FRIDAY AUGUST 28
@ Temple | 10pm-4am | +21
Deep house
KONNEKTED & TEMPLE present YOLANDA BE COOL + WORTHY
FREE GUEST LIST B4 11PM WITH RSVP at https://www.konnektedsf.com
BOTTLE SERVICE & TABLE RESERVATIONS:
Email your full name + cell number at [email protected] or text 415-819-5464 to receive information on specials.
ABOUT YOLANDA BE COOL
Yolanda Be Cool have played after Pitbull and Justin Martin, Flo Rida and Jesse Rose. They probably have Chuckie's latest bootleg, but they also likely have every song Jamie Jones played last night at their favourite Ibizan club, DC10. Their songs are in Britney's playlists and Switch’s. They have had a world wide number one, yes, but they also have a growing list of Beatport hits, made only for the club. They are as comfortable in Morocco, as a guest of the king, performing before 90,000 people, as they are in a Berlin basement performing for 90. For them, in music and in life, it's the differences that make the difference, whether it be a 1950's Italian folk song, juxtaposed with a fruity techno beat (go on, you know the one), or dinner in Monaco one day, Berghain the next, Johnson and Sylvester have had a pretty good few years touring the world.
But rather than rest on their laurels, including their critically acclaimed debut album, Ladies and Mentalmen, not to mention their ARIA award amongst countless others worldwide, the first half of 2014 saw them hit the studio in a massive way including numerous trips back and forth to Melbourne for some intense studios sessions with their favorite collaborator, DCUP. Determined to put some fun back into the music, with nods to the style that got them touring the world in the first place, the fruits of these sessions will be revealed over the coming months, with a huge swathe of YBC and DCUP collabs in the works, the first of which, the Rodriguez sampling Sugar Man, is ready for release just in time to catch the European summer. They have also teamed up with Latin pop star Mayra Veronica for the Carmen Miranda cover, Mama Yo, which has already started to heat up the European charts and has been touted as a summer smash.
Their releases on Steve Aoki's Dim Mak label have seen them regularly touring stateside to a growing fan base and with a number of releases set for the coming months, their platinum flying status looks set to remain while their pivotal role in seminal Aussie label Sweat It Out has seen them maintain their legendary status in their home country.
With over a decade of Djing under their belts, and musical influences that extend far beyond their native Sydney, from old school hip hop, to Chicago house, to techno to pretty much everything in between. Bondi beach locals at heart, when they are not in the studio or playing at the biggest clubs and festivals in the world, you'll find them at the beach catching waves. But it's out of the water they are most excited about, with the rise in popularity of the deeper sides of house, they are again stoked with where music is headed, and where their take on music fits within the scene.
ABOUT WORTHY
When it comes down to all the hype, his name says it all. He is Worthy. With an in-depth knowledge of production, mixing, and performance, Worthy has the insight to play for his audience, cultivating intense positive energy on the dance floor. From salty aired islands to dark club basements, over the past 10 years, Worthy has paid reverence to the traditional form of classic house while tripping off the mark and sinking into the euphoric less-charted territories of booty-clapping bass. As Carl Cox said, "The Worthy sound has always been powerful, rocking, funky, bass-driven music at its best, and for me this is the new wave in house music." He establishes an energetic dance floor camaraderie that makes even the most skeptic hater’s booty shake.
Growing up in Washington DC, Worthy was inspired by the early American rave scene. Upon moving to New York in the late 90’s, he was exposed to artists like LTJ Bukem and Stacey Pullen whose music inspired him to play records across multiple genres, from techno and breaks to hiphop and drum n’ bass. In 2001 he swapped coastlines, moving to San Francisco to pursue his music career. There he teamed up with Claude Von Stroke and Justin and Christian Martin, becoming one of the four founding fathers of the Dirtybird party, Worthy’s breakout track, Irst Te, released on the Dirtybird label in 2007, quickly established his notoriety as a producer. With other bangers like Shy Look, Tric Trac (co-produced with Eats Everything) and the recently release track, Dip, Worthy has been rocking the “Dirtybird” sound for nearly a decade now.
