Motor City Drum Ensemble is a unique kind of ensemble in that it consists of just one man : Simultaneously retro and futuristic German House pioneer Danilo Plessow . He was born in 1985 in a small town in rural southern germany and soon moved to Stuttgart , the world’s cradle of the automobile and Germany’s ‘Motor City’ (w. Mercedes, Porsche, Bosch headquarters). Hence, his best known artist moniker ‘MCDE’ obviously is a reference as well to his home-town as to his first love in music, the Soul, Jazz and Techno sounds of Detroit. The ‘Drum Ensemble’ is a link to his collection of classic drum machines, technical backbone of his accomplished and renowned electronic music. Danilo Plessow was always incredibly young at taking up things: He started playing drums at the tender age of six and discovered his love for jazz in the school big band. From eleven , he started working on his own original productions using a computer and samples. Being influenced by Jazz, Soul, Funk, Hip Hop and House, the first complete results were already released five years later (2000) on Stuttgart’s ‘Pulver Records’ under his House and Broken Beat project ‘Inverse Cinematics’ : Seven 12 inch records (‘Slow Swing’ and ‘Detroit Jazzin’ among others), an album (‘Passin’ Through’) and many remixes and compilation appearances followed, and the project gathered fans like Gilles Peterson and Rainer Trueby, with whom Danilo would collaborate later on. After several other co-operations and solo projects in the Nujazz vein, Danilo went back to his House music roots founding ‘Motor City Drum Ensemble’ (MCDE). In 2008 he exploded into the House scene with five releases: The now legendary ‘Raw Cuts’ series on his own MCDE-label ploughed a new furrow through the often derivative Deep House genre with their own warm crackly thump that defines the enjoyable , winning sound of the ‘Raw Cuts’ aesthetic. Till today, all three singles of the cult series feature within the top 6 of Juno Records all time top selling single charts and undoubtedly they are still belonging to the most played tracks on the dance-floors. With his challenging remix work Danilo never ceased to amaze: Great tracks for luminaries like Caribou, DJ Sprinkles, Jazzanova, Tiga, Zero7 or recently Midland’s ‘What we know’ prove that few artists tie together a traditionalist sensibility with an amazing innovation as well as MCDE does. So it's quite obvious why - despite his youth- he ranks among the Top 10 all-time charted artists on RA. With his buoyant remix of NUfrequency’s ‘Fallen Hero’ he’s even on top of the all-time charted tracks on Resident Advisor’s DJ charts. Revered for his chameleonic composition skills, production finesse and remix mastery, Danilo compiled his brilliant DJ Kicks LP on !K7 in 2011, which also spawned the acclaimed MCDE single ‘L.O.V.E.’ Many highly estimated podcasts (for RA/XLR8R/Juno Plus/FACTmag. a.o.) prove his impressive selection and exquisite mixing skills. As Danilo consequently stays true to his underground roots with a variety of projects, he meanwhile has published on no less than 25 labels – on the most renowned as well as on small, homegrown imprints. For his brand-new EP ‘Send A Prayer’ he logically chose his distinguished MCDE Recordings imprint, home of the ‘Raw Cuts’, which he co-runs with his close French friend Pablo Valentino, who also releases tracks on the label as ‘Creative Swing Alliance’. Over the last couple of years MCDE has made plenty of waves and lots of friends around the world with his incredibly mature and inventive music. He’s managed to create his own signature , deep and haunting sound injecting his tracks with an amount of roughness, energy and gritty soul which has become uncommon in times of digital production. With his deep knowledge of electronic music, his open mind and a great ear for melodies, Danilo Plessow now shows off his broad-reaching tastes and mixing chops, which made him a mainstay of the contemporary Deep House scene. Always proving his emotional and melodic side without forgetting how to make people dance, he’s equally accomplished as a DJ . His technical ability and vast and diverse musical taste has taken him all over the globe to showcase his turntable skills playing the premier venues and festivals on all continents. Today MCDE is renowned for his eclectic taste in music and his technical wizardry in producing, both of which have made him a globally profiled DJ and producer, who has been re-defining House music over the last years.
