Sat February 10, 2018
Nicole Takesono (mezzo-soprano) in Recital
SEE EVENT DETAILS
at Incarnation Episcopal Church
(see times)
Date & Time: Saturday February 10, 2018 at 4 p.m. Venue: 1750 29th Avenue, San Francisco Tickets: $20 General, $15 Seniors/Students
All ticket sales are final. For more information visit https://sunsetarts.wordpress.com/nicole-takesono-mezzo-soprano-in-recital/
Program
Reynaldo Hahn (1874 – 1947) Quand je fus pris au pavillon Paysage Mai L’heure exquise
Hugo Wolf (1860 – 1903) Number 46 from Italienisches Liederbuch Verborgenheit Das Verlassene Mägdelein Er ist’s
Manuel de Falla (1876 – 1946) From Siete Canciones Popolares Seguidilla murciana Asturiana Polo
Kurt Weill (1900 – 1950) My Ship Don’t Look Now Is It Him or Is It Me? Economics
About the Artists
Originally from Hawaii, mezzo-soprano Nicole Takesono has been praised for her sweet, warm voice and dedication to character. Ms. Takesono has performed principal roles with San Francisco Opera, Opera San Jose, West Edge Opera, Festival Opera, West Bay Opera, among others. Roles performed include Rosina in The Barber of Seville, Suzuki in Madama Butterfly, Angelina in La Cenerentola, Dido in Dido and Æneas, The Mother in Amahl and the Night Visitors, Second Lady in The Magic Flute, Second Shining One and Madam Wanton in A Pilgrim’s Progress, Mercedes in Carmen, Flora and Annina in La Traviata, Siébel in Faust, and Hansel in Hansel and Gretel. Ms. Takesono sings with the San Francisco Opera Chorus, San Francisco Symphony Chorus, Cappella SF and studies with Deborah Benedict.
As an in-demand recitalist and coach, pianist Kevin Korth has collaborated with such legendary and esteemed artists as Robert Mann, Axel Strauss, Joel Krosnick, Frederica von Stade, Suzanne Mentzer, Nadine Sierra, Lise Lindstrom, Kristen Clayton, and Brian Asawa. Last fall brought the release of his debut album, Out of the Shadows, a recording of American art song with soprano Lisa Delan and cellist Matt Haimovitz on the Pentatone Classics label. Very warmly received, Gramophone praised Mr. Korth’s work as “superb,” and “full of color and character.” Reflecting his demand as an interpreter of contemporary work, the album features premieres by Jack Perla, Gordon Getty, and David Garner, in addition to previously unrecorded works by Norman Dello Joio, Paul Nardoff, and John Kander. Since graduating from the San Francisco Conservatory of Music’s renowned Chamber Music program, he has held a position at the Conservatory as both collaborative pianist and vocal coach.
show less
All ticket sales are final. For more information visit https://sunsetarts.wordpress.com/nicole-takesono-mezzo-soprano-in-recital/
Program
Reynaldo Hahn (1874 – 1947) Quand je fus pris au pavillon Paysage Mai L’heure exquise
Hugo Wolf (1860 – 1903) Number 46 from Italienisches Liederbuch Verborgenheit Das Verlassene Mägdelein Er ist’s
Manuel de Falla (1876 – 1946) From Siete Canciones Popolares Seguidilla murciana Asturiana Polo
Kurt Weill (1900 – 1950) My Ship Don’t Look Now Is It Him or Is It Me? Economics
About the Artists
Originally from Hawaii, mezzo-soprano Nicole Takesono has been praised for her sweet, warm voice and dedication to character. Ms. Takesono has performed principal roles with San Francisco Opera, Opera San Jose, West Edge Opera, Festival Opera, West Bay Opera, among others. Roles performed include Rosina in The Barber of Seville, Suzuki in Madama Butterfly, Angelina in La Cenerentola, Dido in Dido and Æneas, The Mother in Amahl and the Night Visitors, Second Lady in The Magic Flute, Second Shining One and Madam Wanton in A Pilgrim’s Progress, Mercedes in Carmen, Flora and Annina in La Traviata, Siébel in Faust, and Hansel in Hansel and Gretel. Ms. Takesono sings with the San Francisco Opera Chorus, San Francisco Symphony Chorus, Cappella SF and studies with Deborah Benedict.
As an in-demand recitalist and coach, pianist Kevin Korth has collaborated with such legendary and esteemed artists as Robert Mann, Axel Strauss, Joel Krosnick, Frederica von Stade, Suzanne Mentzer, Nadine Sierra, Lise Lindstrom, Kristen Clayton, and Brian Asawa. Last fall brought the release of his debut album, Out of the Shadows, a recording of American art song with soprano Lisa Delan and cellist Matt Haimovitz on the Pentatone Classics label. Very warmly received, Gramophone praised Mr. Korth’s work as “superb,” and “full of color and character.” Reflecting his demand as an interpreter of contemporary work, the album features premieres by Jack Perla, Gordon Getty, and David Garner, in addition to previously unrecorded works by Norman Dello Joio, Paul Nardoff, and John Kander. Since graduating from the San Francisco Conservatory of Music’s renowned Chamber Music program, he has held a position at the Conservatory as both collaborative pianist and vocal coach.
