Joey Landreth
Born and raised on the Canadian prairies, Joey Landreth has grown up with a guitar in his hands. Working as a side man through his teens and early twenties Joey grew up on the road, playing music across genres from gospel to country. At twenty-five Joey joined forces with his older brother as they worked on their first independent project The Bros. Landreth. The band was immediately successful, winning a Juno with their first album, among other awards across multiple genres. The band rose quickly to success turning the heads of musical heavy-weights such as Bonnie Raitt, John Oates and Jimmie Vaughan. In 2016 Joey is launching his solo career. With the rare ability to be at once vulnerable and open yet seriously blow audiences away with his musical proficiency, Joey’s career as an independent artist is expected to rise to great heights quickly.
Roman Clarke
Roman Clarke takes gospel harmony, modern R&B, and the charm of the 1970’s and rolls it all into a flavour that is well-suited to his inherently nostalgic generation. The songs come across with the sort of oblivious cheekiness and optimistic energy that is unique to twenty-somethings. His particular shade of keyboard heavy, groove based pop, blends influences as diverse as Vulfpeck and D’Angelo. What he’s offering doesn’t surface often in the musical landscape of rural Manitoba, and tends to illicit comparisons to a similarly talented multi-instrumentalist prairie-born artist, Remy Shand. Not unlike Remy, Roman is a one person wrecking machine - writing, producing, and playing all of the instruments.
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Born and raised on the Canadian prairies, Joey Landreth has grown up with a guitar in his hands. Working as a side man through his teens and early twenties Joey grew up on the road, playing music across genres from gospel to country. At twenty-five Joey joined forces with his older brother as they worked on their first independent project The Bros. Landreth. The band was immediately successful, winning a Juno with their first album, among other awards across multiple genres. The band rose quickly to success turning the heads of musical heavy-weights such as Bonnie Raitt, John Oates and Jimmie Vaughan. In 2016 Joey is launching his solo career. With the rare ability to be at once vulnerable and open yet seriously blow audiences away with his musical proficiency, Joey’s career as an independent artist is expected to rise to great heights quickly.
Roman Clarke
Roman Clarke takes gospel harmony, modern R&B, and the charm of the 1970’s and rolls it all into a flavour that is well-suited to his inherently nostalgic generation. The songs come across with the sort of oblivious cheekiness and optimistic energy that is unique to twenty-somethings. His particular shade of keyboard heavy, groove based pop, blends influences as diverse as Vulfpeck and D’Angelo. What he’s offering doesn’t surface often in the musical landscape of rural Manitoba, and tends to illicit comparisons to a similarly talented multi-instrumentalist prairie-born artist, Remy Shand. Not unlike Remy, Roman is a one person wrecking machine - writing, producing, and playing all of the instruments.
Joey Landreth
Born and raised on the Canadian prairies, Joey Landreth has grown up with a guitar in his hands. Working as a side man through his teens and early twenties Joey grew up on the road, playing music across genres from gospel to country. At twenty-five Joey joined forces with his older brother as they worked on their first independent project The Bros. Landreth. The band was immediately successful, winning a Juno with their first album, among other awards across multiple genres. The band rose quickly to success turning the heads of musical heavy-weights such as Bonnie Raitt, John Oates and Jimmie Vaughan. In 2016 Joey is launching his solo career. With the rare ability to be at once vulnerable and open yet seriously blow audiences away with his musical proficiency, Joey’s career as an independent artist is expected to rise to great heights quickly.
Roman Clarke
Roman Clarke takes gospel harmony, modern R&B, and the charm of the 1970’s and rolls it all into a flavour that is well-suited to his inherently nostalgic generation. The songs come across with the sort of oblivious cheekiness and optimistic energy that is unique to twenty-somethings. His particular shade of keyboard heavy, groove based pop, blends influences as diverse as Vulfpeck and D’Angelo. What he’s offering doesn’t surface often in the musical landscape of rural Manitoba, and tends to illicit comparisons to a similarly talented multi-instrumentalist prairie-born artist, Remy Shand. Not unlike Remy, Roman is a one person wrecking machine - writing, producing, and playing all of the instruments.
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Born and raised on the Canadian prairies, Joey Landreth has grown up with a guitar in his hands. Working as a side man through his teens and early twenties Joey grew up on the road, playing music across genres from gospel to country. At twenty-five Joey joined forces with his older brother as they worked on their first independent project The Bros. Landreth. The band was immediately successful, winning a Juno with their first album, among other awards across multiple genres. The band rose quickly to success turning the heads of musical heavy-weights such as Bonnie Raitt, John Oates and Jimmie Vaughan. In 2016 Joey is launching his solo career. With the rare ability to be at once vulnerable and open yet seriously blow audiences away with his musical proficiency, Joey’s career as an independent artist is expected to rise to great heights quickly.
Roman Clarke
Roman Clarke takes gospel harmony, modern R&B, and the charm of the 1970’s and rolls it all into a flavour that is well-suited to his inherently nostalgic generation. The songs come across with the sort of oblivious cheekiness and optimistic energy that is unique to twenty-somethings. His particular shade of keyboard heavy, groove based pop, blends influences as diverse as Vulfpeck and D’Angelo. What he’s offering doesn’t surface often in the musical landscape of rural Manitoba, and tends to illicit comparisons to a similarly talented multi-instrumentalist prairie-born artist, Remy Shand. Not unlike Remy, Roman is a one person wrecking machine - writing, producing, and playing all of the instruments.
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