MOTOR CITY DRUM ENSEMBLE Live @ Dekmantel Festival
Plays: 678,408
DAM FUNK
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Damon “Dam-Funk” Riddick is the epitome of funk. Ever since debuting with Stones Throw in 2008, Dam-Funk has become one of the genres most passionate proselytizers, out to save it from devilish depictions of cartoonish caricature. To Dam, funk is a way of living, “a feeling of struggle and staying cool through it all.” Dam-Funk grew up in the Los Angeles city/suburb of Pasadena. A ‘70s baby, he came of age in the era of the Uncle Jamm’s Army parties, of electro-pharaoh Egyptian Lover, of Prince’s purple reign. His parents nurtured his musical talents as a child and by his teens, he mastered the drums, then the drum machine. A chance encounter led to an apprenticeship under funk songwriter/producer Leon Sylvers III (SOLAR Records) and by the mid-90s G-Funk era in hip-hop, Dam found his musical skills in high demand by rappers such as Mack 10 and MC Eiht. “Everybody was trying to do the live instrumentation thing, so then you got cats like me playing on records,” Dam explains. Sideman status wasn’t enough though. Dam remembers “watching gold plaques hitting the wall” for everyone but him and he decided to go “full-funk” and make a do-or-die try to become an artist on his own terms. In 2006, Dam-Funk and a few friends launched the popular Funkmosphere party in L.A., bringing the boogie back. It’s around then that Dam drew the attention of Stones Throw and both label and artist related to Dam’s insistence that “funk is not just a Jheri Curl. There was more than that.” Dam’s partnership with Stones Throw has seen the release of his debut Toeachizown (2009) and Invite the Light (2015), as well as an anthology of early productions, Adolescent Funk (2010), to Higher (2013) with Steve Arrington and 7 Days of Funk (2013) with Snoop Dogg.
Dam Funk & Snoop Dogg - 7 Days Of Funk
Plays: 843,752
Tickets: After purchasing a ticket through Eventbrite, you will receive an email with your tickets attached as a PDF. Please PRINT out your tickets and bring them with you on the night of the event. By purchasing a ticket you agree to receive periodic email communication from 1015 Folsom. Presale tickets must be redeemed by 1:30am. All events are 21+ | Please bring valid identification | NO REFUNDS
show less
MOTOR CITY DRUM ENSEMBLE Live @ Dekmantel Festival
Plays: 678,408
DAM FUNK
Damon “Dam-Funk” Riddick is the epitome of funk. Ever since debuting with Stones Throw in 2008, Dam-Funk has become one of the genres most passionate proselytizers, out to save it from devilish depictions of cartoonish caricature. To Dam, funk is a way of living, “a feeling of struggle and staying cool through it all.” Dam-Funk grew up in the Los Angeles city/suburb of Pasadena. A ‘70s baby, he came of age in the era of the Uncle Jamm’s Army parties, of electro-pharaoh Egyptian Lover, of Prince’s purple reign. His parents nurtured his musical talents as a child and by his teens, he mastered the drums, then the drum machine. A chance encounter led to an apprenticeship under funk songwriter/producer Leon Sylvers III (SOLAR Records) and by the mid-90s G-Funk era in hip-hop, Dam found his musical skills in high demand by rappers such as Mack 10 and MC Eiht. “Everybody was trying to do the live instrumentation thing, so then you got cats like me playing on records,” Dam explains. Sideman status wasn’t enough though. Dam remembers “watching gold plaques hitting the wall” for everyone but him and he decided to go “full-funk” and make a do-or-die try to become an artist on his own terms. In 2006, Dam-Funk and a few friends launched the popular Funkmosphere party in L.A., bringing the boogie back. It’s around then that Dam drew the attention of Stones Throw and both label and artist related to Dam’s insistence that “funk is not just a Jheri Curl. There was more than that.” Dam’s partnership with Stones Throw has seen the release of his debut Toeachizown (2009) and Invite the Light (2015), as well as an anthology of early productions, Adolescent Funk (2010), to Higher (2013) with Steve Arrington and 7 Days of Funk (2013) with Snoop Dogg.
