Ted Hearne and Saul Williams' Place
West Coast Premiere
Co-created with Patricia McGregor
Ted Hearne, composer
Saul Williams, librettist
Patricia McGregor, director
Sanford Biggers and Tim Brown, scenic designers
"Gentrification is a generational conversation that has gone by many names. We should not discuss what brings you back to the city without acknowledging why you left."
--Saul Williams, from the libretto of Place
How does a white millennial man create a work that explores the topographies of gentrification and displacement? Engaging the mind of poet Saul Williams, composer Ted Hearne confronts this issue head-on in Place, a fiery yet thoughtful oratorio created in collaboration with director Patricia McGregor.
The fully staged, evening-length work--seen here in its West Coast premiere--features six vocalists and an 18-member ensemble that blends the energy of R&B, rock, and electronic music with acoustic orchestral sonorities. A true dialogue, the first part of the libretto is a collage of Hearne's own autobiographical reflections, which are placed in conversation with--and overtly challenged by--Williams' trenchant text in the second half, which addresses displacement through the lens of settler colonialism, police violence, and Afrofuturism.
The cast recording of the work received two Grammy nominations this year. "Place takes shape in songs that emerge like a graffiti mural as repetitive gestures gradually bloom into vibrant, brash statements in high-volume color.... It always felt as if Mr. Hearne was questioning his own comfort and--in the final moment--his power" (The New York Times).
show less
West Coast Premiere
Co-created with Patricia McGregor
Ted Hearne, composer
Saul Williams, librettist
Patricia McGregor, director
Sanford Biggers and Tim Brown, scenic designers
"Gentrification is a generational conversation that has gone by many names. We should not discuss what brings you back to the city without acknowledging why you left."
--Saul Williams, from the libretto of Place
How does a white millennial man create a work that explores the topographies of gentrification and displacement? Engaging the mind of poet Saul Williams, composer Ted Hearne confronts this issue head-on in Place, a fiery yet thoughtful oratorio created in collaboration with director Patricia McGregor.
The fully staged, evening-length work--seen here in its West Coast premiere--features six vocalists and an 18-member ensemble that blends the energy of R&B, rock, and electronic music with acoustic orchestral sonorities. A true dialogue, the first part of the libretto is a collage of Hearne's own autobiographical reflections, which are placed in conversation with--and overtly challenged by--Williams' trenchant text in the second half, which addresses displacement through the lens of settler colonialism, police violence, and Afrofuturism.
The cast recording of the work received two Grammy nominations this year. "Place takes shape in songs that emerge like a graffiti mural as repetitive gestures gradually bloom into vibrant, brash statements in high-volume color.... It always felt as if Mr. Hearne was questioning his own comfort and--in the final moment--his power" (The New York Times).
Ted Hearne and Saul Williams' Place
West Coast Premiere
Co-created with Patricia McGregor
Ted Hearne, composer
Saul Williams, librettist
Patricia McGregor, director
Sanford Biggers and Tim Brown, scenic designers
"Gentrification is a generational conversation that has gone by many names. We should not discuss what brings you back to the city without acknowledging why you left."
--Saul Williams, from the libretto of Place
How does a white millennial man create a work that explores the topographies of gentrification and displacement? Engaging the mind of poet Saul Williams, composer Ted Hearne confronts this issue head-on in Place, a fiery yet thoughtful oratorio created in collaboration with director Patricia McGregor.
The fully staged, evening-length work--seen here in its West Coast premiere--features six vocalists and an 18-member ensemble that blends the energy of R&B, rock, and electronic music with acoustic orchestral sonorities. A true dialogue, the first part of the libretto is a collage of Hearne's own autobiographical reflections, which are placed in conversation with--and overtly challenged by--Williams' trenchant text in the second half, which addresses displacement through the lens of settler colonialism, police violence, and Afrofuturism.
The cast recording of the work received two Grammy nominations this year. "Place takes shape in songs that emerge like a graffiti mural as repetitive gestures gradually bloom into vibrant, brash statements in high-volume color.... It always felt as if Mr. Hearne was questioning his own comfort and--in the final moment--his power" (The New York Times).
read more
West Coast Premiere
Co-created with Patricia McGregor
Ted Hearne, composer
Saul Williams, librettist
Patricia McGregor, director
Sanford Biggers and Tim Brown, scenic designers
"Gentrification is a generational conversation that has gone by many names. We should not discuss what brings you back to the city without acknowledging why you left."
--Saul Williams, from the libretto of Place
How does a white millennial man create a work that explores the topographies of gentrification and displacement? Engaging the mind of poet Saul Williams, composer Ted Hearne confronts this issue head-on in Place, a fiery yet thoughtful oratorio created in collaboration with director Patricia McGregor.
The fully staged, evening-length work--seen here in its West Coast premiere--features six vocalists and an 18-member ensemble that blends the energy of R&B, rock, and electronic music with acoustic orchestral sonorities. A true dialogue, the first part of the libretto is a collage of Hearne's own autobiographical reflections, which are placed in conversation with--and overtly challenged by--Williams' trenchant text in the second half, which addresses displacement through the lens of settler colonialism, police violence, and Afrofuturism.
The cast recording of the work received two Grammy nominations this year. "Place takes shape in songs that emerge like a graffiti mural as repetitive gestures gradually bloom into vibrant, brash statements in high-volume color.... It always felt as if Mr. Hearne was questioning his own comfort and--in the final moment--his power" (The New York Times).
show less
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