Tue August 16, 2016
Bay City Blues w/ Chris Cain & Special Guest Saxophonist Nancy Wright
SEE EVENT DETAILS
The Bay City Blues is our weekly showcase of world class Blues music and superb instrumental talent. This event is a celebration of the Blues in all its forms and an adventure into the depth of a national genre. Hosted by the nationally recognized Chris Cain & his All-Star cast of Musicians, every week they invite a new special guest to accompany them on stage and present new, upcoming, & old talent from the blues world! Bay City Blues is our tribute and exploration into the Blues genre, it is a special event in which we all get to help, share, & “Preserve the Blues."
About Nancy Wright:
Well-established as a top Blues sax sideman for more than 30 years, Nancy Wright released a new blues/roots CD in early 2015, adding vocal and songwriting dimensions to her artistry. “Putting Down Roots” consists of twelve blues/roots originals (six instrumentals and six vocals) spanning blues, R&B, New Orleans, funk, and gospel styles.
After relocating to San Francisco, Wright spent the next two decades touring North America, Europe, and Asia with such artists as Lonnie Mack, Elvin Bishop; Commander Cody; New Orleans legends Johnny Adams and Earl King; Joe Louis Walker; Maria Muldaur; and Greg “Fingers” Taylor (accompanied by Debbie Davie and Janiva Magnus, opening for Jimmy Buffet’s top-grossing summer amphitheatre Outpost Tour). Wright recorded with B.B. King, Katie Webster, Elvin Bishop, Joe Louis Walker, Little Charlie and the Nitecats, Mark Hummel and many others in the 80’s and early 90’s, and chose to stop touring in the mid-1990’s. During this period, she also performed with many top blues artists including Robert Cray, Bonnie Raitt, Pinetop Perkins, Hubert Sumlin, Lowell Fulsom, Son Seals, and Ike Turner. “I have been blessed to play with and learn from so many wonderful musicians,” says Wright.
About Chris Cain:
Chris Cain's jazz-tinged, blues soaked guitar and deep, warm vocals have the maturity and authenticity of bluesmen many years his senior. His expressive style is the result of a lifetime of study and the relentless pursuit of music mastery. His passion and intensity are a blend of his mother's Greek ancestry and his father's soulful black heritage.
Cain was raised on stories of his father’s childhood upbringing on Memphis’ Historic Beale Street and attended his first B.B King concert at the tender age of three. Blues music played continuously on the home stereo and family outings were often trips to concerts. Cain recalls, “I remember when I was a kid, my Dad would be mowing the lawn with the stereo blasting Muddy Waters. When I look back, that was pretty cool! There was always music playing at our house, Ray Charles, B.B. King, Freddie King, Albert King, all the greats.”
Larry Nager (syndicated Scripts-Howard music critic) writes, “Nowadays most young blues players are Strat-wielding Stevie Ray Vaughan-a-bes. Not Chris Cain. With a voice that recalls B.B. King and a thick toned Gibson guitar sound reminiscent of Albert King, Cain is forging a unique style. With his own highly personalized songwriting, “Hall Of Shame” is a giant step in the development of one of the most compelling young bluesmen on today’s scene.”
Through his guitar mastery and remarkable songwriting ability, Chris Cain has established himself as a musical force to be reckoned with. And as San Jose Mercury News music reviewer John Orr writes, “more than anyone else, anywhere, Chris Cain represents the future of the blues.”
show less
About Nancy Wright:
Well-established as a top Blues sax sideman for more than 30 years, Nancy Wright released a new blues/roots CD in early 2015, adding vocal and songwriting dimensions to her artistry. “Putting Down Roots” consists of twelve blues/roots originals (six instrumentals and six vocals) spanning blues, R&B, New Orleans, funk, and gospel styles.