Concurrently, Worthy has established his own label, Anabatic Records, which has allowed him to be a bit more experimental with his production, and expand his reach as an artist. Some of the songs that have charted on sites such as Beatport include Concubia, Work The Walls, and Flashin. In 2014 Worthy released his debut full-length album, Disbehave, a genre-defying rebellion against the house producers status quo. Breaking down rules and boundaries, Worthy has sought to set himself apart from the mundane world of expectation, striking out to release something unexpected. Disbehave was accepted with critical acclaim and received notable press attention.
Early Spring 2015, Worthy will release a two part remix album of Disbehave with artists including Thugfucker, Stanton Warriors, Yolanda be Cool, Matt Tolfrey, and a slough of other amazing producers. He is also back with another Dirtybird release called "So Delicious", among other tracks that will be due out later this year.
show less
@ Temple | 10pm-4am | +21
Deep house
KONNEKTED & TEMPLE present YOLANDA BE COOL + WORTHY
FREE GUEST LIST B4 11PM WITH RSVP at https://www.konnektedsf.com
BOTTLE SERVICE & TABLE RESERVATIONS:
Email your full name + cell number at [email protected] or text 415-819-5464 to receive information on specials.
ABOUT YOLANDA BE COOL
Yolanda Be Cool have played after Pitbull and Justin Martin, Flo Rida and Jesse Rose. They probably have Chuckie's latest bootleg, but they also likely have every song Jamie Jones played last night at their favourite Ibizan club, DC10. Their songs are in Britney's playlists and Switch’s. They have had a world wide number one, yes, but they also have a growing list of Beatport hits, made only for the club. They are as comfortable in Morocco, as a guest of the king, performing before 90,000 people, as they are in a Berlin basement performing for 90. For them, in music and in life, it's the differences that make the difference, whether it be a 1950's Italian folk song, juxtaposed with a fruity techno beat (go on, you know the one), or dinner in Monaco one day, Berghain the next, Johnson and Sylvester have had a pretty good few years touring the world.
But rather than rest on their laurels, including their critically acclaimed debut album, Ladies and Mentalmen, not to mention their ARIA award amongst countless others worldwide, the first half of 2014 saw them hit the studio in a massive way including numerous trips back and forth to Melbourne for some intense studios sessions with their favorite collaborator, DCUP. Determined to put some fun back into the music, with nods to the style that got them touring the world in the first place, the fruits of these sessions will be revealed over the coming months, with a huge swathe of YBC and DCUP collabs in the works, the first of which, the Rodriguez sampling Sugar Man, is ready for release just in time to catch the European summer. They have also teamed up with Latin pop star Mayra Veronica for the Carmen Miranda cover, Mama Yo, which has already started to heat up the European charts and has been touted as a summer smash.
Their releases on Steve Aoki's Dim Mak label have seen them regularly touring stateside to a growing fan base and with a number of releases set for the coming months, their platinum flying status looks set to remain while their pivotal role in seminal Aussie label Sweat It Out has seen them maintain their legendary status in their home country.
With over a decade of Djing under their belts, and musical influences that extend far beyond their native Sydney, from old school hip hop, to Chicago house, to techno to pretty much everything in between. Bondi beach locals at heart, when they are not in the studio or playing at the biggest clubs and festivals in the world, you'll find them at the beach catching waves. But it's out of the water they are most excited about, with the rise in popularity of the deeper sides of house, they are again stoked with where music is headed, and where their take on music fits within the scene.
