Hari Kunzru reads from his new novel, White Tears.
Praise for White Tears
“A compulsively readable ghost story that features masterly—tour de force—writing about early American blues.”—Rachel Kushner, author of The Flamethrowers
“White Tears is a masterful ghost story about a blues song which may or may not exist, but is definitely alive. Sound, in Kunzru's hands, is both force and material, carrying fear, power, and revenge from body to body. When someone cries "Rewind," proceed with caution. History is audible.”—Sasha Frere-Jones
“White Tears is a hallucinatory and eerily accurate journey into America’s racial unconscious—like an updated version of The Crying of Lot 49, in which race itself is the secret and arcane system that controls all of us in ways we never fully understand. In an era when the past seems to be collapsing into the present on a daily basis, you couldn’t find a more urgently necessary, compulsively readable book.”—Jess Row, author of Your Face in Mine
About White Tears
Two twenty-something New Yorkers. Seth is awkward and shy. Carter is the glamorous heir to one of America’s great fortunes. They have one thing in common: an obsession with music. Seth is desperate to reach for the future. Carter is slipping back into the past. When Seth accidentally records an unknown singer in a park, Carter sends it out over the Internet, claiming it’s a long lost 1920s blues recording by a musician called Charlie Shaw. When an old collector contacts them to say that their fake record and their fake bluesman are actually real, the two young white men, accompanied by Carter’s troubled sister Leonie, spiral down into the heart of the nation’s darkness, encountering a suppressed history of greed, envy, revenge, and exploitation. White Tears is a ghost story, a terrifying murder mystery, a timely meditation on race, and a love letter to all the forgotten geniuses of American music.
show less
Praise for White Tears
“A compulsively readable ghost story that features masterly—tour de force—writing about early American blues.”—Rachel Kushner, author of The Flamethrowers
“White Tears is a masterful ghost story about a blues song which may or may not exist, but is definitely alive. Sound, in Kunzru's hands, is both force and material, carrying fear, power, and revenge from body to body. When someone cries "Rewind," proceed with caution. History is audible.”—Sasha Frere-Jones
“White Tears is a hallucinatory and eerily accurate journey into America’s racial unconscious—like an updated version of The Crying of Lot 49, in which race itself is the secret and arcane system that controls all of us in ways we never fully understand. In an era when the past seems to be collapsing into the present on a daily basis, you couldn’t find a more urgently necessary, compulsively readable book.”—Jess Row, author of Your Face in Mine
About White Tears
Two twenty-something New Yorkers. Seth is awkward and shy. Carter is the glamorous heir to one of America’s great fortunes. They have one thing in common: an obsession with music. Seth is desperate to reach for the future. Carter is slipping back into the past. When Seth accidentally records an unknown singer in a park, Carter sends it out over the Internet, claiming it’s a long lost 1920s blues recording by a musician called Charlie Shaw. When an old collector contacts them to say that their fake record and their fake bluesman are actually real, the two young white men, accompanied by Carter’s troubled sister Leonie, spiral down into the heart of the nation’s darkness, encountering a suppressed history of greed, envy, revenge, and exploitation. White Tears is a ghost story, a terrifying murder mystery, a timely meditation on race, and a love letter to all the forgotten geniuses of American music.
Hari Kunzru reads from his new novel, White Tears.
Praise for White Tears
“A compulsively readable ghost story that features masterly—tour de force—writing about early American blues.”—Rachel Kushner, author of The Flamethrowers
“White Tears is a masterful ghost story about a blues song which may or may not exist, but is definitely alive. Sound, in Kunzru's hands, is both force and material, carrying fear, power, and revenge from body to body. When someone cries "Rewind," proceed with caution. History is audible.”—Sasha Frere-Jones
“White Tears is a hallucinatory and eerily accurate journey into America’s racial unconscious—like an updated version of The Crying of Lot 49, in which race itself is the secret and arcane system that controls all of us in ways we never fully understand. In an era when the past seems to be collapsing into the present on a daily basis, you couldn’t find a more urgently necessary, compulsively readable book.”—Jess Row, author of Your Face in Mine
About White Tears
Two twenty-something New Yorkers. Seth is awkward and shy. Carter is the glamorous heir to one of America’s great fortunes. They have one thing in common: an obsession with music. Seth is desperate to reach for the future. Carter is slipping back into the past. When Seth accidentally records an unknown singer in a park, Carter sends it out over the Internet, claiming it’s a long lost 1920s blues recording by a musician called Charlie Shaw. When an old collector contacts them to say that their fake record and their fake bluesman are actually real, the two young white men, accompanied by Carter’s troubled sister Leonie, spiral down into the heart of the nation’s darkness, encountering a suppressed history of greed, envy, revenge, and exploitation. White Tears is a ghost story, a terrifying murder mystery, a timely meditation on race, and a love letter to all the forgotten geniuses of American music.
read more
Praise for White Tears
“A compulsively readable ghost story that features masterly—tour de force—writing about early American blues.”—Rachel Kushner, author of The Flamethrowers
“White Tears is a masterful ghost story about a blues song which may or may not exist, but is definitely alive. Sound, in Kunzru's hands, is both force and material, carrying fear, power, and revenge from body to body. When someone cries "Rewind," proceed with caution. History is audible.”—Sasha Frere-Jones
“White Tears is a hallucinatory and eerily accurate journey into America’s racial unconscious—like an updated version of The Crying of Lot 49, in which race itself is the secret and arcane system that controls all of us in ways we never fully understand. In an era when the past seems to be collapsing into the present on a daily basis, you couldn’t find a more urgently necessary, compulsively readable book.”—Jess Row, author of Your Face in Mine
About White Tears
Two twenty-something New Yorkers. Seth is awkward and shy. Carter is the glamorous heir to one of America’s great fortunes. They have one thing in common: an obsession with music. Seth is desperate to reach for the future. Carter is slipping back into the past. When Seth accidentally records an unknown singer in a park, Carter sends it out over the Internet, claiming it’s a long lost 1920s blues recording by a musician called Charlie Shaw. When an old collector contacts them to say that their fake record and their fake bluesman are actually real, the two young white men, accompanied by Carter’s troubled sister Leonie, spiral down into the heart of the nation’s darkness, encountering a suppressed history of greed, envy, revenge, and exploitation. White Tears is a ghost story, a terrifying murder mystery, a timely meditation on race, and a love letter to all the forgotten geniuses of American music.
show less
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