Date & Time: Saturday February 10, 2018 at 4 p.m. Venue: 1750 29th Avenue, San Francisco Tickets: $20 General, $15 Seniors/Students
All ticket sales are final. For more information visit https://sunsetarts.wordpress.com/nicole-takesono-mezzo-soprano-in-recital/
Program
Reynaldo Hahn (1874 – 1947) Quand je fus pris au pavillon Paysage Mai L’heure exquise
Hugo Wolf (1860 – 1903) Number 46 from Italienisches Liederbuch Verborgenheit Das Verlassene Mägdelein Er ist’s
Manuel de Falla (1876 – 1946) From Siete Canciones Popolares Seguidilla murciana Asturiana Polo
Kurt Weill (1900 – 1950) My Ship Don’t Look Now Is It Him or Is It Me? Economics
About the Artists
Originally from Hawaii, mezzo-soprano Nicole Takesono has been praised for her sweet, warm voice and dedication to character. Ms. Takesono has performed principal roles with San Francisco Opera, Opera San Jose, West Edge Opera, Festival Opera, West Bay Opera, among others. Roles performed include Rosina in The Barber of Seville, Suzuki in Madama Butterfly, Angelina in La Cenerentola, Dido in Dido and Æneas, The Mother in Amahl and the Night Visitors, Second Lady in The Magic Flute, Second Shining One and Madam Wanton in A Pilgrim’s Progress, Mercedes in Carmen, Flora and Annina in La Traviata, Siébel in Faust, and Hansel in Hansel and Gretel. Ms. Takesono sings with the San Francisco Opera Chorus, San Francisco Symphony Chorus, Cappella SF and studies with Deborah Benedict.
As an in-demand recitalist and coach, pianist Kevin Korth has collaborated with such legendary and esteemed artists as Robert Mann, Axel Strauss, Joel Krosnick, Frederica von Stade, Suzanne Mentzer, Nadine Sierra, Lise Lindstrom, Kristen Clayton, and Brian Asawa. Last fall brought the release of his debut album, Out of the Shadows, a recording of American art song with soprano Lisa Delan and cellist Matt Haimovitz on the Pentatone Classics label. Very warmly received, Gramophone praised Mr. Korth’s work as “superb,” and “full of color and character.” Reflecting his demand as an interpreter of contemporary work, the album features premieres by Jack Perla, Gordon Getty, and David Garner, in addition to previously unrecorded works by Norman Dello Joio, Paul Nardoff, and John Kander. Since graduating from the San Francisco Conservatory of Music’s renowned Chamber Music program, he has held a position at the Conservatory as both collaborative pianist and vocal coach.
read more
All ticket sales are final. For more information visit https://sunsetarts.wordpress.com/nicole-takesono-mezzo-soprano-in-recital/
Program
Reynaldo Hahn (1874 – 1947) Quand je fus pris au pavillon Paysage Mai L’heure exquise
Hugo Wolf (1860 – 1903) Number 46 from Italienisches Liederbuch Verborgenheit Das Verlassene Mägdelein Er ist’s
Manuel de Falla (1876 – 1946) From Siete Canciones Popolares Seguidilla murciana Asturiana Polo
Kurt Weill (1900 – 1950) My Ship Don’t Look Now Is It Him or Is It Me? Economics
About the Artists
Originally from Hawaii, mezzo-soprano Nicole Takesono has been praised for her sweet, warm voice and dedication to character. Ms. Takesono has performed principal roles with San Francisco Opera, Opera San Jose, West Edge Opera, Festival Opera, West Bay Opera, among others. Roles performed include Rosina in The Barber of Seville, Suzuki in Madama Butterfly, Angelina in La Cenerentola, Dido in Dido and Æneas, The Mother in Amahl and the Night Visitors, Second Lady in The Magic Flute, Second Shining One and Madam Wanton in A Pilgrim’s Progress, Mercedes in Carmen, Flora and Annina in La Traviata, Siébel in Faust, and Hansel in Hansel and Gretel. Ms. Takesono sings with the San Francisco Opera Chorus, San Francisco Symphony Chorus, Cappella SF and studies with Deborah Benedict.
As an in-demand recitalist and coach, pianist Kevin Korth has collaborated with such legendary and esteemed artists as Robert Mann, Axel Strauss, Joel Krosnick, Frederica von Stade, Suzanne Mentzer, Nadine Sierra, Lise Lindstrom, Kristen Clayton, and Brian Asawa. Last fall brought the release of his debut album, Out of the Shadows, a recording of American art song with soprano Lisa Delan and cellist Matt Haimovitz on the Pentatone Classics label. Very warmly received, Gramophone praised Mr. Korth’s work as “superb,” and “full of color and character.” Reflecting his demand as an interpreter of contemporary work, the album features premieres by Jack Perla, Gordon Getty, and David Garner, in addition to previously unrecorded works by Norman Dello Joio, Paul Nardoff, and John Kander. Since graduating from the San Francisco Conservatory of Music’s renowned Chamber Music program, he has held a position at the Conservatory as both collaborative pianist and vocal coach.
show less
Date/Times:
Incarnation Episcopal Church
1750 29th Avenue, San Francisco, CA 94122
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