North America, Europe, and Central America such as Mel Torme, Ella Fitzgerald, Don Byron, Wayne Shorter with the Monterey Jazz Festival Chamber Orchestra, the Carla Bley and Steve Swallow Big Band, Wayne Wallace, Jon Jang, the Asian American Orchestra, Dave Pell Octet, Pete and Sheila Escovedo, Malo, and Lila Downs.
http://www.johnworley.com
•
Dan Magay moved back to the Bay Area from New York in 2005 and has been performing with a wide array of groups spanning vast ranges of styles and sounds, including the Fil Lorenz Jazz Orchestra, the Contemporary Jazz Orchestra, Funky Buela, The Avatar Ensemble, the Marcus Shelby Jazz Orchestra, the Ernie Smalls Jazz Orchestra, Chester Smith, Donald Bailey, as well as groups of his own such as the Wind Up Trio. Presently Dan is studying classical Indian music with Satish Gadagkar.
•
Noertker's Moxie will be performing part two of Bill Noertker's Tricycle,a musical travel diary recounting his recent journeys in the UK and Mexico. Part 1: Amor Fati recounts the London leg of his journey and explores the re-invigoration of a friendship that has spanned four decades, Nietzsche’s concepts of eternal recurrence and amor fati, and Noertker's repeated encounters with the work of Leonora Carrington.
•
Bassist/composer Bill Noertker has been active in the Bay Area jazz and avant-garde scene since the late 1980s. Since 2001, he has lead his own ensemble, Noertker's Moxie, as a forum for compositions inspired by visual artists such as Paul Klee, Wassily Kandinsky, Franz Marc, Salvador Dalí, and Joan Miró, architect Antoni Gaudí, poet Rainer Maria Rilke, sculptor David Beck, and others. Noertker has composed over 175 pieces of music for this group and has released eleven CDs, including three volumes of his extended suite Sketches of Catalonia, three volumes of his extended Blue Rider Suite, and three volumes of his druidh series.
He has also composed music for three films that showcase the intimately-scaled sculptures of David Beck, composed the score for a Nikos Koumoundouros film that screened at the Festival de Cannes 2010, and most recently scored the Olympia Stone film “Curious Worlds: the Art and Imagination of David Beck.”
http://www.noertker.com
•
Annelise Zamula started on flute at age 11 and picked up sax at 14 after falling in love with jazz. She studied classical flute with the late Wallace Mann of the National Symphony while in her teens. After moving to Boston to attend Berklee College of Music, she studied flute with Matt Marvuglio.
Annelise has performed with numerous groups in the Bay Area, including the Riffrats, Moodswing Orchestra, Montclair Women’s Big Band, Connie Champagne and Her Tiny Bubbles, Carwash, The Strayhorns, Golden Gate Park Band, and more.
In 1996 she joined the Billy Tipton Memorial Saxophone Quartet (BTMSQ) and toured the U.S. and Europe with the group, as well as recording a CD, Sunshine Bundtcake, which was released in March 2000. She has played live radio shows with BTMSQ and the After the End of the World Coretet, both in Europe and at the Bay Area’s own KPFA, KUSF, KALX, and KPOO. With BTMSQ, Ms. Zamula performed with the Indigo Girls on their West Coast tour of 1997, including a performance at the Lilith Fair in Vancouver; at the Bumbershoot Festival in Seattle, and with the Pat Graney Dance Company.
She co-founded the After the End of the World Coretet and composed some of the songs released on the group’s two CDs, Quaternity and 13. Annelise currently performs with Big Lou's Dance Party, Noertker's Moxie, and the Berkeley Saxophone Quartet.
•
Brett Carson explores the dynamic intersection of media and the exploration of myth through his compositions, at once volatile and highly structured. Using architectural elements borrowed from composers such as Braxton, Cage, and Messiaen, and deriving inspiration from such fields as mysticism and science, his work aims toward the deconstruction and reassembling of an altered musical and linguistic reality.
