Sat February 15, 2014
The Big City, Satyajit Ray (India, 1963)
SEE EVENT DETAILS
at Pacific Film Archive (PFA) Theater
(see times)
35mm Restored Print!
(Mahanagar). Ray sets his ironic and humorous eye on the plight of the Bengali middle class, caught amid the changing moralities of city life. The cultural crossfire is internalized in each individual. Focusing in particular on the role of women in this metamorphosis, Ray tells a story that is both minutely particular to Calcutta and universally recognizable. Madhabi Mukherjee gives a beautifully unfolding performance as the timorous housewife who finds her strength when she takes a job—selling knitting machines door to door—in order to help support her family and her husband's extended family, all of whom resist the move. "Few directors can match Ray's facility for observation or his perceptiveness in registering those tiny moments of conflict when a casual nuance can drop like a bomb" (David Wilson, Monthly Film Bulletin).
• Written by Ray, based on a story by Narendra Nath Mitra. Photographed by Subrata Mitra. With Anil Chatterjee, Madhabi Mukherjee, Haradhan Banerjee, Vicky Redwood. (135 mins, In Bengali with English subtitles, B&W, 35mm, Restored by the Satyajit Ray Preservation Project through a collaboration of the Academy Film Archive, the Merchant-Ivory Foundation, and the Film Foundation, From the Academy Film Archive, permission Janus Films/Criterion Pictures)
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(Mahanagar). Ray sets his ironic and humorous eye on the plight of the Bengali middle class, caught amid the changing moralities of city life. The cultural crossfire is internalized in each individual. Focusing in particular on the role of women in this metamorphosis, Ray tells a story that is both minutely particular to Calcutta and universally recognizable. Madhabi Mukherjee gives a beautifully unfolding performance as the timorous housewife who finds her strength when she takes a job—selling knitting machines door to door—in order to help support her family and her husband's extended family, all of whom resist the move. "Few directors can match Ray's facility for observation or his perceptiveness in registering those tiny moments of conflict when a casual nuance can drop like a bomb" (David Wilson, Monthly Film Bulletin).
• Written by Ray, based on a story by Narendra Nath Mitra. Photographed by Subrata Mitra. With Anil Chatterjee, Madhabi Mukherjee, Haradhan Banerjee, Vicky Redwood. (135 mins, In Bengali with English subtitles, B&W, 35mm, Restored by the Satyajit Ray Preservation Project through a collaboration of the Academy Film Archive, the Merchant-Ivory Foundation, and the Film Foundation, From the Academy Film Archive, permission Janus Films/Criterion Pictures)
35mm Restored Print!
(Mahanagar). Ray sets his ironic and humorous eye on the plight of the Bengali middle class, caught amid the changing moralities of city life. The cultural crossfire is internalized in each individual. Focusing in particular on the role of women in this metamorphosis, Ray tells a story that is both minutely particular to Calcutta and universally recognizable. Madhabi Mukherjee gives a beautifully unfolding performance as the timorous housewife who finds her strength when she takes a job—selling knitting machines door to door—in order to help support her family and her husband's extended family, all of whom resist the move. "Few directors can match Ray's facility for observation or his perceptiveness in registering those tiny moments of conflict when a casual nuance can drop like a bomb" (David Wilson, Monthly Film Bulletin).
• Written by Ray, based on a story by Narendra Nath Mitra. Photographed by Subrata Mitra. With Anil Chatterjee, Madhabi Mukherjee, Haradhan Banerjee, Vicky Redwood. (135 mins, In Bengali with English subtitles, B&W, 35mm, Restored by the Satyajit Ray Preservation Project through a collaboration of the Academy Film Archive, the Merchant-Ivory Foundation, and the Film Foundation, From the Academy Film Archive, permission Janus Films/Criterion Pictures)
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(Mahanagar). Ray sets his ironic and humorous eye on the plight of the Bengali middle class, caught amid the changing moralities of city life. The cultural crossfire is internalized in each individual. Focusing in particular on the role of women in this metamorphosis, Ray tells a story that is both minutely particular to Calcutta and universally recognizable. Madhabi Mukherjee gives a beautifully unfolding performance as the timorous housewife who finds her strength when she takes a job—selling knitting machines door to door—in order to help support her family and her husband's extended family, all of whom resist the move. "Few directors can match Ray's facility for observation or his perceptiveness in registering those tiny moments of conflict when a casual nuance can drop like a bomb" (David Wilson, Monthly Film Bulletin).
• Written by Ray, based on a story by Narendra Nath Mitra. Photographed by Subrata Mitra. With Anil Chatterjee, Madhabi Mukherjee, Haradhan Banerjee, Vicky Redwood. (135 mins, In Bengali with English subtitles, B&W, 35mm, Restored by the Satyajit Ray Preservation Project through a collaboration of the Academy Film Archive, the Merchant-Ivory Foundation, and the Film Foundation, From the Academy Film Archive, permission Janus Films/Criterion Pictures)
show less
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Pacific Film Archive (PFA) Theater
2575 Bancroft Way, Berkeley, CA 94720
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