Jesse Malmed: Untitled (Just Kidding)
Jesse Malmed In Person
Swinging through town on a west coast tour, Chicago’s own lingua-contrarian enunciationist Jesse Malmed unspools Untitled (Just Kidding), an ever-evolving suite of films and performative interjections made over the last half decade.
Jesse Malmed: “The works play in creative reading, studied density, the one-(hundred)-liner, choirs, screen texts, the bootleg, the cover, jokes, speculative etymologies, accents, loops, the cinemagical, body swaps, poetry, citation and human voice. Conceptually engaged, language-intensive and visually mesmerizing, the suite scrambles somewhere in the intersects of conceptual comedy, dizzying illogics, the poetic plu-future and sustainable sourcing. Through deliberate mistranslation and strategic denaturing of languages and codes, [Malmed] revels in and reveal[s] their extra-communicative potential as sound, as image, as object, and shift audiences’ concepts of the show, of the cinema.” (Untitled (Just Kidding))
show less
Jesse Malmed In Person
Swinging through town on a west coast tour, Chicago’s own lingua-contrarian enunciationist Jesse Malmed unspools Untitled (Just Kidding), an ever-evolving suite of films and performative interjections made over the last half decade.
Jesse Malmed: “The works play in creative reading, studied density, the one-(hundred)-liner, choirs, screen texts, the bootleg, the cover, jokes, speculative etymologies, accents, loops, the cinemagical, body swaps, poetry, citation and human voice. Conceptually engaged, language-intensive and visually mesmerizing, the suite scrambles somewhere in the intersects of conceptual comedy, dizzying illogics, the poetic plu-future and sustainable sourcing. Through deliberate mistranslation and strategic denaturing of languages and codes, [Malmed] revels in and reveal[s] their extra-communicative potential as sound, as image, as object, and shift audiences’ concepts of the show, of the cinema.” (Untitled (Just Kidding))
Jesse Malmed: Untitled (Just Kidding)
Jesse Malmed In Person
Swinging through town on a west coast tour, Chicago’s own lingua-contrarian enunciationist Jesse Malmed unspools Untitled (Just Kidding), an ever-evolving suite of films and performative interjections made over the last half decade.
Jesse Malmed: “The works play in creative reading, studied density, the one-(hundred)-liner, choirs, screen texts, the bootleg, the cover, jokes, speculative etymologies, accents, loops, the cinemagical, body swaps, poetry, citation and human voice. Conceptually engaged, language-intensive and visually mesmerizing, the suite scrambles somewhere in the intersects of conceptual comedy, dizzying illogics, the poetic plu-future and sustainable sourcing. Through deliberate mistranslation and strategic denaturing of languages and codes, [Malmed] revels in and reveal[s] their extra-communicative potential as sound, as image, as object, and shift audiences’ concepts of the show, of the cinema.” (Untitled (Just Kidding))
read more
Jesse Malmed In Person
Swinging through town on a west coast tour, Chicago’s own lingua-contrarian enunciationist Jesse Malmed unspools Untitled (Just Kidding), an ever-evolving suite of films and performative interjections made over the last half decade.
Jesse Malmed: “The works play in creative reading, studied density, the one-(hundred)-liner, choirs, screen texts, the bootleg, the cover, jokes, speculative etymologies, accents, loops, the cinemagical, body swaps, poetry, citation and human voice. Conceptually engaged, language-intensive and visually mesmerizing, the suite scrambles somewhere in the intersects of conceptual comedy, dizzying illogics, the poetic plu-future and sustainable sourcing. Through deliberate mistranslation and strategic denaturing of languages and codes, [Malmed] revels in and reveal[s] their extra-communicative potential as sound, as image, as object, and shift audiences’ concepts of the show, of the cinema.” (Untitled (Just Kidding))
show less
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