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Sun November 12, 2017

Hope Mohr Dance’s 2017 Bridge Project

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The 2017 Bridge Project: Radical Movements: Gender and Politics in Performance

THE 2017 BRIDGE PROJECT: RADICAL MOVEMENTS: GENDER AND POLITICS IN PERFORMANCE
What does it mean to have a radical body?

Artists, activists and academics respond with two weeks of multidisciplinary performance and dialogue.


FEATURED ARTISTS AND ACTIVISTS


* Friday, November 3 (8 PM)

Judith Butler and Monique Jenkinson
in Ordinary Practices of the Radical Body
At CounterPulse


* Saturday, November 4 (8 PM)

Jack Halbertsam and boychild premiere

dance of darkness: a performance, a conversation, a rehearsal for the future
At CounterPulse


* Friday, November 10 (8 PM)

Peacock Rebellion premieres You Really Should Sit Like A Lady (or how I got to femme)

What do martial arts, early 90's R&B divas, crotchety elders and sailor moon have to do with gender? A whole damn lot! Join Lisa Evans for an exploration of the hilarious, perplexing and sometimes infuriating contradictions in the process of gender identity formation in their first ever full length show You Really Should Sit Like A Lady (or how I got to Femme).
At CounterPulse


* Saturday, November 11 (8 PM)

Maryam Rostami premieres Untitled 1396
At CounterPulse


* Sunday, November 12

Julie Tolentino and The Hard Corps
Performance Installation 4-7 PM
Discussion 7-8 PM
Reception 8 PM

Featuring Julie Tolentino and The Hard Corps (Amara Tabor Smith, Larry Arrington, Xandra Ibarra, and Maurya Kerr) part of Tolentino's year-long Community Engagement Residency supported by the Bridge Project. In process explorations will be followed by a public group discussion with the artists, joined by Tolentino's colleagues Debra Levine and Scot Nakagawa.
At the Joe Goode Annex, 401 Alabama Street

---------

The 2017 Bridge Project is co-produced by CounterPulse, sponsored by the Joe Goode Annex, and supported by the NEA, the California Arts Council Artists Activating Communities, San Francisco Grants for the Arts, the Kenneth Rainin Foundation, and the Sakana Foundation, and generous individual donors.

This event is supported in part by the California Arts Council, a state agency. Learn more at https://www.arts.ca.gov

Photo of Maryam Rostami by Robbie Sweeney.
Courtesy of the artist
The 2017 Bridge Project: Radical Movements: Gender and Politics in Performance

THE 2017 BRIDGE PROJECT: RADICAL MOVEMENTS: GENDER AND POLITICS IN PERFORMANCE
What does it mean to have a radical body?

Artists, activists and academics respond with two weeks of multidisciplinary performance and dialogue.


FEATURED ARTISTS AND ACTIVISTS


* Friday, November 3 (8 PM)

Judith Butler and Monique Jenkinson
in Ordinary Practices of the Radical Body
At CounterPulse


* Saturday, November 4 (8 PM)

Jack Halbertsam and boychild premiere

dance of darkness: a performance, a conversation, a rehearsal for the future
At CounterPulse


* Friday, November 10 (8 PM)

Peacock Rebellion premieres You Really Should Sit Like A Lady (or how I got to femme)

What do martial arts, early 90's R&B divas, crotchety elders and sailor moon have to do with gender? A whole damn lot! Join Lisa Evans for an exploration of the hilarious, perplexing and sometimes infuriating contradictions in the process of gender identity formation in their first ever full length show You Really Should Sit Like A Lady (or how I got to Femme).
At CounterPulse


* Saturday, November 11 (8 PM)

Maryam Rostami premieres Untitled 1396
At CounterPulse


* Sunday, November 12

Julie Tolentino and The Hard Corps
Performance Installation 4-7 PM
Discussion 7-8 PM
Reception 8 PM

Featuring Julie Tolentino and The Hard Corps (Amara Tabor Smith, Larry Arrington, Xandra Ibarra, and Maurya Kerr) part of Tolentino's year-long Community Engagement Residency supported by the Bridge Project. In process explorations will be followed by a public group discussion with the artists, joined by Tolentino's colleagues Debra Levine and Scot Nakagawa.
At the Joe Goode Annex, 401 Alabama Street

---------

The 2017 Bridge Project is co-produced by CounterPulse, sponsored by the Joe Goode Annex, and supported by the NEA, the California Arts Council Artists Activating Communities, San Francisco Grants for the Arts, the Kenneth Rainin Foundation, and the Sakana Foundation, and generous individual donors.

This event is supported in part by the California Arts Council, a state agency. Learn more at https://www.arts.ca.gov

Photo of Maryam Rostami by Robbie Sweeney.
Courtesy of the artist
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