Sun March 9, 2014
The Hero, Satyajit Ray (India, 1965)
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at Pacific Film Archive (PFA) Theater
(see times)
Restored Print!
(Nayak). A sharp-witted, serious young journalist finds herself stuck on a train with a movie superstar in Ray’s surprising examination of “intellectual” and “popular” cultures. Collisions are expected when the bespectacled intellectual (Sharmila Tagore) and the blustery movie star (Uttam Kumar, himself a Bengali matinee idol) wind up sharing tales and time on the train together, but soon the star finds himself revealing a surprising intelligence and self-doubt, as well as secrets from the past. And for the journalist, what begins as the hope of a star exposé turns into the glimpse of one man’s failures and dreams, as well as cinema’s (and fame’s) capability to destroy itself. Many believed the intellectual Ray was anticommercial or antipopular cinema, but The Hero offers a perceptive, empathetic look at that world’s dreams, hopes, and artistic dilemmas. Critic Albert Johnson described it best: it is “a realistic film about the unreality of dreams.”
—Jason Sanders
• Written by Ray. Photographed by Subrata Mitra. With Uttam Kumar, Sharmila Tagore. (122 mins, In Bengali with English subtitles, Color, 35mm, Restored by the Satyajit Ray Preservation Project at the Academy Film Archive, From the Academy Film Archive, permission Janus Films/Criterion Collection)
show less
(Nayak). A sharp-witted, serious young journalist finds herself stuck on a train with a movie superstar in Ray’s surprising examination of “intellectual” and “popular” cultures. Collisions are expected when the bespectacled intellectual (Sharmila Tagore) and the blustery movie star (Uttam Kumar, himself a Bengali matinee idol) wind up sharing tales and time on the train together, but soon the star finds himself revealing a surprising intelligence and self-doubt, as well as secrets from the past. And for the journalist, what begins as the hope of a star exposé turns into the glimpse of one man’s failures and dreams, as well as cinema’s (and fame’s) capability to destroy itself. Many believed the intellectual Ray was anticommercial or antipopular cinema, but The Hero offers a perceptive, empathetic look at that world’s dreams, hopes, and artistic dilemmas. Critic Albert Johnson described it best: it is “a realistic film about the unreality of dreams.”
—Jason Sanders
• Written by Ray. Photographed by Subrata Mitra. With Uttam Kumar, Sharmila Tagore. (122 mins, In Bengali with English subtitles, Color, 35mm, Restored by the Satyajit Ray Preservation Project at the Academy Film Archive, From the Academy Film Archive, permission Janus Films/Criterion Collection)
Restored Print!
(Nayak). A sharp-witted, serious young journalist finds herself stuck on a train with a movie superstar in Ray’s surprising examination of “intellectual” and “popular” cultures. Collisions are expected when the bespectacled intellectual (Sharmila Tagore) and the blustery movie star (Uttam Kumar, himself a Bengali matinee idol) wind up sharing tales and time on the train together, but soon the star finds himself revealing a surprising intelligence and self-doubt, as well as secrets from the past. And for the journalist, what begins as the hope of a star exposé turns into the glimpse of one man’s failures and dreams, as well as cinema’s (and fame’s) capability to destroy itself. Many believed the intellectual Ray was anticommercial or antipopular cinema, but The Hero offers a perceptive, empathetic look at that world’s dreams, hopes, and artistic dilemmas. Critic Albert Johnson described it best: it is “a realistic film about the unreality of dreams.”
—Jason Sanders
• Written by Ray. Photographed by Subrata Mitra. With Uttam Kumar, Sharmila Tagore. (122 mins, In Bengali with English subtitles, Color, 35mm, Restored by the Satyajit Ray Preservation Project at the Academy Film Archive, From the Academy Film Archive, permission Janus Films/Criterion Collection)
read more
(Nayak). A sharp-witted, serious young journalist finds herself stuck on a train with a movie superstar in Ray’s surprising examination of “intellectual” and “popular” cultures. Collisions are expected when the bespectacled intellectual (Sharmila Tagore) and the blustery movie star (Uttam Kumar, himself a Bengali matinee idol) wind up sharing tales and time on the train together, but soon the star finds himself revealing a surprising intelligence and self-doubt, as well as secrets from the past. And for the journalist, what begins as the hope of a star exposé turns into the glimpse of one man’s failures and dreams, as well as cinema’s (and fame’s) capability to destroy itself. Many believed the intellectual Ray was anticommercial or antipopular cinema, but The Hero offers a perceptive, empathetic look at that world’s dreams, hopes, and artistic dilemmas. Critic Albert Johnson described it best: it is “a realistic film about the unreality of dreams.”
—Jason Sanders
• Written by Ray. Photographed by Subrata Mitra. With Uttam Kumar, Sharmila Tagore. (122 mins, In Bengali with English subtitles, Color, 35mm, Restored by the Satyajit Ray Preservation Project at the Academy Film Archive, From the Academy Film Archive, permission Janus Films/Criterion Collection)
show less
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Pacific Film Archive (PFA) Theater
2575 Bancroft Way, Berkeley, CA 94720
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