The new chapter for Ladytron follows a hiatus which saw half the group move across hemispheres, and all experiment with solo projects and new collaborations, after five albums and a succession of world tours over the previous ten-year period.
Originating in Liverpool, the band, made up of Helen Marnie, Daniel Hunt, Mira Aroyo and Reuben Wu earned that decade of acclaim by relentlessly pushing boundaries, carving out new sonic and conceptual space and refusing to abide by formula or trend.
At the beginning they were known for shows in unconventional spaces, such as disused banks and bowling alleys, and placed emphasis on countries and cities other than their own. Thus the group's international recognition quickly grew -- playing in places where few artists went at that time, such as China in 2004 and Colombia in 2006. Along the way they twice took their primitive electronics to California's Coachella Festival, on relentless tours across Europe, Asia, North and South America, and were invited to perform with artists such as Bjork, Nine Inch Nails, and for Brian Eno at the Sydney Opera House. Eno remarked in an interview, "Ladytron are, for me, the best of English pop music. They're the kind of band that really only appears in England, with this funny mixture of eccentric art-school dicking around and dressing up, with a full awareness of what's happening everywhere musically, which is kind of knitted together and woven into something quite new."
2008's harder, darker Velocifero saw them grow further with the iconic singles "Ghosts," "Runaway" & "Tomorrow." They were then invited by Christina Aguilera to write and produce tracks for her forthcoming album.
In mid-2016 the band quietly began to write and record together again and released their sixth full-length album in 2018, which picks up the trail with their songs and raw characteristics taken forward with a new palette of atmospheres and themes.
$35.00.
Presented by The UC Theatre Taube Family Music Hall
The new chapter for Ladytron follows a hiatus which saw half the group move across hemispheres, and all experiment with solo projects and new collaborations, after five albums and a succession of world tours over the previous ten-year period.
Originating in Liverpool, the band, made up of Helen Marnie, Daniel Hunt, Mira Aroyo and Reuben Wu earned that decade of acclaim by relentlessly pushing boundaries, carving out new sonic and conceptual space and refusing to abide by formula or trend.
At the beginning they were known for shows in unconventional spaces, such as disused banks and bowling alleys, and placed emphasis on countries and cities other than their own. Thus the group's international recognition quickly grew -- playing in places where few artists went at that time, such as China in 2004 and Colombia in 2006. Along the way they twice took their primitive electronics to California's Coachella Festival, on relentless tours across Europe, Asia, North and South America, and were invited to perform with artists such as Bjork, Nine Inch Nails, and for Brian Eno at the Sydney Opera House. Eno remarked in an interview, "Ladytron are, for me, the best of English pop music. They're the kind of band that really only appears in England, with this funny mixture of eccentric art-school dicking around and dressing up, with a full awareness of what's happening everywhere musically, which is kind of knitted together and woven into something quite new."
2008's harder, darker Velocifero saw them grow further with the iconic singles "Ghosts," "Runaway" & "Tomorrow." They were then invited by Christina Aguilera to write and produce tracks for her forthcoming album.
In mid-2016 the band quietly began to write and record together again and released their sixth full-length album in 2018, which picks up the trail with their songs and raw characteristics taken forward with a new palette of atmospheres and themes.
$35.00.
Presented by The UC Theatre Taube Family Music Hall
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