Fluent, fleet, fearless, and full of fire, Daniil Trifonov's thrilling performances are known to bring listeners to the very edge of their seats. The pianist is renowned for constructing gripping narrative arcs across the length of his concerts, and for delivering the most serene, delicate moments in an almost conspiratorial whisper, while building rippling layers of sound to conjure power and emotion from the keyboard.
His Berkeley recital features a dazzling, bold, and affecting early piano sonata by Robert Schumann as well as extraordinary-yet-underperformed works by Prokofiev, Myaskovsky, and Taneyev.
Program
TANEYEV Prelude and Fugue in G-sharp minor, Op. 29
PROKOFIEV Visions Fugitives, Op. 22
MYASKOVSKY Piano Sonata No. 2 in F-sharp minor, Op. 13
R. SCHUMANN Piano Sonata No. 1 in F-sharp minor, Op. 11
~~~
Russian pianist Daniil Trifonov has skyrocketed to the top echelons of the classical realm with a revelatory blend of deep tenderness and white-hot ferocity.
"This pianist is such a wizard at his instrument, he makes even the gnarliest pieces sound easy" (New York Classical Review).
Fluent, fleet, fearless, and full of fire, Daniil Trifonov's thrilling performances are known to bring listeners to the very edge of their seats. The pianist is renowned for constructing gripping narrative arcs across the length of his concerts, and for delivering the most serene, delicate moments in an almost conspiratorial whisper, while building rippling layers of sound to conjure power and emotion from the keyboard.
His Berkeley recital features a dazzling, bold, and affecting early piano sonata by Robert Schumann as well as extraordinary-yet-underperformed works by Prokofiev, Myaskovsky, and Taneyev.
Program
TANEYEV Prelude and Fugue in G-sharp minor, Op. 29
PROKOFIEV Visions Fugitives, Op. 22
MYASKOVSKY Piano Sonata No. 2 in F-sharp minor, Op. 13
R. SCHUMANN Piano Sonata No. 1 in F-sharp minor, Op. 11
~~~
Russian pianist Daniil Trifonov has skyrocketed to the top echelons of the classical realm with a revelatory blend of deep tenderness and white-hot ferocity.
"This pianist is such a wizard at his instrument, he makes even the gnarliest pieces sound easy" (New York Classical Review).
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