Carl Stone is one of the pioneers of live computer music and has been hailed by the Village Voice as "the king of sampling." and "one of the best composers living in (the USA) today." He has used computers in live performance since 1986. Stone was born in Los Angeles and now divides his time between Los Angeles and Japan. He studied composition at the California Institute of the Arts with Morton Subotnick and James Tenney and has composed electro-acoustic music almost exclusively since 1972. In addition to his schedule of performance, composition and touring, he is on the faculty of the Department of Media Engineering at Chukyo University in Japan.
Stone has created numerous works, including commissions for The Museum of Contemporary Art, Los Angeles, collaborations with choreographers June Watanabe, Noh master Anshin Uchida, Hiroshi Koike (Pappa Tarahumara), Akira Kasai, Bill T. Jones., filmmakers Pat O' Neil, and musicians Kazuhisa Uchihashi, Stelarc, Z'ev, Tosha Meisho, Otomo Yoshihide, and Min Xiao-Fen. In 2011, the Getty Museum presented a retrospective concert of his work as part of the Pacific Standard Time Festival.
http://rlsto.net/
Amma Ateria is an electroacoustic composer / sound artist born in Hong Kong, based in California. Her work explores coexistence of polarity, psychoacoustics in binaural beats and equal-loudness contour. With immediacy of tension / release, her performances navigate between oppositions, transforming deafening noise into meditative stance. Through cross-modal synesthetic influences from the contemporary moment, notion of externalizing resonances acts in forms of questioning boundaries via sonic spectrum. Her research focuses on objective / subjective perceptions of sound pressure level through velocity simulation. Her compositions developed during concussion recovery utilizes brainwave entrainment, time shifts, and changes of neurological responses to DELTA, THETA, ALPHA, BETA, GAMMA waves as materials and focal point. With memories of condensed cities, she gravitates to frequencies of close-ranged airplanes, polyrhythmic occurrences, out-of-body experiences, sustained harmonics intersected with musique concrète, and distorted speech as lost speech.
Since her studies at Mills College, her work has been performed / presented at SoART Austria, Titanik-Galleria, The Stone NYC, SFEMF, BAMPFA, Exploratorium, Marfa Sounding, CCRMA Stanford University, SF Cinematheque IMAGING THE AVANT GARDE: Taiwan's Experimental Films of the 1960s - YBCA, REEL by Paul Clipson - Minnesota Street Project, Other Minds: Latitudes, Recombinant 'Clouds of Confoundment', Cone Shape Top: Cicada Series, Mak Center / Schindler House, Fort Mason Center for Arts & Culture.
http://ammaateria.com/
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Stone has created numerous works, including commissions for The Museum of Contemporary Art, Los Angeles, collaborations with choreographers June Watanabe, Noh master Anshin Uchida, Hiroshi Koike (Pappa Tarahumara), Akira Kasai, Bill T. Jones., filmmakers Pat O' Neil, and musicians Kazuhisa Uchihashi, Stelarc, Z'ev, Tosha Meisho, Otomo Yoshihide, and Min Xiao-Fen. In 2011, the Getty Museum presented a retrospective concert of his work as part of the Pacific Standard Time Festival.
http://rlsto.net/
Amma Ateria is an electroacoustic composer / sound artist born in Hong Kong, based in California. Her work explores coexistence of polarity, psychoacoustics in binaural beats and equal-loudness contour. With immediacy of tension / release, her performances navigate between oppositions, transforming deafening noise into meditative stance. Through cross-modal synesthetic influences from the contemporary moment, notion of externalizing resonances acts in forms of questioning boundaries via sonic spectrum. Her research focuses on objective / subjective perceptions of sound pressure level through velocity simulation. Her compositions developed during concussion recovery utilizes brainwave entrainment, time shifts, and changes of neurological responses to DELTA, THETA, ALPHA, BETA, GAMMA waves as materials and focal point. With memories of condensed cities, she gravitates to frequencies of close-ranged airplanes, polyrhythmic occurrences, out-of-body experiences, sustained harmonics intersected with musique concrète, and distorted speech as lost speech.
Since her studies at Mills College, her work has been performed / presented at SoART Austria, Titanik-Galleria, The Stone NYC, SFEMF, BAMPFA, Exploratorium, Marfa Sounding, CCRMA Stanford University, SF Cinematheque IMAGING THE AVANT GARDE: Taiwan's Experimental Films of the 1960s - YBCA, REEL by Paul Clipson - Minnesota Street Project, Other Minds: Latitudes, Recombinant 'Clouds of Confoundment', Cone Shape Top: Cicada Series, Mak Center / Schindler House, Fort Mason Center for Arts & Culture.
http://ammaateria.com/
Carl Stone is one of the pioneers of live computer music and has been hailed by the Village Voice as "the king of sampling." and "one of the best composers living in (the USA) today." He has used computers in live performance since 1986. Stone was born in Los Angeles and now divides his time between Los Angeles and Japan. He studied composition at the California Institute of the Arts with Morton Subotnick and James Tenney and has composed electro-acoustic music almost exclusively since 1972. In addition to his schedule of performance, composition and touring, he is on the faculty of the Department of Media Engineering at Chukyo University in Japan.