Dam Funk & Snoop Dogg - 7 Days Of Funk
Plays: 843,752
Tickets: After purchasing a ticket through Eventbrite, you will receive an email with your tickets attached as a PDF. Please PRINT out your tickets and bring them with you on the night of the event. By purchasing a ticket you agree to receive periodic email communication from 1015 Folsom. Presale tickets must be redeemed by 1:30am. All events are 21+ | Please bring valid identification | NO REFUNDS
Motor City Drum Ensemble is a unique kind of ensemble in that it consists of just one man : Simultaneously retro and futuristic German House pioneer Danilo Plessow . He was born in 1985 in a small town in rural southern germany and soon moved to Stuttgart , the world’s cradle of the automobile and Germany’s ‘Motor City’ (w. Mercedes, Porsche, Bosch headquarters). Hence, his best known artist moniker ‘MCDE’ obviously is a reference as well to his home-town as to his first love in music, the Soul, Jazz and Techno sounds of Detroit. The ‘Drum Ensemble’ is a link to his collection of classic drum machines, technical backbone of his accomplished and renowned electronic music. Danilo Plessow was always incredibly young at taking up things: He started playing drums at the tender age of six and discovered his love for jazz in the school big band. From eleven , he started working on his own original productions using a computer and samples. Being influenced by Jazz, Soul, Funk, Hip Hop and House, the first complete results were already released five years later (2000) on Stuttgart’s ‘Pulver Records’ under his House and Broken Beat project ‘Inverse Cinematics’ : Seven 12 inch records (‘Slow Swing’ and ‘Detroit Jazzin’ among others), an album (‘Passin’ Through’) and many remixes and compilation appearances followed, and the project gathered fans like Gilles Peterson and Rainer Trueby, with whom Danilo would collaborate later on. After several other co-operations and solo projects in the Nujazz vein, Danilo went back to his House music roots founding ‘Motor City Drum Ensemble’ (MCDE). In 2008 he exploded into the House scene with five releases: The now legendary ‘Raw Cuts’ series on his own MCDE-label ploughed a new furrow through the often derivative Deep House genre with their own warm crackly thump that defines the enjoyable , winning sound of the ‘Raw Cuts’ aesthetic. Till today, all three singles of the cult series feature within the top 6 of Juno Records all time top selling single charts and undoubtedly they are still belonging to the most played tracks on the dance-floors. With his challenging remix work Danilo never ceased to amaze: Great tracks for luminaries like Caribou, DJ Sprinkles, Jazzanova, Tiga, Zero7 or recently Midland’s ‘What we know’ prove that few artists tie together a traditionalist sensibility with an amazing innovation as well as MCDE does. So it's quite obvious why - despite his youth- he ranks among the Top 10 all-time charted artists on RA. With his buoyant remix of NUfrequency’s ‘Fallen Hero’ he’s even on top of the all-time charted tracks on Resident Advisor’s DJ charts. Revered for his chameleonic composition skills, production finesse and remix mastery, Danilo compiled his brilliant DJ Kicks LP on !K7 in 2011, which also spawned the acclaimed MCDE single ‘L.O.V.E.’ Many highly estimated podcasts (for RA/XLR8R/Juno Plus/FACTmag. a.o.) prove his impressive selection and exquisite mixing skills. As Danilo consequently stays true to his underground roots with a variety of projects, he meanwhile has published on no less than 25 labels – on the most renowned as well as on small, homegrown imprints. For his brand-new EP ‘Send A Prayer’ he logically chose his distinguished MCDE Recordings imprint, home of the ‘Raw Cuts’, which he co-runs with his close French friend Pablo Valentino, who also releases tracks on the label as ‘Creative Swing Alliance’. Over the last couple of years MCDE has made plenty of waves and lots of friends around the world with his incredibly mature and inventive music. He’s managed to create his own signature , deep and haunting sound injecting his tracks with an amount of roughness, energy and gritty soul which has become uncommon in times of digital production. With his deep knowledge of electronic music, his open mind and a great ear for melodies, Danilo Plessow now shows off his broad-reaching tastes and mixing chops, which made him a mainstay of the contemporary Deep House scene. Always proving his emotional and melodic side without forgetting how to make people dance, he’s equally accomplished as a DJ . His technical ability and vast and diverse musical taste has taken him all over the globe to showcase his turntable skills playing the premier venues and festivals on all continents. Today MCDE is renowned for his eclectic taste in music and his technical wizardry in producing, both of which have made him a globally profiled DJ and producer, who has been re-defining House music over the last years.
