Indian-born, San Jose-based Aki Kumar, aka “The Only Bombay Blues Man,” left his home in Mumbai with the intention of working as a software engineer in Silicon Valley. Then he discovered the blues, and his life dramatically changed. Singing and playing harmonica, he steeped himself in the music and became a fixture in blues clubs throughout Northern California,where he developed an unique, audacious blend of Chicago-style blues which then led to playing retro Bollywood pop mixed with the blues.
When he began performing, Kumar initially attempted to downplay his ethnicity and perform straight, Chicago-style blues. “I wanted to make a statement that I was a traditional blues man, so I wanted to be playing blues and have nobody even wonder where I came from.” His attitude soon changed, and with his Little Village Foundation debut, Aki Goes to Bollywood, he began integrating elements of Indian music into his musical and visual presentation, making for a multi-cultural mash-up that sounds like no one else, yet never loses touch with its blues foundation. That unique blend of East and West reaches a new creative plateau on Aki’s second Little Village Foundation album, Hindi Man Blues, which boasts Aki’s most ambitious cross-cultural fusion to date, and features liner notes by veteran blues great Charlie Musselwhite.
“My first album was really about my identity,” the artist states. “Now I feel it is time to be more direct about what’s happening out there in the world. The blues scene is my home, and the scene can be pretty conservative, but I want people to know where I stand. There’s a good amount of focus on Bollywood classics on the new album, and I even throw in a song about President Trump called ‘All Bark No Bite.’ The production and arrangements are tighter this time around. ‘Yoh Surmayi Shaam’ has lyrics that my mom wrote and sings, she turned 75 this year and it’s a really nice way to represent her musical contribution to my life. We also do a version of Herbie Hancock’s ‘Watermelon Man.’
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When he began performing, Kumar initially attempted to downplay his ethnicity and perform straight, Chicago-style blues. “I wanted to make a statement that I was a traditional blues man, so I wanted to be playing blues and have nobody even wonder where I came from.” His attitude soon changed, and with his Little Village Foundation debut, Aki Goes to Bollywood, he began integrating elements of Indian music into his musical and visual presentation, making for a multi-cultural mash-up that sounds like no one else, yet never loses touch with its blues foundation. That unique blend of East and West reaches a new creative plateau on Aki’s second Little Village Foundation album, Hindi Man Blues, which boasts Aki’s most ambitious cross-cultural fusion to date, and features liner notes by veteran blues great Charlie Musselwhite.
“My first album was really about my identity,” the artist states. “Now I feel it is time to be more direct about what’s happening out there in the world. The blues scene is my home, and the scene can be pretty conservative, but I want people to know where I stand. There’s a good amount of focus on Bollywood classics on the new album, and I even throw in a song about President Trump called ‘All Bark No Bite.’ The production and arrangements are tighter this time around. ‘Yoh Surmayi Shaam’ has lyrics that my mom wrote and sings, she turned 75 this year and it’s a really nice way to represent her musical contribution to my life. We also do a version of Herbie Hancock’s ‘Watermelon Man.’
Indian-born, San Jose-based Aki Kumar, aka “The Only Bombay Blues Man,” left his home in Mumbai with the intention of working as a software engineer in Silicon Valley. Then he discovered the blues, and his life dramatically changed. Singing and playing harmonica, he steeped himself in the music and became a fixture in blues clubs throughout Northern California,where he developed an unique, audacious blend of Chicago-style blues which then led to playing retro Bollywood pop mixed with the blues.
When he began performing, Kumar initially attempted to downplay his ethnicity and perform straight, Chicago-style blues. “I wanted to make a statement that I was a traditional blues man, so I wanted to be playing blues and have nobody even wonder where I came from.” His attitude soon changed, and with his Little Village Foundation debut, Aki Goes to Bollywood, he began integrating elements of Indian music into his musical and visual presentation, making for a multi-cultural mash-up that sounds like no one else, yet never loses touch with its blues foundation. That unique blend of East and West reaches a new creative plateau on Aki’s second Little Village Foundation album, Hindi Man Blues, which boasts Aki’s most ambitious cross-cultural fusion to date, and features liner notes by veteran blues great Charlie Musselwhite.
“My first album was really about my identity,” the artist states. “Now I feel it is time to be more direct about what’s happening out there in the world. The blues scene is my home, and the scene can be pretty conservative, but I want people to know where I stand. There’s a good amount of focus on Bollywood classics on the new album, and I even throw in a song about President Trump called ‘All Bark No Bite.’ The production and arrangements are tighter this time around. ‘Yoh Surmayi Shaam’ has lyrics that my mom wrote and sings, she turned 75 this year and it’s a really nice way to represent her musical contribution to my life. We also do a version of Herbie Hancock’s ‘Watermelon Man.’
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When he began performing, Kumar initially attempted to downplay his ethnicity and perform straight, Chicago-style blues. “I wanted to make a statement that I was a traditional blues man, so I wanted to be playing blues and have nobody even wonder where I came from.” His attitude soon changed, and with his Little Village Foundation debut, Aki Goes to Bollywood, he began integrating elements of Indian music into his musical and visual presentation, making for a multi-cultural mash-up that sounds like no one else, yet never loses touch with its blues foundation. That unique blend of East and West reaches a new creative plateau on Aki’s second Little Village Foundation album, Hindi Man Blues, which boasts Aki’s most ambitious cross-cultural fusion to date, and features liner notes by veteran blues great Charlie Musselwhite.
“My first album was really about my identity,” the artist states. “Now I feel it is time to be more direct about what’s happening out there in the world. The blues scene is my home, and the scene can be pretty conservative, but I want people to know where I stand. There’s a good amount of focus on Bollywood classics on the new album, and I even throw in a song about President Trump called ‘All Bark No Bite.’ The production and arrangements are tighter this time around. ‘Yoh Surmayi Shaam’ has lyrics that my mom wrote and sings, she turned 75 this year and it’s a really nice way to represent her musical contribution to my life. We also do a version of Herbie Hancock’s ‘Watermelon Man.’
show less
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401 Mason Street, San Francisco, CA 94102
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