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There's no doubt about it, the state of Texas is well known world wide for its fiery blues guitar players.
Even just a cursory look will reveal the state's rich tradition, which easily rivals Chicago and Mississippi for producing players who have been both originators and contributors to the legacy of the guitar's significant role in the genre's history. Dating back to the 1920's with "Blind" Lemon Jefferson, continuing through the 1950's with such legends as Freddie King, T-Bone Walker and "Lightning" Hopkins, with the advent of the rock era of the 1960's the pressure cooker exploded.

Albino blues giant Johnny Winter, from Beaumont, in 1968 was signed to what was then the largest advance in the history of the recording industry---$600,000. Houston's ZZ Top, with the Reverend Willie G, i.e. Billy F. Gibbons - armed with a '59 Les Paul- during the 70's went from being "That little ol' band from Texas" to being world wide ambassadors with their unique brand of deep blues infused boogie rock.

Although disco and subsequently new wave lessened blues rock's influence in the late 70's, by 1983 it was another native Texan, Dallas born Stevie Ray Vaughan, whose combination of raw blues mixed with Hendrix styled pyrotechnics spearheaded yet another resurrection as the genre rose its evil head once again. A breath of much needed fresh air amongst the synth heavy offerings on MTV and radio airwaves of the time, the guitarist's massive influence has extended long beyond his untimely, tragic death twenty years ago.
There's no doubt about it, the state of Texas is well known world wide for its fiery blues guitar players.
Even just a cursory look will reveal the state's rich tradition, which easily rivals Chicago and Mississippi for producing players who have been both originators and contributors to the legacy of the guitar's significant role in the genre's history. Dating back to the 1920's with "Blind" Lemon Jefferson, continuing through the 1950's with such legends as Freddie King, T-Bone Walker and "Lightning" Hopkins, with the advent of the rock era of the 1960's the pressure cooker exploded.

Albino blues giant Johnny Winter, from Beaumont, in 1968 was signed to what was then the largest advance in the history of the recording industry---$600,000. Houston's ZZ Top, with the Reverend Willie G, i.e. Billy F. Gibbons - armed with a '59 Les Paul- during the 70's went from being "That little ol' band from Texas" to being world wide ambassadors with their unique brand of deep blues infused boogie rock.

Although disco and subsequently new wave lessened blues rock's influence in the late 70's, by 1983 it was another native Texan, Dallas born Stevie Ray Vaughan, whose combination of raw blues mixed with Hendrix styled pyrotechnics spearheaded yet another resurrection as the genre rose its evil head once again. A breath of much needed fresh air amongst the synth heavy offerings on MTV and radio airwaves of the time, the guitarist's massive influence has extended long beyond his untimely, tragic death twenty years ago.
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