Since his ground-breaking debut on the electro scene, Fred Falke has developed a unique sound. A prolific artist, he writes and produces music, not to mention numerous remixes. Having started his musical career playing bass, he turned to production in 2000. Back from Hong Kong, he set up a duo with Alan Braxe: their track Intro (out on Vulture) achieved tremendous success and sold up to half a million copies. Many remixes followed: from Jamiroquai and Justice to Royskopp or Death From Above 1979, Fred Falke works with the biggest electro-pop artists and bands.
Falke’s remixing talent led him to collaborate with world-famous rockstars such as U2 and Robbie Williams, indie bands like Hot Chip, Grizzly Bear, Metronomy, La Roux, and Uffie. Pop artists like Kesha, Katy Perry, Selena Gomez, Lana Del Rey or even electro monsters such as Tiesto, Nero and Eric Prydz also owe him some of their catchiest tunes. Fred Falke navigates from one genre to another with one goal only: to create genuine, modern, yet timeless, electro-pop songs.
This passion for well-produced music is really what sets Falke apart. His signature lies in the meticulous care he has for every track he works on. Although relentlessly intransigent, Falke hops from one style to another: his remix of Dancing On My Own by Robyn explores a club-rock touch, whereas his memorable remix of Golden Cage by Whitest Boy Alive glows with nu-disco accents and a French Touch feel… But Falke also enjoys playing some good nineties hip hop tracks suring his DJ sets. A highly-cultivated musician and artist, he has an undeniable ear for melody, which led him to work for Xenomania, the Motown of British pop music. He also collaborated to the production of The Gossip’s singe Move In The Right Direction, produced Ellie Goulding’s tracks Home and Believe Me, and composed Amelia Lily’s Bring Me Joy- number two in the 2012 English charts.
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Falke’s remixing talent led him to collaborate with world-famous rockstars such as U2 and Robbie Williams, indie bands like Hot Chip, Grizzly Bear, Metronomy, La Roux, and Uffie. Pop artists like Kesha, Katy Perry, Selena Gomez, Lana Del Rey or even electro monsters such as Tiesto, Nero and Eric Prydz also owe him some of their catchiest tunes. Fred Falke navigates from one genre to another with one goal only: to create genuine, modern, yet timeless, electro-pop songs.
This passion for well-produced music is really what sets Falke apart. His signature lies in the meticulous care he has for every track he works on. Although relentlessly intransigent, Falke hops from one style to another: his remix of Dancing On My Own by Robyn explores a club-rock touch, whereas his memorable remix of Golden Cage by Whitest Boy Alive glows with nu-disco accents and a French Touch feel… But Falke also enjoys playing some good nineties hip hop tracks suring his DJ sets. A highly-cultivated musician and artist, he has an undeniable ear for melody, which led him to work for Xenomania, the Motown of British pop music. He also collaborated to the production of The Gossip’s singe Move In The Right Direction, produced Ellie Goulding’s tracks Home and Believe Me, and composed Amelia Lily’s Bring Me Joy- number two in the 2012 English charts.
Since his ground-breaking debut on the electro scene, Fred Falke has developed a unique sound. A prolific artist, he writes and produces music, not to mention numerous remixes. Having started his musical career playing bass, he turned to production in 2000. Back from Hong Kong, he set up a duo with Alan Braxe: their track Intro (out on Vulture) achieved tremendous success and sold up to half a million copies. Many remixes followed: from Jamiroquai and Justice to Royskopp or Death From Above 1979, Fred Falke works with the biggest electro-pop artists and bands.
Falke’s remixing talent led him to collaborate with world-famous rockstars such as U2 and Robbie Williams, indie bands like Hot Chip, Grizzly Bear, Metronomy, La Roux, and Uffie. Pop artists like Kesha, Katy Perry, Selena Gomez, Lana Del Rey or even electro monsters such as Tiesto, Nero and Eric Prydz also owe him some of their catchiest tunes. Fred Falke navigates from one genre to another with one goal only: to create genuine, modern, yet timeless, electro-pop songs.
This passion for well-produced music is really what sets Falke apart. His signature lies in the meticulous care he has for every track he works on. Although relentlessly intransigent, Falke hops from one style to another: his remix of Dancing On My Own by Robyn explores a club-rock touch, whereas his memorable remix of Golden Cage by Whitest Boy Alive glows with nu-disco accents and a French Touch feel… But Falke also enjoys playing some good nineties hip hop tracks suring his DJ sets. A highly-cultivated musician and artist, he has an undeniable ear for melody, which led him to work for Xenomania, the Motown of British pop music. He also collaborated to the production of The Gossip’s singe Move In The Right Direction, produced Ellie Goulding’s tracks Home and Believe Me, and composed Amelia Lily’s Bring Me Joy- number two in the 2012 English charts.
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Falke’s remixing talent led him to collaborate with world-famous rockstars such as U2 and Robbie Williams, indie bands like Hot Chip, Grizzly Bear, Metronomy, La Roux, and Uffie. Pop artists like Kesha, Katy Perry, Selena Gomez, Lana Del Rey or even electro monsters such as Tiesto, Nero and Eric Prydz also owe him some of their catchiest tunes. Fred Falke navigates from one genre to another with one goal only: to create genuine, modern, yet timeless, electro-pop songs.
This passion for well-produced music is really what sets Falke apart. His signature lies in the meticulous care he has for every track he works on. Although relentlessly intransigent, Falke hops from one style to another: his remix of Dancing On My Own by Robyn explores a club-rock touch, whereas his memorable remix of Golden Cage by Whitest Boy Alive glows with nu-disco accents and a French Touch feel… But Falke also enjoys playing some good nineties hip hop tracks suring his DJ sets. A highly-cultivated musician and artist, he has an undeniable ear for melody, which led him to work for Xenomania, the Motown of British pop music. He also collaborated to the production of The Gossip’s singe Move In The Right Direction, produced Ellie Goulding’s tracks Home and Believe Me, and composed Amelia Lily’s Bring Me Joy- number two in the 2012 English charts.
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