Conducted by Cristian Macelaru
Clarice Assad: Kontrol (Philippe Quint, Violin) (Festival Commission & world premiere)
Jackson A. Waters: Defending Greenwood (West Coast premiere)
Hannah Ishizaki: Spin (West Coast premiere)
Dan Dediu: Concerto for Orchestra (U.S premiere)
A genre-expanding program examining power, agency, and the forces that shape contemporary life.
Clarice Assad's Kontrol (Festival Commission, world premiere), featuring violinist Philippe Quint, is a genre-defying work for narrator, projections, violin, and orchestra that interrogates the role of technology in human autonomy.
Defending Greenwood (Movement III: June 1, 1921) (West Coast premiere) by Jackson A. Waters--winner of the 2026 Cabrillo Emerging Black Composers Prize--bears witness to the Tulsa Race Massacre, countering historical erasure through musical testimony and remembrance.
Merging the Viennese waltz with electronic dance music, Hannah Ishizaki's Spin (West Coast premiere), evokes motion, disorientation, and suspended time. As elegant triple-meter gestures collide with pulsing, club-like rhythms, the piece blurs past and present, creating a dizzying soundscape that feels both nostalgic and uncannily immediate.
Dan Dediu's Concerto for Orchestra (U.S. premiere) closes the program with a virtuosic and celebratory showcase of the ensemble, dedicated to Cristian Macelaru in recognition of their long-standing artistic collaboration.
show less
Clarice Assad: Kontrol (Philippe Quint, Violin) (Festival Commission & world premiere)
Jackson A. Waters: Defending Greenwood (West Coast premiere)
Hannah Ishizaki: Spin (West Coast premiere)
Dan Dediu: Concerto for Orchestra (U.S premiere)
A genre-expanding program examining power, agency, and the forces that shape contemporary life.
Clarice Assad's Kontrol (Festival Commission, world premiere), featuring violinist Philippe Quint, is a genre-defying work for narrator, projections, violin, and orchestra that interrogates the role of technology in human autonomy.
Defending Greenwood (Movement III: June 1, 1921) (West Coast premiere) by Jackson A. Waters--winner of the 2026 Cabrillo Emerging Black Composers Prize--bears witness to the Tulsa Race Massacre, countering historical erasure through musical testimony and remembrance.
Merging the Viennese waltz with electronic dance music, Hannah Ishizaki's Spin (West Coast premiere), evokes motion, disorientation, and suspended time. As elegant triple-meter gestures collide with pulsing, club-like rhythms, the piece blurs past and present, creating a dizzying soundscape that feels both nostalgic and uncannily immediate.
Dan Dediu's Concerto for Orchestra (U.S. premiere) closes the program with a virtuosic and celebratory showcase of the ensemble, dedicated to Cristian Macelaru in recognition of their long-standing artistic collaboration.
Conducted by Cristian Macelaru
Clarice Assad: Kontrol (Philippe Quint, Violin) (Festival Commission & world premiere)
Jackson A. Waters: Defending Greenwood (West Coast premiere)
Hannah Ishizaki: Spin (West Coast premiere)
Dan Dediu: Concerto for Orchestra (U.S premiere)
A genre-expanding program examining power, agency, and the forces that shape contemporary life.
Clarice Assad's Kontrol (Festival Commission, world premiere), featuring violinist Philippe Quint, is a genre-defying work for narrator, projections, violin, and orchestra that interrogates the role of technology in human autonomy.
Defending Greenwood (Movement III: June 1, 1921) (West Coast premiere) by Jackson A. Waters--winner of the 2026 Cabrillo Emerging Black Composers Prize--bears witness to the Tulsa Race Massacre, countering historical erasure through musical testimony and remembrance.
Merging the Viennese waltz with electronic dance music, Hannah Ishizaki's Spin (West Coast premiere), evokes motion, disorientation, and suspended time. As elegant triple-meter gestures collide with pulsing, club-like rhythms, the piece blurs past and present, creating a dizzying soundscape that feels both nostalgic and uncannily immediate.
Dan Dediu's Concerto for Orchestra (U.S. premiere) closes the program with a virtuosic and celebratory showcase of the ensemble, dedicated to Cristian Macelaru in recognition of their long-standing artistic collaboration.
read more
Clarice Assad: Kontrol (Philippe Quint, Violin) (Festival Commission & world premiere)
Jackson A. Waters: Defending Greenwood (West Coast premiere)
Hannah Ishizaki: Spin (West Coast premiere)
Dan Dediu: Concerto for Orchestra (U.S premiere)
A genre-expanding program examining power, agency, and the forces that shape contemporary life.
Clarice Assad's Kontrol (Festival Commission, world premiere), featuring violinist Philippe Quint, is a genre-defying work for narrator, projections, violin, and orchestra that interrogates the role of technology in human autonomy.
Defending Greenwood (Movement III: June 1, 1921) (West Coast premiere) by Jackson A. Waters--winner of the 2026 Cabrillo Emerging Black Composers Prize--bears witness to the Tulsa Race Massacre, countering historical erasure through musical testimony and remembrance.
Merging the Viennese waltz with electronic dance music, Hannah Ishizaki's Spin (West Coast premiere), evokes motion, disorientation, and suspended time. As elegant triple-meter gestures collide with pulsing, club-like rhythms, the piece blurs past and present, creating a dizzying soundscape that feels both nostalgic and uncannily immediate.
Dan Dediu's Concerto for Orchestra (U.S. premiere) closes the program with a virtuosic and celebratory showcase of the ensemble, dedicated to Cristian Macelaru in recognition of their long-standing artistic collaboration.
show less
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