After relocating to San Francisco, Wright spent the next two decades touring North America, Europe, and Asia with such artists as Lonnie Mack, Elvin Bishop; Commander Cody; New Orleans legends Johnny Adams and Earl King; Joe Louis Walker; Maria Muldaur; and Greg “Fingers” Taylor (accompanied by Debbie Davie and Janiva Magnus, opening for Jimmy Buffet’s top-grossing summer amphitheatre Outpost Tour). Wright recorded with B.B. King, Katie Webster, Elvin Bishop, Joe Louis Walker, Little Charlie and the Nitecats, Mark Hummel and many others in the 80’s and early 90’s, and chose to stop touring in the mid-1990’s. During this period, she also performed with many top blues artists including Robert Cray, Bonnie Raitt, Pinetop Perkins, Hubert Sumlin, Lowell Fulsom, Son Seals, and Ike Turner. “I have been blessed to play with and learn from so many wonderful musicians,” says Wright.
About Chris Cain:
Chris Cain's jazz-tinged, blues soaked guitar and deep, warm vocals have the maturity and authenticity of bluesmen many years his senior. His expressive style is the result of a lifetime of study and the relentless pursuit of music mastery. His passion and intensity are a blend of his mother's Greek ancestry and his father's soulful black heritage.
Cain was raised on stories of his father’s childhood upbringing on Memphis’ Historic Beale Street and attended his first B.B King concert at the tender age of three. Blues music played continuously on the home stereo and family outings were often trips to concerts. Cain recalls, “I remember when I was a kid, my Dad would be mowing the lawn with the stereo blasting Muddy Waters. When I look back, that was pretty cool! There was always music playing at our house, Ray Charles, B.B. King, Freddie King, Albert King, all the greats.”
Larry Nager (syndicated Scripts-Howard music critic) writes, “Nowadays most young blues players are Strat-wielding Stevie Ray Vaughan-a-bes. Not Chris Cain. With a voice that recalls B.B. King and a thick toned Gibson guitar sound reminiscent of Albert King, Cain is forging a unique style. With his own highly personalized songwriting, “Hall Of Shame” is a giant step in the development of one of the most compelling young bluesmen on today’s scene.”
Through his guitar mastery and remarkable songwriting ability, Chris Cain has established himself as a musical force to be reckoned with. And as San Jose Mercury News music reviewer John Orr writes, “more than anyone else, anywhere, Chris Cain represents the future of the blues.”
The Bay City Blues is our weekly showcase of world class Blues music and superb instrumental talent. This event is a celebration of the Blues in all its forms and an adventure into the depth of a national genre. Hosted by the nationally recognized Chris Cain & his All-Star cast of Musicians, every week they invite a new special guest to accompany them on stage and present new, upcoming, & old talent from the blues world! Bay City Blues is our tribute and exploration into the Blues genre, it is a special event in which we all get to help, share, & “Preserve the Blues."
About Nancy Wright:
Well-established as a top Blues sax sideman for more than 30 years, Nancy Wright released a new blues/roots CD in early 2015, adding vocal and songwriting dimensions to her artistry. “Putting Down Roots” consists of twelve blues/roots originals (six instrumentals and six vocals) spanning blues, R&B, New Orleans, funk, and gospel styles.
After relocating to San Francisco, Wright spent the next two decades touring North America, Europe, and Asia with such artists as Lonnie Mack, Elvin Bishop; Commander Cody; New Orleans legends Johnny Adams and Earl King; Joe Louis Walker; Maria Muldaur; and Greg “Fingers” Taylor (accompanied by Debbie Davie and Janiva Magnus, opening for Jimmy Buffet’s top-grossing summer amphitheatre Outpost Tour). Wright recorded with B.B. King, Katie Webster, Elvin Bishop, Joe Louis Walker, Little Charlie and the Nitecats, Mark Hummel and many others in the 80’s and early 90’s, and chose to stop touring in the mid-1990’s. During this period, she also performed with many top blues artists including Robert Cray, Bonnie Raitt, Pinetop Perkins, Hubert Sumlin, Lowell Fulsom, Son Seals, and Ike Turner. “I have been blessed to play with and learn from so many wonderful musicians,” says Wright.
About Chris Cain:
Chris Cain's jazz-tinged, blues soaked guitar and deep, warm vocals have the maturity and authenticity of bluesmen many years his senior. His expressive style is the result of a lifetime of study and the relentless pursuit of music mastery. His passion and intensity are a blend of his mother's Greek ancestry and his father's soulful black heritage.
