Mike Patton is many things to many people, but regardless of whether he’s singing, scatting, acting, growling or swearing, he’s a Renaissance man in the truest sense of the word. From his teens spent with genre-defying alternatives acts like Faith No More and Mr. Bungle, his various collaborations with avant-garde musicians, the deconstructed-pop music he created with Peeping Tom and currently cultivating a career as a film composer while simultaneously launching Crudo (an urban-skewed duo also featuring Dan The Automator) and Mondo Cane (an Italian language, orchestra driven pop standard project), there seems to be no limit to what Patton can do—and while his expansive career trajectory is difficult to express on paper, the brief biography which follows will probably turn obsessive Patton fans onto a few projects they never knew existed.
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Mike Patton is many things to many people, but regardless of whether he’s singing, scatting, acting, growling or swearing, he’s a Renaissance man in the truest sense of the word. From his teens spent with genre-defying alternatives acts like Faith No More and Mr. Bungle, his various collaborations with avant-garde musicians, the deconstructed-pop music he created with Peeping Tom and currently cultivating a career as a film composer while simultaneously launching Crudo (an urban-skewed duo also featuring Dan The Automator) and Mondo Cane (an Italian language, orchestra driven pop standard project), there seems to be no limit to what Patton can do—and while his expansive career trajectory is difficult to express on paper, the brief biography which follows will probably turn obsessive Patton fans onto a few projects they never knew existed.
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