ABOUT WORTHY
When it comes down to all the hype, his name says it all. He is Worthy. With an in-depth knowledge of production, mixing, and performance, Worthy has the insight to play for his audience, cultivating intense positive energy on the dance floor. From salty aired islands to dark club basements, over the past 10 years, Worthy has paid reverence to the traditional form of classic house while tripping off the mark and sinking into the euphoric less-charted territories of booty-clapping bass. As Carl Cox said, "The Worthy sound has always been powerful, rocking, funky, bass-driven music at its best, and for me this is the new wave in house music." He establishes an energetic dance floor camaraderie that makes even the most skeptic hater’s booty shake.
Growing up in Washington DC, Worthy was inspired by the early American rave scene. Upon moving to New York in the late 90’s, he was exposed to artists like LTJ Bukem and Stacey Pullen whose music inspired him to play records across multiple genres, from techno and breaks to hiphop and drum n’ bass. In 2001 he swapped coastlines, moving to San Francisco to pursue his music career. There he teamed up with Claude Von Stroke and Justin and Christian Martin, becoming one of the four founding fathers of the Dirtybird party, Worthy’s breakout track, Irst Te, released on the Dirtybird label in 2007, quickly established his notoriety as a producer. With other bangers like Shy Look, Tric Trac (co-produced with Eats Everything) and the recently release track, Dip, Worthy has been rocking the “Dirtybird” sound for nearly a decade now.
Concurrently, Worthy has established his own label, Anabatic Records, which has allowed him to be a bit more experimental with his production, and expand his reach as an artist. Some of the songs that have charted on sites such as Beatport include Concubia, Work The Walls, and Flashin. In 2014 Worthy released his debut full-length album, Disbehave, a genre-defying rebellion against the house producers status quo. Breaking down rules and boundaries, Worthy has sought to set himself apart from the mundane world of expectation, striking out to release something unexpected. Disbehave was accepted with critical acclaim and received notable press attention.
Early Spring 2015, Worthy will release a two part remix album of Disbehave with artists including Thugfucker, Stanton Warriors, Yolanda be Cool, Matt Tolfrey, and a slough of other amazing producers. He is also back with another Dirtybird release called "So Delicious", among other tracks that will be due out later this year.
FRIDAY AUGUST 28
@ Temple | 10pm-4am | +21
Deep house
KONNEKTED & TEMPLE present YOLANDA BE COOL + WORTHY
FREE GUEST LIST B4 11PM WITH RSVP at https://www.konnektedsf.com
BOTTLE SERVICE & TABLE RESERVATIONS:
Email your full name + cell number at [email protected] or text 415-819-5464 to receive information on specials.
ABOUT YOLANDA BE COOL
Yolanda Be Cool have played after Pitbull and Justin Martin, Flo Rida and Jesse Rose. They probably have Chuckie's latest bootleg, but they also likely have every song Jamie Jones played last night at their favourite Ibizan club, DC10. Their songs are in Britney's playlists and Switch’s. They have had a world wide number one, yes, but they also have a growing list of Beatport hits, made only for the club. They are as comfortable in Morocco, as a guest of the king, performing before 90,000 people, as they are in a Berlin basement performing for 90. For them, in music and in life, it's the differences that make the difference, whether it be a 1950's Italian folk song, juxtaposed with a fruity techno beat (go on, you know the one), or dinner in Monaco one day, Berghain the next, Johnson and Sylvester have had a pretty good few years touring the world.
But rather than rest on their laurels, including their critically acclaimed debut album, Ladies and Mentalmen, not to mention their ARIA award amongst countless others worldwide, the first half of 2014 saw them hit the studio in a massive way including numerous trips back and forth to Melbourne for some intense studios sessions with their favorite collaborator, DCUP. Determined to put some fun back into the music, with nods to the style that got them touring the world in the first place, the fruits of these sessions will be revealed over the coming months, with a huge swathe of YBC and DCUP collabs in the works, the first of which, the Rodriguez sampling Sugar Man, is ready for release just in time to catch the European summer. They have also teamed up with Latin pop star Mayra Veronica for the Carmen Miranda cover, Mama Yo, which has already started to heat up the European charts and has been touted as a summer smash.
