Man Booker Prize shortlisted writer Ottessa Moshfegh returns to Green Apple to read from her debut story collection, Homesick for Another World.
Praise for Ottessa Moshfegh:
“Expertly crafted stories . . . There’s not a throw-away story in the collection. Each resonates with seemingly effortless, ineffable prose, rarely striking an inauthentic note—particularly memorable are the endings, which often land to devastating effect. The author’s acute insight focuses obsessively, uncomfortably, humorously on excreta, effluvia, and human foible, drilling to the core of her characters’ existential dilemmas. Moshfegh is a force.”
— Publishers Weekly (starred)
“[Moshfegh] is fearless in her probing of her characters’ emotional wounds, proceeding with such a sure touch readers are compelled, not repelled. The directness of her style demands that we register the life ‘stuffed between the mattress and the wall.’ While it is not always an easy read, this collection will leave readers with a sharper, more compassionate sense of the human condition.”
— Booklist (starred review)
“A smartly turned and admirably consistent collection about love and its discontents.”
— Kirkus
About Homesick for Another World:
Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel.
And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities.Homesick for Another Worldis a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.
show less
Praise for Ottessa Moshfegh:
“Expertly crafted stories . . . There’s not a throw-away story in the collection. Each resonates with seemingly effortless, ineffable prose, rarely striking an inauthentic note—particularly memorable are the endings, which often land to devastating effect. The author’s acute insight focuses obsessively, uncomfortably, humorously on excreta, effluvia, and human foible, drilling to the core of her characters’ existential dilemmas. Moshfegh is a force.”
— Publishers Weekly (starred)
“[Moshfegh] is fearless in her probing of her characters’ emotional wounds, proceeding with such a sure touch readers are compelled, not repelled. The directness of her style demands that we register the life ‘stuffed between the mattress and the wall.’ While it is not always an easy read, this collection will leave readers with a sharper, more compassionate sense of the human condition.”
— Booklist (starred review)
“A smartly turned and admirably consistent collection about love and its discontents.”
— Kirkus
About Homesick for Another World:
Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel.
And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities.Homesick for Another Worldis a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.
Man Booker Prize shortlisted writer Ottessa Moshfegh returns to Green Apple to read from her debut story collection, Homesick for Another World.
Praise for Ottessa Moshfegh:
“Expertly crafted stories . . . There’s not a throw-away story in the collection. Each resonates with seemingly effortless, ineffable prose, rarely striking an inauthentic note—particularly memorable are the endings, which often land to devastating effect. The author’s acute insight focuses obsessively, uncomfortably, humorously on excreta, effluvia, and human foible, drilling to the core of her characters’ existential dilemmas. Moshfegh is a force.”
— Publishers Weekly (starred)
“[Moshfegh] is fearless in her probing of her characters’ emotional wounds, proceeding with such a sure touch readers are compelled, not repelled. The directness of her style demands that we register the life ‘stuffed between the mattress and the wall.’ While it is not always an easy read, this collection will leave readers with a sharper, more compassionate sense of the human condition.”
— Booklist (starred review)
“A smartly turned and admirably consistent collection about love and its discontents.”
— Kirkus
About Homesick for Another World:
Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel.
And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities.Homesick for Another Worldis a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.
read more
Praise for Ottessa Moshfegh:
“Expertly crafted stories . . . There’s not a throw-away story in the collection. Each resonates with seemingly effortless, ineffable prose, rarely striking an inauthentic note—particularly memorable are the endings, which often land to devastating effect. The author’s acute insight focuses obsessively, uncomfortably, humorously on excreta, effluvia, and human foible, drilling to the core of her characters’ existential dilemmas. Moshfegh is a force.”
— Publishers Weekly (starred)
“[Moshfegh] is fearless in her probing of her characters’ emotional wounds, proceeding with such a sure touch readers are compelled, not repelled. The directness of her style demands that we register the life ‘stuffed between the mattress and the wall.’ While it is not always an easy read, this collection will leave readers with a sharper, more compassionate sense of the human condition.”
— Booklist (starred review)
“A smartly turned and admirably consistent collection about love and its discontents.”
— Kirkus
About Homesick for Another World:
Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel.
And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities.Homesick for Another Worldis a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.
show less
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