The members of Copenhagen’s Iceage are teenagers, presently 19 or so, and as with most people that age, it doesn’t do any good to cite influences. Rather, Iceage mixes punk, post-punk, Goth and hardcore as if they invented it, and does such an excellent job of blending these tropes with the pent-up energy and frustration of the just-post-pubescent years of young mens’ lives, that they might as well have.
New Brigade is Iceage’s debut album (licensed from Escho Records of Denmark); 26 minutes of anthemic stress, of tension undiluted by worldly wisdom or amassed experience. Following a seven-inch single (recorded by Peter Peter, of the Sods and Sort Sol) and compilation track, New Brigade displays a confidence that substitutes worldly experience for the thrills of discovery, of knowing that it is possible to forge your own path in light of adults, the establishment, and prevailing wisdom telling you to do otherwise. In this tradition, New Brigade’s twelve songs rush past, long enough to hit you in the chest and short enough to make you wonder what happened. YouTube shows Iceage’s live shows to be frenetic, sometimes violent affairs with very little compromise in the way of sound or concept. You may get pushed around. Deal with it. This is a punk record from a punk band that plays punk shows.
Merchandise is the result of years and years of hallucinatory heat and musical quarantine in the skinhead mecca of Tampa, FL. A trio-gone-duo-gone-trio again, the band has been active since 2008, releasing numerous cassettes and CD-R's, along with two full-length LP's on Katorga Works. It's members (RCC, PDB, DMV) all have strong roots in the underground punk community, having released records and toured with much too many acts to be mentioned in this fragment of a bio.
2012's "Children of Desire" marks a turning point for the band. Their initial post-punk palette has begun to actively incorporate various influences from krautrock soundscapes to country ballads, from 1950's crooners to Madchester dopers. Sounds and ambitions have grown and multiplied. The platform continues to grow and the future remains uncertain, but Merchandise show no signs of slowing down. Expect more tours and records and movies and books and etc and and and…
Wet Hair is Shawn Reed, Justin Thye, and Ryan Garbes, the two remaining members of Raccoo-oo-oon that stayed in Iowa City after the band's end. Reed also runs Night-People Records, which Garbes often contributes to. Wet Hair began as a solo outing for Reed in late 2007 during the final months of Raccoo-oo-oon, and after the release of a 12" EP and the Irifi Cassette Garbes was added on organ and live drums. Wet Hair has evolved over time shifting the bands sound steadily towards a more refined pop sensibility. An experimental attitude and psychedelic atmosphere still prevails in Wet Hair's music and the core instrumentation of the band has largey stayed consitent throughout with Reed on vocals, synth, drum machine, + tapes and Garbes on live drums, + synth/organ.
To date Wet Hair has released a 12" EP on Night-People, three cassettes on Night-People, the LP's Dream and Glass Fountain on Not Not Fun, a split 7" with Peaking Lights on Not Not Fun, a split 7" with Rene Hell on Bathetic, and a split LP with Naked on the Vague on Night-People. In late 2010 Wet Hair added third member Matt Fenner to the group on bass and synth. Their third full length album, In Vogue Spirit, came out on De Stijl Records in May 2011.
The members of Copenhagen’s Iceage are teenagers, presently 19 or so, and as with most people that age, it doesn’t do any good to cite influences. Rather, Iceage mixes punk, post-punk, Goth and hardcore as if they invented it, and does such an excellent job of blending th...