Heron Arts will be hosting a special Closing Reception for the current two person show, Language of Form, on Thursday, August 31st from 6-8pm. Featuring an Artist Q & A with Haoyun Erin Zhao & Sofia Shu at 6:30pm, followed by a Sound Healing experience! RSVP & Walk-ins welcome.
"Language of Form," by Haoyun Erin Zhao and Sofia Shu, features paintings by two individual interdisciplinary artists based in San Francisco. Haoyun Erin Zhao is a Chinese American artist who wrangles various forms of media in vibrant jewel tone palettes of translucent, overlapping organic shapes with complimentary, warm and cool color palettes, that overwhelm the senses. Sofia Shu, originally from Siberia, uses the vast white space of paper, like a backdrop canvas made of snow, to explore spatial relations through painted hypnotic repetitive patterns that can quiet the mind with symmetry, balanced by soft earth tone shades. These two bodies of work exhibited together for the first time, features paintings on canvas and works on paper.
Heron Arts will be hosting a special Closing Reception for the current two person show, Language of Form, on Thursday, August 31st from 6-8pm. Featuring an Artist Q & A with Haoyun Erin Zhao & Sofia Shu at 6:30pm, followed by a Sound Healing experience! RSVP & Walk-ins welcome.
"Language of Form," by Haoyun Erin Zhao and Sofia Shu, features paintings by two individual interdisciplinary artists based in San Francisco. Haoyun Erin Zhao is a Chinese American artist who wrangles various forms of media in vibrant jewel tone palettes of translucent, overlapping organic shapes with complimentary, warm and cool color palettes, that overwhelm the senses. Sofia Shu, originally from Siberia, uses the vast white space of paper, like a backdrop canvas made of snow, to explore spatial relations through painted hypnotic repetitive patterns that can quiet the mind with symmetry, balanced by soft earth tone shades. These two bodies of work exhibited together for the first time, features paintings on canvas and works on paper.
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