A native of Georgia, Brett became active in Atlanta's experimental music scene while working in more conventional contexts, particularly as a jazz pianist. He became a part of the Bay Area new and improvised music scene in 2012, and has performed and/or recorded with a number of musicians including Bill Baird, Brian Baumbusch, Nicolas Collins, George Lewis, Roscoe Mitchell, Rent Romus, and William Winant. Recent projects include the jazz/improvisation group Quattuor Elephantis and a mytho-dramatic song cycle "Mysterious Descent". His theater works include the 2017 premiere of his one act play, "Mary's Dilemma, or That Sinking Feeling," and the upcoming premiere of a new multimedia opera in August of 2018. He holds an MA in Composition from Mills College, where he studied with Roscoe Mitchell, Zeena Parkins, Fred Frith, Les Stuck, Joan Jeanrenaud, and Robert Schwartz.
http://www.brettcarson.weebly.com
•
Jordan Glenn spent his formative years in Oregon drawing cartoons, taking dance classes from his aunt, and putting on plays with his sisters. As he got older he began making movies with his friends and studying lots of jazz, classical, and rock music. In 2003 Glenn received a degree in Jazz Studies from the University of Oregon. In 2006 he relocated to the Bay Area and since has worked closely with Fred Frith, William Winant, Zeena Parkins, Roscoe Mitchell, Ben Goldberg, Todd Sickafoose, John Schott, Dominique Leone, Aaron Novik, Darren Johnston, Aram Shelton, Cory Wright, Lisa Mezzacappa, Karl Evangelista, Michael Coleman and the bands Jack O' The Clock, Arts & Sciences, 20 Minute Loop, Beep!, tUnE-yArDs, and the Oakland Active Orchestra. He also leads and conducts the project Mindless Thing, a collaboration with poet/free-jazzer/sage Jim Ryan, as well as the long standing trio Wiener Kids and the ten piece expansion, The Wiener Kids Family Band.
http://jordanglennmusic.com/
read more
Ric Louchard Trio
Ric Louchard - piano
John Worley - trumpet, flugelhorn
Dan Magay - flute, saxes
•
8:30pm
Noertker's Moxie
performs Tricycle, part 1: Amor Fati
Annelise Zamula - alto sax, flute
Brett Carson - piano
Bill Noertker - contrabass
Jordan Glenn - drums
•
Ric Louchard's music combines improvisation, written out music, surprisingly personal stories and a little audience participation. He aims to create deeply expressive music and experiences.
https://www.riclouchard.com
•
John Worley has played in many of the San Francisco Bay Area's creative music ensembles, as well as on over 70 recordings and videos. Being adept at a multitude of styles, John has played with and backed up national and international artists in North America, Europe, and Central America such as Mel Torme, Ella Fitzgerald, Don Byron, Wayne Shorter with the Monterey Jazz Festival Chamber Orchestra, the Carla Bley and Steve Swallow Big Band, Wayne Wallace, Jon Jang, the Asian American Orchestra, Dave Pell Octet, Pete and Sheila Escovedo, Malo, and Lila Downs.
http://www.johnworley.com
•
Dan Magay moved back to the Bay Area from New York in 2005 and has been performing with a wide array of groups spanning vast ranges of styles and sounds, including the Fil Lorenz Jazz Orchestra, the Contemporary Jazz Orchestra, Funky Buela, The Avatar Ensemble, the Marcus Shelby Jazz Orchestra, the Ernie Smalls Jazz Orchestra, Chester Smith, Donald Bailey, as well as groups of his own such as the Wind Up Trio. Presently Dan is studying classical Indian music with Satish Gadagkar.
•
Noertker's Moxie will be performing part two of Bill Noertker's Tricycle,a musical travel diary recounting his recent journeys in the UK and Mexico. Part 1: Amor Fati recounts the London leg of his journey and explores the re-invigoration of a friendship that has spanned four decades, Nietzsche’s concepts of eternal recurrence and amor fati, and Noertker's repeated encounters with the work of Leonora Carrington.
•
Bassist/composer Bill Noertker has been active in the Bay Area jazz and avant-garde scene since the late 1980s. Since 2001, he has lead his own ensemble, Noertker's Moxie, as a forum for compositions inspired by visual artists such as Paul Klee, Wassily Kandinsky, Franz Marc, Salvador Dalí, and Joan Miró, architect Antoni Gaudí, poet Rainer Maria Rilke, sculptor David Beck, and others. Noertker has composed over 175 pieces of music for this group and has released eleven CDs, including three volumes of his extended suite Sketches of Catalonia, three volumes of his extended Blue Rider Suite, and three volumes of his druidh series.
