ABOUT THE ARTWORK:
Erin Malone presents remarkable images of toys from childhood lost. Nostalgic, playful, and sometimes frightening, the toys take on a life of their own. There is a remembered sense of fun and play mixed with fears and nightmares. Amico D’Infanzia gives a second look at childhood play and the humor, silliness and darkness revealed when the toys are left to their own devices. These glowing prints were made with a 4-by-5-inch lensless camera.
Arlo Keo Valera and Hyeyoung Kim produced Inside the Outsider from their observations of daily life. They explore persistent obsessions and emotions through the characters and scenes in these constructions. Made from cardboard boxes, fabric scraps, tape, and old toys, the fictional environments are brought to life through skillful use of light in the photographic process. Everything about these artworks is unique from the handmade constructions to the custom framing.
David McClendon searched for people he finds "interesting" as subjects for his oversized portraits. He found the subjects always have strong reactions to seeing their portraits for the first time. As the viewer, you can examine these faces closely without embarrassment, counting the freckles, hairs, or blood vessels. We do pay special attention to nuances of the human face but seldom can we examine faces in such detail. Created with a hand-built, room-sized camera, and 14-by-17-inch medical x-ray film these gritty, hyper-real images stand out because of their extreme size and detail.
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Erin Malone presents remarkable images of toys from childhood lost. Nostalgic, playful, and sometimes frightening, the toys take on a life of their own. There is a remembered sense of fun and play mixed with fears and nightmares. Amico D’Infanzia gives a second look at childhood play and the humor, silliness and darkness revealed when the toys are left to their own devices. These glowing prints were made with a 4-by-5-inch lensless camera.
Arlo Keo Valera and Hyeyoung Kim produced Inside the Outsider from their observations of daily life. They explore persistent obsessions and emotions through the characters and scenes in these constructions. Made from cardboard boxes, fabric scraps, tape, and old toys, the fictional environments are brought to life through skillful use of light in the photographic process. Everything about these artworks is unique from the handmade constructions to the custom framing.
David McClendon searched for people he finds "interesting" as subjects for his oversized portraits. He found the subjects always have strong reactions to seeing their portraits for the first time. As the viewer, you can examine these faces closely without embarrassment, counting the freckles, hairs, or blood vessels. We do pay special attention to nuances of the human face but seldom can we examine faces in such detail. Created with a hand-built, room-sized camera, and 14-by-17-inch medical x-ray film these gritty, hyper-real images stand out because of their extreme size and detail.
ABOUT THE ARTWORK:
Erin Malone presents remarkable images of toys from childhood lost. Nostalgic, playful, and sometimes frightening, the toys take on a life of their own. There is a remembered sense of fun and play mixed with fears and nightmares. Amico D’Infanzia gives a second look at childhood play and the humor, silliness and darkness revealed when the toys are left to their own devices. These glowing prints were made with a 4-by-5-inch lensless camera.
Arlo Keo Valera and Hyeyoung Kim produced Inside the Outsider from their observations of daily life. They explore persistent obsessions and emotions through the characters and scenes in these constructions. Made from cardboard boxes, fabric scraps, tape, and old toys, the fictional environments are brought to life through skillful use of light in the photographic process. Everything about these artworks is unique from the handmade constructions to the custom framing.
David McClendon searched for people he finds "interesting" as subjects for his oversized portraits. He found the subjects always have strong reactions to seeing their portraits for the first time. As the viewer, you can examine these faces closely without embarrassment, counting the freckles, hairs, or blood vessels. We do pay special attention to nuances of the human face but seldom can we examine faces in such detail. Created with a hand-built, room-sized camera, and 14-by-17-inch medical x-ray film these gritty, hyper-real images stand out because of their extreme size and detail.
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Erin Malone presents remarkable images of toys from childhood lost. Nostalgic, playful, and sometimes frightening, the toys take on a life of their own. There is a remembered sense of fun and play mixed with fears and nightmares. Amico D’Infanzia gives a second look at childhood play and the humor, silliness and darkness revealed when the toys are left to their own devices. These glowing prints were made with a 4-by-5-inch lensless camera.
Arlo Keo Valera and Hyeyoung Kim produced Inside the Outsider from their observations of daily life. They explore persistent obsessions and emotions through the characters and scenes in these constructions. Made from cardboard boxes, fabric scraps, tape, and old toys, the fictional environments are brought to life through skillful use of light in the photographic process. Everything about these artworks is unique from the handmade constructions to the custom framing.
David McClendon searched for people he finds "interesting" as subjects for his oversized portraits. He found the subjects always have strong reactions to seeing their portraits for the first time. As the viewer, you can examine these faces closely without embarrassment, counting the freckles, hairs, or blood vessels. We do pay special attention to nuances of the human face but seldom can we examine faces in such detail. Created with a hand-built, room-sized camera, and 14-by-17-inch medical x-ray film these gritty, hyper-real images stand out because of their extreme size and detail.
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473 25th Street, Oakland, CA 94612
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