Homeward Bound, a solo exhibition by Christopher Martin.
Hashimoto Contemporary is pleased to present Homeward Bound the debut solo exhibition of Oakland-based artist Christopher Martin. Utilizing the visual vernacular of traditional American tattooing, Martin interweaves imagery from the African Diaspora, his own mythology and iconic navy tattoos to create bold banners and paintings.
Working across mediums including tattooing, textile and painting, each facet of Christopher Martin's practice informs the others. Imagery commonly found in traditional sailor tattoos are prevalent influences for the current body of work featured in Homeward Bound. The history and superstition embedded in archetypical nautical motifs such as anchors, mermaids and animals are re-coded to reflect the history and stories of the African American experience.
The reclamation of cotton as a primary medium, applied in the large-scale tapestry works and the fiber based paintings on paper, reflect the Atlantic slave trade and the artist's North Carolina roots. Steeped in Southern and Black history, Christopher Martin's work layers the confrontation of contemporary injustice and folkloric storytelling to create a new lexicon for black culture.
Image Credit: Christopher Martin, Untitled, 2021
Homeward Bound, a solo exhibition by Christopher Martin.
Hashimoto Contemporary is pleased to present Homeward Bound the debut solo exhibition of Oakland-based artist Christopher Martin. Utilizing the visual vernacular of traditional American tattooing, Martin interweaves imagery from the African Diaspora, his own mythology and iconic navy tattoos to create bold banners and paintings.
Working across mediums including tattooing, textile and painting, each facet of Christopher Martin's practice informs the others. Imagery commonly found in traditional sailor tattoos are prevalent influences for the current body of work featured in Homeward Bound. The history and superstition embedded in archetypical nautical motifs such as anchors, mermaids and animals are re-coded to reflect the history and stories of the African American experience.
The reclamation of cotton as a primary medium, applied in the large-scale tapestry works and the fiber based paintings on paper, reflect the Atlantic slave trade and the artist's North Carolina roots. Steeped in Southern and Black history, Christopher Martin's work layers the confrontation of contemporary injustice and folkloric storytelling to create a new lexicon for black culture.
Image Credit: Christopher Martin, Untitled, 2021
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