He has also composed music for three films that showcase the intimately-scaled sculptures of David Beck, composed the score for a Nikos Koumoundouros film that screened at the Festival de Cannes 2010, and most recently scored the Olympia Stone film “Curious Worlds: the Art and Imagination of David Beck.”
http://www.noertker.com
•
Annelise Zamula started on flute at age 11 and picked up sax at 14 after falling in love with jazz. She studied classical flute with the late Wallace Mann of the National Symphony while in her teens. After moving to Boston to attend Berklee College of Music, she studied flute with Matt Marvuglio.
Annelise has performed with numerous groups in the Bay Area, including the Riffrats, Moodswing Orchestra, Montclair Women’s Big Band, Connie Champagne and Her Tiny Bubbles, Carwash, The Strayhorns, Golden Gate Park Band, and more.
In 1996 she joined the Billy Tipton Memorial Saxophone Quartet (BTMSQ) and toured the U.S. and Europe with the group, as well as recording a CD, Sunshine Bundtcake, which was released in March 2000. She has played live radio shows with BTMSQ and the After the End of the World Coretet, both in Europe and at the Bay Area’s own KPFA, KUSF, KALX, and KPOO. With BTMSQ, Ms. Zamula performed with the Indigo Girls on their West Coast tour of 1997, including a performance at the Lilith Fair in Vancouver; at the Bumbershoot Festival in Seattle, and with the Pat Graney Dance Company.
She co-founded the After the End of the World Coretet and composed some of the songs released on the group’s two CDs, Quaternity and 13. Annelise currently performs with Big Lou's Dance Party, Noertker's Moxie, and the Berkeley Saxophone Quartet.
•
Brett Carson explores the dynamic intersection of media and the exploration of myth through his compositions, at once volatile and highly structured. Using architectural elements borrowed from composers such as Braxton, Cage, and Messiaen, and deriving inspiration from such fields as mysticism and science, his work aims toward the deconstruction and reassembling of an altered musical and linguistic reality.
A native of Georgia, Brett became active in Atlanta's experimental music scene while working in more conventional contexts, particularly as a jazz pianist. He became a part of the Bay Area new and improvised music scene in 2012, and has performed and/or recorded with a number of musicians including Bill Baird, Brian Baumbusch, Nicolas Collins, George Lewis, Roscoe Mitchell, Rent Romus, and William Winant. Recent projects include the jazz/improvisation group Quattuor Elephantis and a mytho-dramatic song cycle "Mysterious Descent". His theater works include the 2017 premiere of his one act play, "Mary's Dilemma, or That Sinking Feeling," and the upcoming premiere of a new multimedia opera in August of 2018. He holds an MA in Composition from Mills College, where he studied with Roscoe Mitchell, Zeena Parkins, Fred Frith, Les Stuck, Joan Jeanrenaud, and Robert Schwartz.
http://www.brettcarson.weebly.com
•
Jordan Glenn spent his formative years in Oregon drawing cartoons, taking dance classes from his aunt, and putting on plays with his sisters. As he got older he began making movies with his friends and studying lots of jazz, classical, and rock music. In 2003 Glenn received a degree in Jazz Studies from the University of Oregon. In 2006 he relocated to the Bay Area and since has worked closely with Fred Frith, William Winant, Zeena Parkins, Roscoe Mitchell, Ben Goldberg, Todd Sickafoose, John Schott, Dominique Leone, Aaron Novik, Darren Johnston, Aram Shelton, Cory Wright, Lisa Mezzacappa, Karl Evangelista, Michael Coleman and the bands Jack O' The Clock, Arts & Sciences, 20 Minute Loop, Beep!, tUnE-yArDs, and the Oakland Active Orchestra. He also leads and conducts the project Mindless Thing, a collaboration with poet/free-jazzer/sage Jim Ryan, as well as the long standing trio Wiener Kids and the ten piece expansion, The Wiener Kids Family Band.
http://jordanglennmusic.com/
show less
Date/Times:
116 9th Street, San Francisco, CA 94103
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