Their releases on Steve Aoki's Dim Mak label have seen them regularly touring stateside to a growing fan base and with a number of releases set for the coming months, their platinum flying status looks set to remain while their pivotal role in seminal Aussie label Sweat It Out has seen them maintain their legendary status in their home country.
With over a decade of Djing under their belts, and musical influences that extend far beyond their native Sydney, from old school hip hop, to Chicago house, to techno to pretty much everything in between. Bondi beach locals at heart, when they are not in the studio or playing at the biggest clubs and festivals in the world, you'll find them at the beach catching waves. But it's out of the water they are most excited about, with the rise in popularity of the deeper sides of house, they are again stoked with where music is headed, and where their take on music fits within the scene.
ABOUT WORTHY
When it comes down to all the hype, his name says it all. He is Worthy. With an in-depth knowledge of production, mixing, and performance, Worthy has the insight to play for his audience, cultivating intense positive energy on the dance floor. From salty aired islands to dark club basements, over the past 10 years, Worthy has paid reverence to the traditional form of classic house while tripping off the mark and sinking into the euphoric less-charted territories of booty-clapping bass. As Carl Cox said, "The Worthy sound has always been powerful, rocking, funky, bass-driven music at its best, and for me this is the new wave in house music." He establishes an energetic dance floor camaraderie that makes even the most skeptic hater’s booty shake.
Growing up in Washington DC, Worthy was inspired by the early American rave scene. Upon moving to New York in the late 90’s, he was exposed to artists like LTJ Bukem and Stacey Pullen whose music inspired him to play records across multiple genres, from techno and breaks to hiphop and drum n’ bass. In 2001 he swapped coastlines, moving to San Francisco to pursue his music career. There he teamed up with Claude Von Stroke and Justin and Christian Martin, becoming one of the four founding fathers of the Dirtybird party, Worthy’s breakout track, Irst Te, released on the Dirtybird label in 2007, quickly established his notoriety as a producer. With other bangers like Shy Look, Tric Trac (co-produced with Eats Everything) and the recently release track, Dip, Worthy has been rocking the “Dirtybird” sound for nearly a decade now.
Concurrently, Worthy has established his own label, Anabatic Records, which has allowed him to be a bit more experimental with his production, and expand his reach as an artist. Some of the songs that have charted on sites such as Beatport include Concubia, Work The Walls, and Flashin. In 2014 Worthy released his debut full-length album, Disbehave, a genre-defying rebellion against the house producers status quo. Breaking down rules and boundaries, Worthy has sought to set himself apart from the mundane world of expectation, striking out to release something unexpected. Disbehave was accepted with critical acclaim and received notable press attention.
Early Spring 2015, Worthy will release a two part remix album of Disbehave with artists including Thugfucker, Stanton Warriors, Yolanda be Cool, Matt Tolfrey, and a slough of other amazing producers. He is also back with another Dirtybird release called "So Delicious", among other tracks that will be due out later this year.
read more
@ Temple | 10pm-4am | +21
Deep house
KONNEKTED & TEMPLE present YOLANDA BE COOL + WORTHY
FREE GUEST LIST B4 11PM WITH RSVP at https://www.konnektedsf.com
BOTTLE SERVICE & TABLE RESERVATIONS:
Email your full name + cell number at [email protected] or text 415-819-5464 to receive information on specials.
ABOUT YOLANDA BE COOL
Yolanda Be Cool have played after Pitbull and Justin Martin, Flo Rida and Jesse Rose. They probably have Chuckie's latest bootleg, but they also likely have every song Jamie Jones played last night at their favourite Ibizan club, DC10. Their songs are in Britney's playlists and Switch’s. They have had a world wide number one, yes, but they also have a growing list of Beatport hits, made only for the club. They are as comfortable in Morocco, as a guest of the king, performing before 90,000 people, as they are in a Berlin basement performing for 90. For them, in music and in life, it's the differences that make the difference, whether it be a 1950's Italian folk song, juxtaposed with a fruity techno beat (go on, you know the one), or dinner in Monaco one day, Berghain the next, Johnson and Sylvester have had a pretty good few years touring the world.
