During this Art Book Club we’ll be reading texts and watching films that explore intersectional feminism in art. Readings will include a diverse mix of short and long form content. Texts include selections from Black Looks by bell hooks, The Politics of Staring by Rosemarie Garland-Thomson, and articles from the January issue of Artforum on Baroque Technopatriarchy. We’ll also be watching films by feminist filmmakers like Maya Deren, Harry Dodge and Valie Export. The syllabus is open to interpretation so we ask that you come with your ideas, recommendations and feedback, and most importantly an open mind.
The Art Book Club is run by Brea Weinreb.
Brea Weinreb is a visual artist and writer who lives and works in Oakland, California. She holds a dual BFA in Art Practice and English from the University of California, Berkeley. Her most recent project involved a collaboration with the Berkeley-Abiquiu Collaborative Archaeology project, where she helped build empirical and artistic maps of the Native American Land Grant in Abiquiu, New Mexico. Brea's work has been published most recently in the Matador Review and Barbed Magazine. She is passionate about intersectionality, queer alliances, and applying anthropological methods to art practice.
$6 goes to snacks!
During this Art Book Club we’ll be reading texts and watching films that explore intersectional feminism in art. Readings will include a diverse mix of short and long form content. Texts include selections from Black Looks by bell hooks, The Politics of Staring by Rosemarie Garland-Thomson, and articles from the January issue of Artforum on Baroque Technopatriarchy. We’ll also be watching films by feminist filmmakers like Maya Deren, Harry Dodge and Valie Export. The syllabus is open to interpretation so we ask that you come with your ideas, recommendations and feedback, and most importantly an open mind.
The Art Book Club is run by Brea Weinreb.
Brea Weinreb is a visual artist and writer who lives and works in Oakland, California. She holds a dual BFA in Art Practice and English from the University of California, Berkeley. Her most recent project involved a collaboration with the Berkeley-Abiquiu Collaborative Archaeology project, where she helped build empirical and artistic maps of the Native American Land Grant in Abiquiu, New Mexico. Brea's work has been published most recently in the Matador Review and Barbed Magazine. She is passionate about intersectionality, queer alliances, and applying anthropological methods to art practice.
$6 goes to snacks!
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