Cain was raised on stories of his father’s childhood upbringing on Memphis’ Historic Beale Street and attended his first B.B King concert at the tender age of three. Blues music played continuously on the home stereo and family outings were often trips to concerts. Cain recalls, “I remember when I was a kid, my Dad would be mowing the lawn with the stereo blasting Muddy Waters. When I look back, that was pretty cool! There was always music playing at our house, Ray Charles, B.B. King, Freddie King, Albert King, all the greats.”
Larry Nager (syndicated Scripts-Howard music critic) writes, “Nowadays most young blues players are Strat-wielding Stevie Ray Vaughan-a-bes. Not Chris Cain. With a voice that recalls B.B. King and a thick toned Gibson guitar sound reminiscent of Albert King, Cain is forging a unique style. With his own highly personalized songwriting, “Hall Of Shame” is a giant step in the development of one of the most compelling young bluesmen on today’s scene.”
Through his guitar mastery and remarkable songwriting ability, Chris Cain has established himself as a musical force to be reckoned with. And as San Jose Mercury News music reviewer John Orr writes, “more than anyone else, anywhere, Chris Cain represents the future of the blues.”
read more
About Nancy Wright:
Well-established as a top Blues sax sideman for more than 30 years, Nancy Wright released a new blues/roots CD in early 2015, adding vocal and songwriting dimensions to her artistry. “Putting Down Roots” consists of twelve blues/roots originals (six instrumentals and six vocals) spanning blues, R&B, New Orleans, funk, and gospel styles.
After relocating to San Francisco, Wright spent the next two decades touring North America, Europe, and Asia with such artists as Lonnie Mack, Elvin Bishop; Commander Cody; New Orleans legends Johnny Adams and Earl King; Joe Louis Walker; Maria Muldaur; and Greg “Fingers” Taylor (accompanied by Debbie Davie and Janiva Magnus, opening for Jimmy Buffet’s top-grossing summer amphitheatre Outpost Tour). Wright recorded with B.B. King, Katie Webster, Elvin Bishop, Joe Louis Walker, Little Charlie and the Nitecats, Mark Hummel and many others in the 80’s and early 90’s, and chose to stop touring in the mid-1990’s. During this period, she also performed with many top blues artists including Robert Cray, Bonnie Raitt, Pinetop Perkins, Hubert Sumlin, Lowell Fulsom, Son Seals, and Ike Turner. “I have been blessed to play with and learn from so many wonderful musicians,” says Wright.
About Chris Cain:
Chris Cain's jazz-tinged, blues soaked guitar and deep, warm vocals have the maturity and authenticity of bluesmen many years his senior. His expressive style is the result of a lifetime of study and the relentless pursuit of music mastery. His passion and intensity are a blend of his mother's Greek ancestry and his father's soulful black heritage.
Cain was raised on stories of his father’s childhood upbringing on Memphis’ Historic Beale Street and attended his first B.B King concert at the tender age of three. Blues music played continuously on the home stereo and family outings were often trips to concerts. Cain recalls, “I remember when I was a kid, my Dad would be mowing the lawn with the stereo blasting Muddy Waters. When I look back, that was pretty cool! There was always music playing at our house, Ray Charles, B.B. King, Freddie King, Albert King, all the greats.”
Larry Nager (syndicated Scripts-Howard music critic) writes, “Nowadays most young blues players are Strat-wielding Stevie Ray Vaughan-a-bes. Not Chris Cain. With a voice that recalls B.B. King and a thick toned Gibson guitar sound reminiscent of Albert King, Cain is forging a unique style. With his own highly personalized songwriting, “Hall Of Shame” is a giant step in the development of one of the most compelling young bluesmen on today’s scene.”
Through his guitar mastery and remarkable songwriting ability, Chris Cain has established himself as a musical force to be reckoned with. And as San Jose Mercury News music reviewer John Orr writes, “more than anyone else, anywhere, Chris Cain represents the future of the blues.”
show less
Date/Times:
401 Mason Street, San Francisco, CA 94102
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