MOTOR CITY DRUM ENSEMBLE Live @ Dekmantel Festival
Plays: 678,408
DAM FUNK
Facebook
Damon “Dam-Funk” Riddick is the epitome of funk. Ever since debuting with Stones Throw in 2008, Dam-Funk has become one of the genres most passionate proselytizers, out to save it from devilish depictions of cartoonish caricature. To Dam, funk is a way of living, “a feeling of struggle and staying cool through it all.” Dam-Funk grew up in the Los Angeles city/suburb of Pasadena. A ‘70s baby, he came of age in the era of the Uncle Jamm’s Army parties, of electro-pharaoh Egyptian Lover, of Prince’s purple reign. His parents nurtured his musical talents as a child and by his teens, he mastered the drums, then the drum machine. A chance encounter led to an apprenticeship under funk songwriter/producer Leon Sylvers III (SOLAR Records) and by the mid-90s G-Funk era in hip-hop, Dam found his musical skills in high demand by rappers such as Mack 10 and MC Eiht. “Everybody was trying to do the live instrumentation thing, so then you got cats like me playing on records,” Dam explains. Sideman status wasn’t enough though. Dam remembers “watching gold plaques hitting the wall” for everyone but him and he decided to go “full-funk” and make a do-or-die try to become an artist on his own terms. In 2006, Dam-Funk and a few friends launched the popular Funkmosphere party in L.A., bringing the boogie back. It’s around then that Dam drew the attention of Stones Throw and both label and artist related to Dam’s insistence that “funk is not just a Jheri Curl. There was more than that.” Dam’s partnership with Stones Throw has seen the release of his debut Toeachizown (2009) and Invite the Light (2015), as well as an anthology of early productions, Adolescent Funk (2010), to Higher (2013) with Steve Arrington and 7 Days of Funk (2013) with Snoop Dogg.
Dam Funk & Snoop Dogg - 7 Days Of Funk
Plays: 843,752
Tickets: After purchasing a ticket through Eventbrite, you will receive an email with your tickets attached as a PDF. Please PRINT out your tickets and bring them with you on the night of the event. By purchasing a ticket you agree to receive periodic email communication from 1015 Folsom. Presale tickets must be redeemed by 1:30am. All events are 21+ | Please bring valid identification | NO REFUNDS
read more
MOTOR CITY DRUM ENSEMBLE Live @ Dekmantel Festival
Plays: 678,408
DAM FUNK
Damon “Dam-Funk” Riddick is the epitome of funk. Ever since debuting with Stones Throw in 2008, Dam-Funk has become one of the genres most passionate proselytizers, out to save it from devilish depictions of cartoonish caricature. To Dam, funk is a way of living, “a feeling of struggle and staying cool through it all.” Dam-Funk grew up in the Los Angeles city/suburb of Pasadena. A ‘70s baby, he came of age in the era of the Uncle Jamm’s Army parties, of electro-pharaoh Egyptian Lover, of Prince’s purple reign. His parents nurtured his musical talents as a child and by his teens, he mastered the drums, then the drum machine. A chance encounter led to an apprenticeship under funk songwriter/producer Leon Sylvers III (SOLAR Records) and by the mid-90s G-Funk era in hip-hop, Dam found his musical skills in high demand by rappers such as Mack 10 and MC Eiht. “Everybody was trying to do the live instrumentation thing, so then you got cats like me playing on records,” Dam explains. Sideman status wasn’t enough though. Dam remembers “watching gold plaques hitting the wall” for everyone but him and he decided to go “full-funk” and make a do-or-die try to become an artist on his own terms. In 2006, Dam-Funk and a few friends launched the popular Funkmosphere party in L.A., bringing the boogie back. It’s around then that Dam drew the attention of Stones Throw and both label and artist related to Dam’s insistence that “funk is not just a Jheri Curl. There was more than that.” Dam’s partnership with Stones Throw has seen the release of his debut Toeachizown (2009) and Invite the Light (2015), as well as an anthology of early productions, Adolescent Funk (2010), to Higher (2013) with Steve Arrington and 7 Days of Funk (2013) with Snoop Dogg.
Dam Funk & Snoop Dogg - 7 Days Of Funk
Plays: 843,752
Tickets: After purchasing a ticket through Eventbrite, you will receive an email with your tickets attached as a PDF. Please PRINT out your tickets and bring them with you on the night of the event. By purchasing a ticket you agree to receive periodic email communication from 1015 Folsom. Presale tickets must be redeemed by 1:30am. All events are 21+ | Please bring valid identification | NO REFUNDS
show less
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