The Bay City Blues is our weekly showcase of world class Blues music and superb instrumental talent. This event is a celebration of the Blues in all its forms and an adventure into the depth of a national genre. Hosted by the nationally recognized Chris Cain & his All-Star cast of Musicians, every week they invite a new special guest to accompany them on stage and present new, upcoming, & old talent from the blues world! Bay City Blues is our tribute and exploration into the Blues genre, it is a special event in which we all get to help, share, & Preserve the Blues."
About Kid Andersen:
Chris Kid Andersen was born in Telemark, Norway in 1980. A blues fan since childhood, Andersen fell in love with the music of Otis Rush, Buddy Guy, Junior Watson, and the Kings (B.B., Albert and Freddie). By the time he was 18, he was backing all the American blues stars who came through Norway, including Homesick James, Nappy Brown and Willie Big Eyes Smith. He moved to California at age 21, eventually earning himself a green card as an Alien of Extraordinary Ability. Andersen released four solo albums before joining blues harmonica legend Charlie Musselwhites band in 2004, a gig that lasted until he joined Rick Estrin & The Nightcats. Kid Andersen is known as the guitarist for Rick Estrin & The Nightcats with 3 BMA Nominations for Guitarist of the Year. The virtuoso also is the man behind Greaseland Studios, THE hub for authentic Blues Music in the Bay Area. Kid is bringing some of his favorite collaborators to Biscuits and Blues.
About Chris Cain:
Chris Cain's jazz-tinged, blues soaked guitar and deep, warm vocals have the maturity and authenticity of bluesmen many years his senior. His expressive style is the result of a lifetime of study and the relentless pursuit of music mastery. His passion and intensity are a blend of his mother's Greek ancestry and his father's soulful black heritage.
Larry Nager (syndicated Scripts-Howard music critic) writes, Nowadays most young blues players are Strat-wielding Stevie Ray Vaughan-a-bes. Not Chris Cain. With a voice that recalls B.B. King and a thick toned Gibson guitar sound reminiscent of Albert King, Cain is forging a unique style. With his own highly personalized songwriting, Hall Of Shame is a giant step in the development of one of the most compelling young bluesmen on todays scene.
Through his guitar mastery and remarkable songwriting ability, Chris Cain has established himself as a musical force to be reckoned with. And as San Jose Mercury News music reviewer John Orr writes, more than anyone else, anywhere, Chris Cain represents the future of the blues.