But rather than rest on their laurels, including their critically acclaimed debut album, Ladies and Mentalmen, not to mention their ARIA award amongst countless others worldwide, the first half of 2014 saw them hit the studio in a massive way including numerous trips back and forth to Melbourne for some intense studios sessions with their favorite collaborator, DCUP. Determined to put some fun back into the music, with nods to the style that got them touring the world in the first place, the fruits of these sessions will be revealed over the coming months, with a huge swathe of YBC and DCUP collabs in the works, the first of which, the Rodriguez sampling Sugar Man, is ready for release just in time to catch the European summer. They have also teamed up with Latin pop star Mayra Veronica for the Carmen Miranda cover, Mama Yo, which has already started to heat up the European charts and has been touted as a summer smash.
Their releases on Steve Aoki's Dim Mak label have seen them regularly touring stateside to a growing fan base and with a number of releases set for the coming months, their platinum flying status looks set to remain while their pivotal role in seminal Aussie label Sweat It Out has seen them maintain their legendary status in their home country.
With over a decade of Djing under their belts, and musical influences that extend far beyond their native Sydney, from old school hip hop, to Chicago house, to techno to pretty much everything in between. Bondi beach locals at heart, when they are not in the studio or playing at the biggest clubs and festivals in the world, you'll find them at the beach catching waves. But it's out of the water they are most excited about, with the rise in popularity of the deeper sides of house, they are again stoked with where music is headed, and where their take on music fits within the scene.
ABOUT WORTHY
When it comes down to all the hype, his name says it all. He is Worthy. With an in-depth knowledge of production, mixing, and performance, Worthy has the insight to play for his audience, cultivating intense positive energy on the dance floor. From salty aired islands to dark club basements, over the past 10 years, Worthy has paid reverence to the traditional form of classic house while tripping off the mark and sinking into the euphoric less-charted territories of booty-clapping bass. As Carl Cox said, "The Worthy sound has always been powerful, rocking, funky, bass-driven music at its best, and for me this is the new wave in house music." He establishes an energetic dance floor camaraderie that makes even the most skeptic hater’s booty shake.
Growing up in Washington DC, Worthy was inspired by the early American rave scene. Upon moving to New York in the late 90’s, he was exposed to artists like LTJ Bukem and Stacey Pullen whose music inspired him to play records across multiple genres, from techno and breaks to hiphop and drum n’ bass. In 2001 he swapped coastlines, moving to San Francisco to pursue his music career. There he teamed up with Claude Von Stroke and Justin and Christian Martin, becoming one of the four founding fathers of the Dirtybird party, Worthy’s breakout track, Irst Te, released on the Dirtybird label in 2007, quickly established his notoriety as a producer. With other bangers like Shy Look, Tric Trac (co-produced with Eats Everything) and the recently release track, Dip, Worthy has been rocking the “Dirtybird” sound for nearly a decade now.
Concurrently, Worthy has established his own label, Anabatic Records, which has allowed him to be a bit more experimental with his production, and expand his reach as an artist. Some of the songs that have charted on sites such as Beatport include Concubia, Work The Walls, and Flashin. In 2014 Worthy released his debut full-length album, Disbehave, a genre-defying rebellion against the house producers status quo. Breaking down rules and boundaries, Worthy has sought to set himself apart from the mundane world of expectation, striking out to release something unexpected. Disbehave was accepted with critical acclaim and received notable press attention.
Early Spring 2015, Worthy will release a two part remix album of Disbehave with artists including Thugfucker, Stanton Warriors, Yolanda be Cool, Matt Tolfrey, and a slough of other amazing producers. He is also back with another Dirtybird release called "So Delicious", among other tracks that will be due out later this year.
show less
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