Change is scary to a kid. For most young people, the subject of growth is just an opportunity for a bad dick joke, and lessons in evolution are protested not only by the religious right but also by an entire generation of eye-rolling, bulletproof adolescents.But as we all find out eventually, nothing stays the same -- not even in punk rock. The music has moved from the garage to glam to the gutter and back, across Generations Blank and X and 182 and beyond. A record enters the world having captured a moment in time, three lightning chords in a bottle, and then a band worth its salt soldiers on, ready for the next step. Some try to cling to a moment forever, but the true artists move forward, keeping close their heart and signature soul while expanding everything around them with a head full of steam. Often, the wastoid wakes up and the slacker un-shirks as the Roman numeral I gives way to II -- or, as is the case with FIDLAR, to the almighty Too."The second record is always the fucking scary record, I don't care what band you're in," says singer/guitarist Zac Carper. "We kind of pigeonholed ourselves in one style for a while, this 'garage punk.' Everyone says, 'Don't sell out, don't make a slick record,' but to me, selling out would be making the same first record and just cashing in on that scene. I want to expand and get better at writing more interesting songs, and change, you know? I didn't want us to be labeled a 'punk rock group.'""As a band all you can really hope for is that you just keep progressing and moving forward," says guitarist/singer Elvis Kuehn. "We didn't have any specific goal with this record other than to just keep progressing as a band, getting better and exposing the music to as many people as we can."Carper, Elvis Kuehn, Brandon Schwartzel (bass), and Max Kuehn (drums) ripped modern punk rock a new one on their 2013 self-titled debut. They paired life-risking antics and attitudes with their full-shred anthems about skating, partying, and honest l-i-v-i-n to put their sound on the map, and world tours with Pixies, The Hives, Black Lips, Wavves, and more opened the gates even wider.
Change is scary to a kid. For most young people, the subject of growth is just an opportunity for a bad dick joke, and lessons in evolution are protested not only by the religious right but also by an entire generation of eye-rolling, bulletproof adolescents.But as we all find out eventually, nothing stays the same -- not even in punk rock. The music has moved from the garage to glam to the gutter and back, across Generations Blank and X and 182 and beyond. A record enters the world having captured a moment in time, three lightning chords in a bottle, and then a band worth its salt soldiers on, ready for the next step. Some try to cling to a moment forever, but the true artists move forward, keeping close their heart and signature soul while expanding everything around them with a head full of steam. Often, the wastoid wakes up and the slacker un-shirks as the Roman numeral I gives way to II -- or, as is the case with FIDLAR, to the almighty Too."The second record is always the fucking scary record, I don't care what band you're in," says singer/guitarist Zac Carper. "We kind of pigeonholed ourselves in one style for a while, this 'garage punk.' Everyone says, 'Don't sell out, don't make a slick record,' but to me, selling out would be making the same first record and just cashing in on that scene. I want to expand and get better at writing more interesting songs, and change, you know? I didn't want us to be labeled a 'punk rock group.'""As a band all you can really hope for is that you just keep progressing and moving forward," says guitarist/singer Elvis Kuehn. "We didn't have any specific goal with this record other than to just keep progressing as a band, getting better and exposing the music to as many people as we can."Carper, Elvis Kuehn, Brandon Schwartzel (bass), and Max Kuehn (drums) ripped modern punk rock a new one on their 2013 self-titled debut. They paired life-risking antics and attitudes with their full-shred anthems about skating, partying, and honest l-i-v-i-n to put their sound on the map, and world tours with Pixies, The Hives, Black Lips, Wavves, and more opened the gates even wider.
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