The Platform Sutra of the Sixth Ancestor is a pivotal work in the history and development of Ch’an (Zen) Buddhism in China. It is probably the only work in the Chinese scriptural canon that is not allegedly spoken by Buddha himself, and yet is accorded the status of a sutra, or a direct revelation of the Buddha Word.
The text emerges from the murky background of history trailing the cobwebs of political, social, economic and aesthetic currents that are the results of all human interaction. While this of itself can make for interesting attempts to unearth the “real truth” of the text’s initial, spiritual inspiration, our purpose will be: to look at the text in light of how the Platform Sutra came to acquire its high status as the ultimate expression of Ch’an/Zen’s very ethos, or the face it chooses to present to the world; and
to discover as modern practitioners how our own practice of the Buddha Way issues from an unbroken lineage extending all the way from Buddha’s time to our own.
Myo Denis Lahey is the Abbot at Issan-ji (Hartford Street Zen Center) as well as Practice Leader at Valley Streams Zen Sangha in Sacramento, California, and has previously served as head of practice (Tanto) at Tassajara Zen Mountain Center. A Dharma heir of Tenshin Reb Anderson, he serves as Treasurer for the Soto Zen Buddhist Association of North America (SZBA) and is a member of the Association for Soto Zen Buddhism of Japan (ASZB). Raised in an observant Roman Catholic home, Myo was drawn to religion and spirituality at an early age and found Zen Buddhism in his teens. He began sitting in 1969 and practiced with many San Francisco Zen Center practitioners and teachers, including Dainin Katigiri-roshi, Kobun Chino-sensei, Yoshimura-sensei, and Issan Dorsey. Myo studied Sanskrit at UC Berkeley for ten years.
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The text emerges from the murky background of history trailing the cobwebs of political, social, economic and aesthetic currents that are the results of all human interaction. While this of itself can make for interesting attempts to unearth the “real truth” of the text’s initial, spiritual inspiration, our purpose will be: to look at the text in light of how the Platform Sutra came to acquire its high status as the ultimate expression of Ch’an/Zen’s very ethos, or the face it chooses to present to the world; and
to discover as modern practitioners how our own practice of the Buddha Way issues from an unbroken lineage extending all the way from Buddha’s time to our own.
Myo Denis Lahey is the Abbot at Issan-ji (Hartford Street Zen Center) as well as Practice Leader at Valley Streams Zen Sangha in Sacramento, California, and has previously served as head of practice (Tanto) at Tassajara Zen Mountain Center. A Dharma heir of Tenshin Reb Anderson, he serves as Treasurer for the Soto Zen Buddhist Association of North America (SZBA) and is a member of the Association for Soto Zen Buddhism of Japan (ASZB). Raised in an observant Roman Catholic home, Myo was drawn to religion and spirituality at an early age and found Zen Buddhism in his teens. He began sitting in 1969 and practiced with many San Francisco Zen Center practitioners and teachers, including Dainin Katigiri-roshi, Kobun Chino-sensei, Yoshimura-sensei, and Issan Dorsey. Myo studied Sanskrit at UC Berkeley for ten years.
The Platform Sutra of the Sixth Ancestor is a pivotal work in the history and development of Ch’an (Zen) Buddhism in China. It is probably the only work in the Chinese scriptural canon that is not allegedly spoken by Buddha himself, and yet is accorded the status of a sutra, or a direct revelation of the Buddha Word.
The text emerges from the murky background of history trailing the cobwebs of political, social, economic and aesthetic currents that are the results of all human interaction. While this of itself can make for interesting attempts to unearth the “real truth” of the text’s initial, spiritual inspiration, our purpose will be: to look at the text in light of how the Platform Sutra came to acquire its high status as the ultimate expression of Ch’an/Zen’s very ethos, or the face it chooses to present to the world; and
to discover as modern practitioners how our own practice of the Buddha Way issues from an unbroken lineage extending all the way from Buddha’s time to our own.
Myo Denis Lahey is the Abbot at Issan-ji (Hartford Street Zen Center) as well as Practice Leader at Valley Streams Zen Sangha in Sacramento, California, and has previously served as head of practice (Tanto) at Tassajara Zen Mountain Center. A Dharma heir of Tenshin Reb Anderson, he serves as Treasurer for the Soto Zen Buddhist Association of North America (SZBA) and is a member of the Association for Soto Zen Buddhism of Japan (ASZB). Raised in an observant Roman Catholic home, Myo was drawn to religion and spirituality at an early age and found Zen Buddhism in his teens. He began sitting in 1969 and practiced with many San Francisco Zen Center practitioners and teachers, including Dainin Katigiri-roshi, Kobun Chino-sensei, Yoshimura-sensei, and Issan Dorsey. Myo studied Sanskrit at UC Berkeley for ten years.
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The text emerges from the murky background of history trailing the cobwebs of political, social, economic and aesthetic currents that are the results of all human interaction. While this of itself can make for interesting attempts to unearth the “real truth” of the text’s initial, spiritual inspiration, our purpose will be: to look at the text in light of how the Platform Sutra came to acquire its high status as the ultimate expression of Ch’an/Zen’s very ethos, or the face it chooses to present to the world; and
to discover as modern practitioners how our own practice of the Buddha Way issues from an unbroken lineage extending all the way from Buddha’s time to our own.
Myo Denis Lahey is the Abbot at Issan-ji (Hartford Street Zen Center) as well as Practice Leader at Valley Streams Zen Sangha in Sacramento, California, and has previously served as head of practice (Tanto) at Tassajara Zen Mountain Center. A Dharma heir of Tenshin Reb Anderson, he serves as Treasurer for the Soto Zen Buddhist Association of North America (SZBA) and is a member of the Association for Soto Zen Buddhism of Japan (ASZB). Raised in an observant Roman Catholic home, Myo was drawn to religion and spirituality at an early age and found Zen Buddhism in his teens. He began sitting in 1969 and practiced with many San Francisco Zen Center practitioners and teachers, including Dainin Katigiri-roshi, Kobun Chino-sensei, Yoshimura-sensei, and Issan Dorsey. Myo studied Sanskrit at UC Berkeley for ten years.
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