Stone has created numerous works, including commissions for The Museum of Contemporary Art, Los Angeles, collaborations with choreographers June Watanabe, Noh master Anshin Uchida, Hiroshi Koike (Pappa Tarahumara), Akira Kasai, Bill T. Jones., filmmakers Pat O' Neil, and musicians Kazuhisa Uchihashi, Stelarc, Z'ev, Tosha Meisho, Otomo Yoshihide, and Min Xiao-Fen. In 2011, the Getty Museum presented a retrospective concert of his work as part of the Pacific Standard Time Festival.
http://rlsto.net/
Amma Ateria is an electroacoustic composer / sound artist born in Hong Kong, based in California. Her work explores coexistence of polarity, psychoacoustics in binaural beats and equal-loudness contour. With immediacy of tension / release, her performances navigate between oppositions, transforming deafening noise into meditative stance. Through cross-modal synesthetic influences from the contemporary moment, notion of externalizing resonances acts in forms of questioning boundaries via sonic spectrum. Her research focuses on objective / subjective perceptions of sound pressure level through velocity simulation. Her compositions developed during concussion recovery utilizes brainwave entrainment, time shifts, and changes of neurological responses to DELTA, THETA, ALPHA, BETA, GAMMA waves as materials and focal point. With memories of condensed cities, she gravitates to frequencies of close-ranged airplanes, polyrhythmic occurrences, out-of-body experiences, sustained harmonics intersected with musique concrète, and distorted speech as lost speech.
Since her studies at Mills College, her work has been performed / presented at SoART Austria, Titanik-Galleria, The Stone NYC, SFEMF, BAMPFA, Exploratorium, Marfa Sounding, CCRMA Stanford University, SF Cinematheque IMAGING THE AVANT GARDE: Taiwan's Experimental Films of the 1960s - YBCA, REEL by Paul Clipson - Minnesota Street Project, Other Minds: Latitudes, Recombinant 'Clouds of Confoundment', Cone Shape Top: Cicada Series, Mak Center / Schindler House, Fort Mason Center for Arts & Culture.
http://ammaateria.com/
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Stone has created numerous works, including commissions for The Museum of Contemporary Art, Los Angeles, collaborations with choreographers June Watanabe, Noh master Anshin Uchida, Hiroshi Koike (Pappa Tarahumara), Akira Kasai, Bill T. Jones., filmmakers Pat O' Neil, and musicians Kazuhisa Uchihashi, Stelarc, Z'ev, Tosha Meisho, Otomo Yoshihide, and Min Xiao-Fen. In 2011, the Getty Museum presented a retrospective concert of his work as part of the Pacific Standard Time Festival.
http://rlsto.net/
Amma Ateria is an electroacoustic composer / sound artist born in Hong Kong, based in California. Her work explores coexistence of polarity, psychoacoustics in binaural beats and equal-loudness contour. With immediacy of tension / release, her performances navigate between oppositions, transforming deafening noise into meditative stance. Through cross-modal synesthetic influences from the contemporary moment, notion of externalizing resonances acts in forms of questioning boundaries via sonic spectrum. Her research focuses on objective / subjective perceptions of sound pressure level through velocity simulation. Her compositions developed during concussion recovery utilizes brainwave entrainment, time shifts, and changes of neurological responses to DELTA, THETA, ALPHA, BETA, GAMMA waves as materials and focal point. With memories of condensed cities, she gravitates to frequencies of close-ranged airplanes, polyrhythmic occurrences, out-of-body experiences, sustained harmonics intersected with musique concrète, and distorted speech as lost speech.
Since her studies at Mills College, her work has been performed / presented at SoART Austria, Titanik-Galleria, The Stone NYC, SFEMF, BAMPFA, Exploratorium, Marfa Sounding, CCRMA Stanford University, SF Cinematheque IMAGING THE AVANT GARDE: Taiwan's Experimental Films of the 1960s - YBCA, REEL by Paul Clipson - Minnesota Street Project, Other Minds: Latitudes, Recombinant 'Clouds of Confoundment', Cone Shape Top: Cicada Series, Mak Center / Schindler House, Fort Mason Center for Arts & Culture.
http://ammaateria.com/
show less
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